C’est une échappée. Une route qui s’ouvre loin du vacarme, des flux, des écrans, de la productivité. Avec "Escape to Ecotopia", en référence au livre de Ernest Callenbach, Échap signe une ballade pop rock épurée, comme délestée du superflu. On prend la caisse et on trace la route. Pas de destination précise, juste un élan : celui de chercher ailleurs une manière d’être au monde plus douce, plus solidaire, plus vivante. Le morceau esquisse la possibilité d’une alternative, non comme une utopie figée, mais comme un mouvement. Une fuite ? Peut-être. Mais surtout un nouveau départ.

Escape to Ecotopia

“Rise Again” is a powerful Country Rock anthem about resilience, redemption, and the unstoppable spirit to keep moving forward. Fusing the raw emotion of country storytelling with the energy of southern rock, this track takes you on a journey through the darkest lows to the brightest highs.

With heartfelt lyrics, rich acoustic textures, and gritty electric guitars, Rise Again speaks to anyone who’s ever been knocked down and found the fire to stand back up.

Let the story unfold. Let the fire rise. No matter how hard you fall… you can rise again.

Rise Again

Tough, back-to-basics country-rap—stomps, claps, banjo grit, and fearless bars built for road playlists.

Gravel & Gold

🔻 Song Insight

"How Many Rights Done Wrong" is a journey through life’s detours—the places where every turn seems to lead somewhere new, but never quite “right.” Anchored by a hypnotic chorus and gritty, road-worn verses, the song explores the cycles we fall into, the scars left behind, and the stubborn hope that pushes us to try again, even when the world keeps spinning us in circles. With its vivid highway imagery and raw honesty, this track captures the ache of searching for meaning—and the wry humor of getting lost along the way.

🔻 Lyrics

[Verse 1]
How many wrongs before a right
Getting stuck on left for a life
It’s too dark to see the light
If not now then when—tonight

[Verse 2]
I’ve got cycles, running them over
Dead roadkill marks every mile I’ve lived
Each pattern splatters across my shoulder
It’s not just a life in my head

[Bridge]
Hitched a ride through borrowed time
No bike, this shit got wild
I’m stifled, grown and torn
This bloodline’s mine alone

[Chorus]
How many wrongs before a right
Getting stuck on left for a life
It’s too dark to see the light
If not now then when—tonight

[Verse 3]
Roads lead down to dying towns
People talk but never speak
Always got some shit to say
Never willing to take that walk

[Bridge]
It’s lip service, no pleasure
Growing pains, no measure
Can’t see the gains for all these losses
Something’s gotta change before I toss this

[Chorus]
How many wrongs before a right
Getting stuck on left for a life
It’s too dark to see the light
If not now then when—tonight

[Verse 4]
Backstroke through the undertow
What goes down stays below
How far can you go without hope to show?
It’s a place you never grow

[Outro]
How many wrongs before a right
Getting stuck on left for a life
It’s too dark to see the light
If not now then when—tonight

🔻 Personal Reflection

I wrote this song after one too many nights replaying old mistakes and missed exits, both real and metaphorical. “How Many Rights Done Wrong” came from the push-pull of wanting to do better, but feeling like every direction just leads back to the same spot. It’s a nod to all the times I took the wrong turn, hoping somewhere down the line it would make sense—or at least make for a good story. If you’ve ever felt stuck at life’s crossroads, you’ll hear a piece of yourself in this one.

🔻 4Me2BeFree

This track is pure 4Me2BeFree: messy, honest, cinematic. Our music is about transforming lived pain into a shared, relatable journey—finding beauty (and a little dark humor) in the confusion. “How Many Rights Done Wrong” is another page in the story of learning, unlearning, and finding meaning in the middle of chaos. The goal: turn life’s wrong turns into a map for someone else to find their way home.

🔻 Copyright Notice

"All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited."

How Many Rights Done Wrong

Empty lives
And lazy days
My living life’s
A smoky haze
We’re walking tall
And talking small
And waiting for the train

The signpost says “All Yesterdays”
And who cares what the fat man says
These are just the lazy days
There’s no direction anymore

And it feels like I’m getting older
And it feels like my life is over
I’m here in all my glory
Before my time
What happened to those days
We left behind

Glory days
And living faster
What happened to
These years, I wonder
Sheltered by
The things I thought I knew
I thought of you
And time passed by

Now the last train’s gone with no one on
And sleeping angels fly
The signpost says “All Yesterdays”
There’s no direction anymore

And it feels like I’m getting older
And it feels like my life is over
And I’m here in all my glory
Before my time
What happened to the days
This was our time

This is the time
When I was famous
When I drove to fancy places
Laid my mark on restless faces
And thought of you
This was our time

And it feels like I’m getting older
And it feels like the show is over
And I’m here in all the glitter
And the gold
It’s all a smoky haze
God love these lazy days
And waiting for the train
That never came

This was our time

Crimson Tide

Empty lives

I wrote "anything today" 8 years ago, during a time of deep emotional isolation. I had just left Armenia to study abroad. On the outside, it looked like a step forward but inside, I felt completely disconnected from my surroundings, my relationships and even myself. I was constantly trying to adapt to people’s expectations, trying to be enough, to be what they needed. But it never worked. This song came from the quiet collapse that followed: a kind of emotional surrender. A year before writing it, I had gone through a breakup I never fully processed. Somewhere in my subconscious, that story poured itself into the lyrics too. That period quietly marked the beginning of a depression I didn’t yet understand. The repeated 'I tried' reflects how tired I was of playing roles, of trying to feel what others seemed to feel naturally. This song is the voice of someone too tired to pretend anymore, finally allowing herself to just be. 

© 2005 tina. All rights reserved.
Official release on Spotify, Apple Music, Deezer, Youtube

anything today

A midnight drive through heartbreak and hope — “Keep the Engine Running” is a gritty blues-rock anthem about holding on when everything else falls apart.
Fueled by smoky vocals, raw guitars, and the pulse of the open highway, it’s a song about grit, faith, and the fire that won’t quit. (Its about not giving up)

hd_4. Keep the Engine Running

[Verse 1] 
Highway hummin’ through the heat and haze, 
Cracked windshield still holdin’ the days. 
Salt on my skin from the Gulf Coast tide, 
Your voice in my head sayin’, “Boy, don’t hide.” 

[Pre-Chorus] 
Ain’t no ocean view can drown the sound 
Of your boots walkin’ out of this town.
 
[Chorus] 
’Til Friday comes around, I’ll keep driftin’ slow, 
Down 35 where the long winds blow. 
The neon calls, but your memory’s loud, 
I’m singin’ for the silence of a empty bar crowd. 
Honey, I miss you — yeah, I still do now — 
But I’ll make it somehow… ’Til Friday comes around.
 
[Verse 2] 
Barroom jukebox hums that Luckenbach line, 
Old boy laughin’, sayin’, “Son, you’ll be fine.” 
But he don’t know how the coast air feels, 
When a goodbye cuts deeper than steel.
 
[Bridge] 
Maybe you’re watchin’ that same red sun, 
Fade off the pier when the day’s done. 
If you ever find that you miss me too, 
I’ll be right here where the sky turns blue.
 
[Final Chorus]
’Til Friday comes around, I’ll be holdin’ on, 
To a two-step dream and a heartbreak song. 
The road rolls steady, the night wears thin, 
And I’ll fall in love with the wind again. 
Honey, I miss you — yeah, I still do now — 
But I’ll make it somehow… ’Til Friday comes around. 

[Tag]
Yeah, I’ll make it somehow… 
’Til Friday comes around.

'Till Friday Comes Around

"Ghosts of Nottamun Green" is a powerful, soul-driven country-rock song built on fire, heart, and memory.
A man remembers the love he found at a long-gone fair - a love that still burns through every note.
Driven by gritty baritone vocals, electric and acoustic guitars, Hammond organ, fiddle, pedal steel, bass, and live drums,
this version turns the old legend into a passionate, modern Americana anthem.
For fans of Chris Stapleton, Brothers Osborne, and The War and Treaty.
Raw energy meets roots storytelling - a road-ready country ballad with gospel soul.

“At the fair in Nottamun Green… where the lights still shine and the fields still dream.”

🎵 Credits / Inspiration:
Freely adapted and reimagined from the traditional English folk song “The Fair of Nottamun”,
with new lyrics and original musical arrangement by The Cat.

Tags:
#CountryRock #Americana #ModernCountry #RootsRock #Upbeat #Soulful #Storytelling #GrittyVocals #Fiddle #PedalSteel #ElectricGuitar #LiveBand #Emotional #RoadSong #IndependentArtist

Ghosts of Nottamun Green

“The Call in the Rain” is Anders J Holm’s most personal song yet — a blues-rock tribute to a brother, a bandmate, and a friend he lost too soon.

It’s the sound of a man driving through a storm with the weight of a name in his chest…
the sound of headlights on wet pavement…
the sound of a song played one last time under hospital lights.

Raw, cinematic and painfully human, this track carries the kind of honesty you only earn through real loss.
No filter.
No polish.
Just truth.

For everyone who’s ever loved someone they weren’t ready to lose —
this song is for you.

The Call in the Rain

Electro, Experimental, Glitch-core, Electro-rock, Synthwave & Archives
postexotisme.echap@gmail.com

"If it didn’t matter, it wouldn’t hurt. Pain is the gift of knowing you’re alive."

4Me2BeFree is more than music—it’s my story, my scars, and my survival. Every song is a piece of me, a raw melody of love, heartbreak, and resilience. I blend AI-generated vocals and instruments with real emotions, turning my experiences—especially from an LGBTQ+ perspective—into something that speaks to anyone who's ever felt lost, broken, or just searching for something real.

Breakup songs? Yeah, they hit different. Music carries us through the worst of it, and every generation finds their own anthems of love, loss, and getting back up. Heartache doesn’t care about age, gender, or where you come from—music connects us all.

I make music because I’ve been there. The pain, the anger, the hope—it's all in these songs. If something here hits home for you, let it. If you feel something, let me know. That’s the connection that keeps this alive.

I’m JD Hodge — Oklahoma-born, red dirt-raised, and songwriting for over 30 years.

In 2024, I flatlined on an operating table. Cardiac arrest. Everything changed.

When I came back, the words came with me — like they’d been waiting their turn. Since then, the songs haven’t stopped. I write what’s real: struggle, hope, grit, and grace — stories meant to be felt.

You’ll hear pieces of my past, my people, and the kind of heartland truth you can’t fake. These songs aren’t just mine — they’re for anyone who’s fought through silence and still found a voice.

Retired • Lyricist • Country • Americana • Acoustic Soul
Oklahoma, USA

Electronic | Funk | Rock | Alternative | Beats

jjsoundtrax is a creative space where electronic rhythms, bold guitar riffs, funk energy, urban grooves, and deep atmospheres blend into a unique fusion of style and intention.

Every track begins with an idea, a phrase, a feeling. With short, powerful lyrics and immersive beats, it delivers music that moves — body and mind.
Born from the fusion of human creativity and AI artistry, each composition explores the balance between emotion and technology — where intuition meets innovation, and sound becomes experience.

Inspired by the journey, the street, the truth, and the vibe.

jjsoundtrax doesn’t just play — it connects.
Welcome to a space where every sound tells a story.

- Ymer Records -
Independent Swedish label for the next wave of artists.
Real stories. Fresh sounds. Pure passion – from underground beginnings to global stages.

*The Christmas is here...tune in on the playlist, "Christmas at Ymer Records*

New songs now on Spotify and Apple Music ❤️

Nate Walker and The Outlaws bring grit, smoke, and soul to modern country. Fronted by Nate Walker’s raw, weathered vocals, the band blends outlaw tradition with rock-driven swagger. Their sound is forged from dusty highways, desert nights, and stories that cut straight to the bone.

From barroom anthems to lonesome ballads, Nate Walker and The Outlaws channel the spirit of legends while carving their own path. They carry the fire of the outlaw era into today — bold, unpolished, and unapologetically real.

We are Frost Livingston Productions, an Austin, Texas–based music company creating gritty blues, cinematic country, and modern Americana with real stories and real fire behind every track.
Alongside Frost’s solo work, we’ll be introducing new artists from time to time, collaborating on duets, producing debut singles, and building a roster of voices that match our signature sound: raw emotion, strong songwriting, and powerful performances.
Follow us for new releases, behind-the-scenes production, and a growing catalog of music from Frost Livingston, Kaia Raye Flame, The Frost Livingston Band and new artists joining our lineup.

tina. is a singer-songwriter drawn to raw emotion and quiet strength. With roots in Armenia and a voice shaped by both tenderness and intensity, her music explores themes of loss, healing and inner resilience. Blending minimalism with rich storytelling, she creates songs that speak to those who’ve ever felt like outsiders - honest, intimate and unafraid to feel deeply. 

Guided by freedom and kindness, her alternative sound carries traces of melancholy, revenge and the quiet beauty of traveling through both places and emotions.

New tracks tagged #Roadsong