Euphoric and uplifting. A tribute to the beauty of daily pleasures, from coffee to sunlight.

A celebration of rhythm and emotion.

“Beat Is My Pleasure” is a vibrant fusion of Indie Electronica, Nu Disco, and Balearic grooves, built around a hypnotic beat, uplifting synths, and a playful yet soulful energy. The track pulses with a medium robotic tempo, blending retro revival textures with a modern club-ready aesthetic.

Designed for festival warm-ups, midnight drives, and feel-good playlists, the track channels the joy of small daily pleasures—whether it’s dancing, drawing, walking in the sun, or sipping coffee. The beat is the anchor, but the message is universal: happiness often hides in the ordinary.

Sonically, it’s a groove-soaked anthem with emotional depth, funky basslines, and acid-tinged charm, perfect for DJs, playlist curators, and underground dance lovers. The arrangement is tight and dynamic, with layers that invite movement and introspection alike.

Part of the EP Daily Feelings, the song invites listeners to slow down and tune into their emotional core. It’s not just about the beat—it’s about what the beat represents: a spark of joy, a moment of clarity, a reason to feel alive.

Part of the EP Daily Feelings, this track is a tribute not only to the beat, but about what the beat represents: a spark of joy, a moment of clarity, a reason to feel alive. It’s a call to slow down, tune in, and rediscover what truly brings us pleasure.

Whether you’re a club-goer, bedroom producer, playlist curator, or art-driven content creator, this is for you. Let’s build a community through music, emotion, and shared experience.

Daily Feelings

Beat Is My Pleasure

Robot Beat

Arcade

Koselig

I fell off my chair

Achou errado ¯\_( ͡❛ ͜ʖ ͡❛)_/¯

Essa música foi feita em call com meu amigo Nathan (Ou Natsukaza) desabafei com ele as coisas que eu (MagmaPocket!) tava sofrendo, zueiras que uns colegas faziam que eu não estava mais gostando, riam de mim no ônibus, só porque sim, não tem motivo do porque, qualquer coisa que falava ATÉ PRO PROFESSOR mandavam eu calar a boca, qualquer projeto que eu mostrava, tanto música ou vídeo que fazia davam risada e falavam que tava uma bosta e entre outras coisas que falo na música, eu antes não ligava, mas comecei a me importar porque já tava exagerando, eu falava com o Natsukaza quase chorando de raiva porque eu não tava aguentando (a gente tava na produção de outro projeto que foi cancelado, no caso "DOMO-KUN E O SIMBOLISMO"  do @shelockdk estava só eu e ele na madrugada) ele me acalmou e a gente fez essa música pra eu expressar a raiva que tava sentindo, isso faz um tempo, não falo mais com os garotos como falava antes e to me afastando mais, essa música faz mais ou menos 1 mês que foi feita, mas decidi postar porque achei interessante depois que achei ela nos meus arquivos do PC, enfim, o Nathan vai postar essa música na conta do spotify dele também, tudo está resolvido, não tenho raiva dos garotos e desejo de bom pra eles.

A partir do momento  que um se ofende não é mais zueira, é bullying, eu achava que era brincadeira, mas em casos como falavam que numa premiação eu roubei sendo que não e qualquer projeto fala que é uma merda não era mais zueira e percebia um tom de sinceridade no meio de algumas ironias, é isso, abraços do Magma.

Isso já não é mais zueira (feat. Natsukaza)

Restricted area

I know it's not our fault

Oblivyron — Cyberpunk Metal | Futuristic Sci-Fi Soundscapes

Oblivyron is a Cyberpunk Metal project that blends aggressive modern metal with futuristic sound design and cinematic sci-fi atmospheres. The creative process combines traditional musicianship with AI-assisted tools, used as an extension of the artistic vision — enhancing textures, shaping ambiences, and pushing the sonic experience into new frontiers.

Both the music and visuals were produced using AI-assisted creative tools.

Echoes of the Outer Core

Oblivyron is a solo Cyberpunk Metal project created by Homero Bittencourt, blending aggressive modern metal with cosmic textures, futuristic atmospheres, and immersive sci-fi sound design.

All composition, recording, production, mixing, and mastering are handled by Homero, who also develops the project’s visual aesthetic with the support of artificial intelligence as a creative tool. Certain sonic elements are also developed with AI assistance, always integrated into the original artistic vision.

The project delivers an intense, cinematic, and immersive experience, driven by heavy riffs, deep grooves, and futuristic soundscapes.

This channel brings together music, creative processes, behind-the-scenes content, and insights into the sonic and visual construction of the Oblivyron universe.

Astradyne

The day after Christmas
Nothin' to do
Put the trees in the fire
And listen to you
It's just me and you

I've got the Christmas blues
I don't know what to do

The day after Christmas
And I'm feelin' fine
All my girls on the wine
And my baby on my mind

The day after Christmas
Nothin' to do
Put the gifts in the fire
And listen to me
It's just you and me

It's the day after Christmas
And I'm just a witness

The day after Christmas
And I'm feelin' fine
All my girls on the wine
And my baby on my mind

The day after Christmas
There's nothin' to do
It's the day after Christmas
And I'm just stuck with you
The day after Christmas

The day after Christmas
And I'm feelin' fine
All my girls on the wine
And my baby on my mind

The Day After Christmas

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available, human or machine, as an instrument.
Technology doesn’t replace creativity. It expands it.

KM 0 is an independent electronic music producer duo based in Bologna (Italy) and composed of Jacopo Latini (aka Jabba) and Pasquale Berardi (aka Pachi MPC). Hours and hours of listening music is our food, synths, keyboards, drum machines, samplers and electronic bass are the tools to make it happen within the broad range of the electronic music.

KM 0 is a laboratory where many musical influences (House, Hip Hop, Italo Disco, Funk and not only) are mixed up to propose passionate musical experiments, that range from club vibes to more chill/ambient moods, to create background tracks for different urban situations and emotions. 

KM 0 aims to keep on spreading a message of love and “need” for music from its basement studio (somewhere in Bologna) to all the neighbourhoods around the World by leveraging on technology both to transform ideas into music and as a communication channel. 
KM 0 works to give back to the world of music and music lovers an infinitesimal percentage of emotions that music has being giving to all of us since we were born.

Underground is (not) fashion!
KM 0

Yan Comerlatto Massoni, mais conhecido como MagmaPocket!, é um beatmaker de 16 anos nascido em União da Vitória (Paraná) e atualmente morando em Londrina, também no Paraná. Desde 2023, ele cria beats por pura paixão, explorando estilos como eletrônico, rock, lofi, phonk e tudo que estimule sua criatividade.

O nome MagmaPocket! nasceu da evolução do antigo apelido online SunnyPocket — inspirado no jogo Omori. A troca para "Magma" reflete sua conexão com personagens e séries que envolvem o poder do fogo, trazendo uma identidade sonora explosiva e marcante.

A vontade de produzir surgiu naturalmente, ao ouvir os beats das músicas que gostava e se perguntar: “por que não criar os meus próprios?” Desde então, Yan mergulhou fundo na produção musical, sempre se divertindo, aprendendo e reinventando seu som a cada nova criação.

New tracks tagged #Robotic