Matt made this awesome beat and I added a bunch of samples from "Mother of Pearl" from Roxy Music and "Rigamortis" by Kendrick Lamar... I like this collab a LOT

Kenny of Pearl

Artist: Bryan Ferry
Album: "Boys and Girls"
Original Release Date: 1985

I do NOT own the rights to this material, nor do I claim to do so. Copyrights belong to their owners. We only spread their work, without any commercial spirit.
Thank you and enjoy it!!!!

To learn more material from these DJs/Producers, I invite you to activate the # Pablo Diabllo / # MC Z B tab.

Bryan Ferry - Don't Stop the Dance  (MC Z_B & Pablo Diabllo Extended Remix)

leaf on the wind

MUSICIANS
John Beckmann: all music, and production
Lux Astralis, New York: recording studio
Geoff Pesche: mastering, Abbey Road Studios, London

LYRICS
I’m in with the in crowd
I go where the in crowd flows
I’m in with the in crowd
And I know what the in crowd knows (how to have fun!)

Any season, any time, feel the vibe (how to have fun!)
Looking sharp, setting sparks
We move through the streets with ease
We earn respect, we do as we please

Step aside, day or night
They see the in crowd shining bright
I’m in with the in crowd
I know every groove and beat

When you’re in with the in crowd
It’s easy to feel the heat (and we step out!)
At a spot where the rhythm is hot (and we step out!)
If it’s dull, we don’t stay

We turn every night to day
Our style is always the biggest sway
Others try to match our way
But the in crowd leads, we pave the way

We got our own way of moving
We got our way of grooving (gotta have fun!)
Any season, any time, feel the vibe (gotta have fun!)
Spending big, talking slick

Come with me, I’ll show you more
Leave your troubles at the door
I don’t care where you’ve been
You ain’t been nowhere till you’re in with the in crowd

THE IN CROWD

Artist: Bryan Ferry
Album: "Boys and Girls"
Original release date: 1985

I do NOT own the rights to this material, nor do I claim to do so. Copyrights belong to their owners. We only spread their work, without any commercial spirit.
Thank you and enjoy it!

To learn more material from these DJ/Producer, I invite you to activate the # Paul's remixes tab.

Bryan Ferry - Slave To Love (Original Extended To Love Remix)

This lupine prog-pop art-rock number is taken from forthcoming LP, 'DIVE!'. It matches vocal and guitar hooks with a pounding beat, clashing guitars, sinister vocoders – and a weird prog mid section with howling wolves and swirling keys – then closes with an exultant Gilmour-esque guitar break. All in a three-minute pop song! 

Written and produced by christopher rye, who also supplies vocals, guitars, vocoder, and synths, with epic keyboards and electric piano from Alfonso Cavassa, athletic bass from Allan Wiseman, and punchy drums from Fabio Sclafani.

The hooky melody and lyric hides a dark story about how a defenceless eight-year-old boy was attacked by a gang of men. Years later, he became the guitarist in Space Angel.

DIVE!

The Wolves of Reigate

BUY MASTER AUDIO

The second single from Space Angel's new album is officially released on 17 April. 

This gorgeous, symphonic ballad – a hymn to introversion – is a nod to early Elton John and Pink Floyd's Rick Wright, featuring beautiful piano and vocals from Alfonso Cavassa, and soaring guitar and lyrics from christopher rye. Taken from 'DIVE!', out 5 June. 

Piano, vocals, and keys: Alfonso Cavassa. Lead guitar and backing vocal: christopher rye. Bass and backing vocal: Allan Wiseman. Drums: Fabio Sclafani.

Written and arranged by Alfonso Cavassa and christopher rye.
Produced by christopher rye.

I Could Be Loved

Bryan/Roxy stuff lends itself so well to the remix treatment, I decided to do a DJ mix out of the best stuff. F*ck, there are some gems in here. Enjoy!

TRAX: Limbo (Brookling Dub Mix) / Alphaville (Time and Space Machine Mix) / I Put A Spell On You (Council House Mix) / In Every Dream Home A Heartache (Fetisch & Terranova remix ) / Driving Me Wild (Ray Mang Instrumental Dub Remix) / Loop De Li (Ray Mang Remix) / Shameless (Still Going remix) / The Same Old Scene (Joey Negro Disco Scene Remix) / Kiss And Tell (Dance Mix) / You Can Dance (Fred Falke remix) / While My Heart Is Still Beating (Abakus Remix) / Always Unknowing (Cinnamon Chasers Remix) / Don't Stop The Dance (Todd Terje Remix) / Love Is the Drug (Todd Terje Disco Dub) / The Thrill of it All (M.A.N.D.Y. Vs Booka Shade Remix)

U CAN DANCE - The Bryan Ferry/Roxy Music Remix Project

"The Space Between" by Roxy Music remixed with "Basement" by Graeme Norgate (from the Goldeneye 64 soundtrack).

Kill count: 1

The Basement Between

The Ironmans Album Almanac Number 5. Roxy Music - Stranded, first broadcast May 3rd 2020 

June_stranded_5

The Ironmans Album Almanac Number 19. Roxy Music - Roxy Music, first broadcast September 5th 2021

Album Almanac_ Roxy Music_Sep_Sunday Sep 529m

This week: Cher, Deftones, Ozzy Osbourne, and Purelink.

Subscribe to Mantis Radio → patreon.com/mantisradio
Tracklist → patreon.com/posts/135413517

Each week Mx Darkfloor soundtracks your morning, setting you up for the day. Drawing in myriad styles and genres. From deep drone, ambient, and dub, through to jazz, rock, grunge, jungle, breaks, downtempo, trip-hop, hip-hop, bass, experimental, African rhythms, Asian beats, folk, no wave, shoegaze, psych, fuzz. Basically, day friendly sound. Whatever Mx takes that to mean.

Explore more episodes → patreon.com/collection/144197

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SoundCloud → @mantisradio
Twitch → twitch.tv/mantisradio

Broadcast Thursday July 31, 2025
Mornings with Darkfloor is produced by Mantis Radio and recorded live at Darkfloor Sound in Liverpool, UK. Graphics by makemassair.co.uk

Tracklist

Mornings With Mx 88 - July 31, 2025

Belly up to the bar top. Get a cheap shot. What a day…
Only this wall full of alcohol can keep my regrets at bay
But here walks in a new one, yet it seems so familiar to me
Now look who saunters over. It’s my favorite memory

I thought I had lost you, but you’d been standing in the wings
I thought I outgrew all the excitement of a fling

My mind’s now a-buzzin' with alcohol and regret
For paths I’ve forsaken, what you’ll never forget
And I’ve been such a pretender, halfway playing a part
Drinking, stuck in a daydream. It was over before it could start

I wish we could go back; stretch a new canvas on the frame
I can’t seem to move past this suit and tie that I became

Come sit down beside me. Let's try to get something on the page
Quiet my critic. It’s only me standing in your way

Alex Summerlin – vocals, acoustic guitar 
Chad Terrell – electric guitars, bass
Rick Scott – pianos and synth; drums, mandolin, and chamber orchestra programming
Engineer – Chad Terrell
Production – Rick Scott, Chad Terrell, Alex Summerlin, WaterWoods Studio, Maumelle, AR
Photography - Kim Terrell

Gonna Be Okay

What's in the Way

Dont stop the dance (slowed + pitched)

I'm waiting for my credit card that Sound Cloud has on file to expire, but if there is time left here is me playing gently over one of the classic alternative rock artists if you are over 60 years old 

8~27~2025 Avalon Roxy Music at the Arena in Frejus, France Aug 27, 1982

Original picture by Caroline E.

Original track, India, by Roxy Music © 1982.

India

TRACKLIST
Dharma Protocol feat. Boy George - Coming Home (Psychemagik Remix)
Roxy Music - The Main Thing (Rub N Tug Remix)
Chappell Roan - Good Luck Babe
DJ Zombie, Guy Davidov - Disco Boy
DERON - Put A Record On
Madonna - Music
Lotus ReEdit - Sleaz
Bush Doctors - Space Hoppa
Sgt Slick - That Stranger Called Love
Eurythmics - Love Is A Stranger (JRX Jennifer Feels Love Mix)
Amirali - Velvet Dusk
Curtis Mayfield - Move On Up (Wonderlove's ReEdit)

A Brief Moment Of Joy

The day that Trump demolished the East Wing...No Kings...Please Enjoy it while you can!

TRACKLIST
Groove Armada - Stevie Latenight
Mathias Kaden - Freedom (Radio Slave Dub Mix)
Perel - Mirror
Kiki x Local Suicide - Jamais Vu (MMYYLO Remix)
Peter Black - Close Your Eyes
Eurythmics - The Walk
Wilhelmina & Moontalk - Money (That's What I Want)
Shiny Toy Guns - Le Disko
Radio Soulwax - No Fun / Push It
Iggy Pop & The Stooges - No Fun
Salt N Pepa - Push It
The Rolling Stones - Shattered
Grace Jones - Love Is The Drug
Grace Jones - Demolition Man
Tommy Genesis - Baby are you okay?


Demolition Man

This year on my birthday I decided to go fully 80s live on vinyl split into 2 sections of electronic pop and club/dance classics... Here is a section of the first half.

Tracklist :

1)  Wham! - Wham Rap (Enjoy What You Do)  FK US Dub/Inst
2)  Madonna - Get Into The Groove   (Shep Pettibone Remix)
3)  Pet Shop Boys - What Have I Done To Deserve This? (Disco Mix)
4)  Yazoo - Situation (FK Mix)
5)  Roxy Music - Same Old Scene (Glimmers Remix)
6)  Japan - Life In Tokyo (Extended Version)
7)  Eurythmics – Love Is A Stranger
8)  New Order – True Dub
9)  Soft Cell – Torch
10) The Human League - Love Action
11)  Duran Duran – Is There Something I Should Know?
12)  Madonna – Lucky Star  (Full Length Version)
13)  Tears For Fears – Pale Shelter (Extended)
14)  Blancmange – Blind Vision
15)  Pet Shop Boys - Opportunities (Dub For Money)
16)  Five Star - The Slightest Touch (Slightest Dub)
17)  Yazoo - Don't Go (Re-Mix) (Extended Version)
18)  Talk Talk - It's My Life (Extended Version)
19)  Orchestral Manoeuvres In The Dark – Messages
20)  Eurythmics – Here Comes The Rain Again

Pete Bromley's 80s Electronic + Guilty Pleasures Live On Vinyl 15th Nov 2025

Aka Hueman Error. Getting back into the DJ scene one tight drum break at a time.

Pete Bromley has been Stoke On Trent's top House DJ since 1989 and it has been an interesting and varied journey for him! Resident DJ at Stoke's first successful Underground Dance night 'Introspective' back in 1989 he went on to play at the infamous Shelleys Laserdome as well as other influential clubnights across the UK. Pete's next residency was to be at the Freetown in Hanley which would see him play alongside DJ's like Sasha & Dave Seaman. This would become the stepping stone to his next residency, the legendary Golden. Pete was the main resident DJ at Golden for an amazing 11 years which saw him play with the worlds biggest DJ's bar none. During this time he played many guest appearances at places such as Cream, Renaissance, Ministry Of Sound and DJ magazine listed him as one of the most popular resident DJ's in the world, resulting in his Essential Mix live on Radio 1 alongside Pete Tong at Sankeys in 1996. Quite an accolade seeing as he has never bolstered his career with international gigs, remixes or a recording career as 99% of producer/DJ's do these days. After Golden's demise In 2003, Pete then went on to become one of the resident DJ's at Satchmo's which has now become part of Stoke clubbing folkelore and his position has been cemented over the last years as resident DJ for the Move and their parties at The Sugarmill, Spode Warehouse & The Underground  playing alongside Jamie Jones, Patrick Topping, Solardo, Skream, Annie Mac, Derrick Carter, Pete Tong, MK, Todd Terry, Seth Troxler, The Martinez Brothers, Steve Lawler, Hot Since 82, Eats Everything, Darius Syrossian,Micheal Bibi, Alan Fitzpatrick, wAFF,  Dimitri From Paris, Kenny Dope, Low Steppa, Dan Shake amongst dozens of House musics elite. You can catch Pete at Back In The Day, Blue Collar Disco & Move events @ The Underground/Sugarmill Hanley, Stoke On Trent to see for yourself why he's been at the top of his game for all these years and still going strong!

"𝑴𝒖𝒔𝒊𝒄 𝒊𝒔 𝒔𝒊𝒎𝒑𝒍𝒆𝒓 𝒕𝒉𝒂𝒏 𝒘𝒐𝒓𝒅𝒔" 🎶


🎼 ENGLISH : In this site, you'll find new remixes and reworks of 70's, 80's and 90's classics. And some  surprises about new music! 🎵
The idea is to show the work of talented DJ's and independent producers of all over the world 🌎
We upload content weekly, hope you enjoy it! 🎧

♬ - - - - - - - - - - - - - - - - - - - - - - - - - ♬

"𝑳𝒂 𝒎𝒖́𝒔𝒊𝒄𝒂 𝒆𝒔 𝒎𝒂́𝒔 𝒔𝒊𝒎𝒑𝒍𝒆 𝒒𝒖𝒆 𝒍𝒂𝒔 𝒑𝒂𝒍𝒂𝒃𝒓𝒂𝒔" 🎶

🎼 ESPAÑOL : En este sitio encontrarás nuevos remixes y reelaboraciones de clásicos de los 70, 80 y 90. ¡Y algunas sorpresas sobre nueva música! 🎵
La idea es mostrar el trabajo de talentosos DJ's y productores independientes de todo el mundo 🌎
Subimos contenido semanalmente, ¡esperamos que lo disfrutes! 🎧

est. 2007 — I AM THE ALGORITHIM
linktr.ee/mantisradio

presented by Mx Darkfloor
production @darkfloor

Alex Summerlin is an eclectic alternative and folk-rock musician who has played music professionally for over a decade around the Little Rock, AR, and Nashville, TN areas. Originally hailing from Bryant, AR, Alex was drawn to music at a young age by the generations of working musicians in his family.  He started playing cover music in local bars and clubs as young as 12 years old, playing music steadily throughout his teens and twenties.

Alex started writing music in college as a passion project to break out of the limitations he felt playing cover songs. There, he met fellow long-time musicians and collaborators Rick Scott and Chad Terrell, and they joined Alex to write and produce songs from their home studio in Maumelle, AR (WaterWoods Studio). 

Since then, Alex, Chad, and Rick have continued writing and producing songs that reflect influences from several genres and three generations of music they wish to share with anyone who will listen. 

Thank you for checking out these songs, and stick around for more coming soon!

ArtEfficient Intelligenz is a composer multi instrumentalist whose trajectory includes work with producers Colin Thurston (Human League, Bowie, Iggy Pop, Eno, Tony Visconti, Talk Talk, Duran Duran), and Paul Kendall (Wire, Piquet, Depeche Mode, Erasure, Recoil, Goldfrapp). 
His work has also been personally praised by producers Dave Allen (Human League, Wire, The Cure, Neneh Cherry), Ian Little (Roxy Music's Avalon, OMD's Dazzle Ships, Duran Duran), Stephen Lipson (GJ's Slave To The Rhythm, Propaganda, McCartney, A.Lennox, S.Minds), Chrissie Hynde, or Supergrass. ..Where the strange ones go.
 
Evan has played live at legendary venues like London’s Shepherds Bush Empire -supporting Pulp during the Common People tour at their request-, or the old London Astoria. He has studied sound production, synthesis, programming, composition and audiovisuals his whole life, having charted with a few hard-tech productions, while also long-time studio collaborating, at his request, with J. Parsons, who engineered and produced some of Alan Parsons' projects.

Master Of Nothing. Cue Metallica.

Wowee, look at that rolling ghost glide!

They/Them (don't get it twisted)
Free Palestine!! (Anti-zionist Jew from the cradle to the grave)
Disability justice is the future!! (Spina bifida from the NICU to the nickel urn)
I like my beats crispy and my revolution permanent!! 🎶✊🏼

Roll on that bell or bubble! 🧑🏽‍🦼‍➡️🔔⚪

christopher rye: Lead guitars, vocals, keys | Allan Wiseman: Bass, vocals, second guitar | Ralf Fletcher: Drums. | Albums 'DIVE!' (2025) and 'You Are Next' (2023) out now. | New album 'Afterburner' due 2026.

www.mortalprophets.com

“Anyone having trouble getting to, or staying, asleep should proceed with caution when playing The Mortal Prophets’ debut album around bedtime. The demonic intentions implied by the album’s name and defined by John Beckmann … coil each selection in menacing directions, bringing fresh, often frightening twists to these standards. Be aware - when you engulf yourself in these riveting, uncompromising performances. They are not for the squeamish.”
- American Songwriter

The Mortal Prophets: John Beckmann’s Cinematic Descent Into the Electric Psyche

In the sprawling constellation of modern music, The Mortal Prophets occupy a shadowed corner—less a “band” in the traditional sense than a living, breathing séance conducted by John Beckmann. Across a series of albums, Beckmann has been excavating the strata of Americana, dream pop, blues, and avant-garde minimalism, folding them into a fever-dream narrative that feels like it was beamed from a late-night pirate radio station somewhere between the Mississippi Delta and the outer rings of Saturn. 

Beckmann, who founded New York’s Axis Mundi Design before turning his obsessive creative drive toward music, approaches songwriting like a visual architect—each track a space you inhabit rather than simply hear. His arrangements have the tension of architectural blueprints: precision married to instinct, steel and stone softened by ambient light. In GUITARWORKS II, the most recent installment in a sprawling instrumental odyssey, guitar tones unspool like distant telegraph wires, calling to mind Robert Fripp’s collaborations with Brian Eno, or the glacial drift of Cluster’s experimental soundscapes. It’s profoundly cinematic, yet never ornamental.

If Beckmann’s earlier releases (Stomp The Devil, Me and The Devil, Dealey Plaza Blues) reached back into mythic Americana—the open road, outlaw ballads, acid-washed folk visions—his more recent work tilts toward the abstract, replacing narrative with mood. This is music that understands how memory works: fractured, impressionistic, prone to bleed between truth and hallucination. The Mortal Prophets operate in that liminal space where you’re not sure if you’re dreaming, or just remembering wrong. 

Vocally, when Beckmann steps to the mic, it’s with a delivery equal parts Leonard Cohen confession and Bowie-esque theater—half-smirk, half-sermon. Lyrically, he trades in arcane symbols and sly allusions: 19th-century mystics rub shoulders with dive-bar drifters, and romantic longing flickers like neon through a rain-soaked windshield. He’s not afraid of obliqueness; in fact, he seems to revel in it. Where many contemporary songwriters flatten their work into algorithm-friendly hooks, Beckmann builds labyrinths. 

Part of The Mortal Prophets’ magnetism lies in its refusal to settle. One album might summon the humid ghost-blues of Junior Kimbrough refracted through a loop pedal; the next might drift into synth-heavy dream pop worthy of an early-’90s 4AD release. Beckmann’s collaborators—rotating players drawn from both avant-garde and roots backgrounds—expand that sonic palette, giving the project an almost shapeshifting quality. 
In a cultural moment where genre boundaries are largely performative, Beckmann treats them as haunted ruins worth spelunking through. His songs feel like dispatches from parallel histories of American music—histories where psychedelia never died, where blues never got sanitized, and where experimentalism didn’t have to hide in academic halls. 

The Mortal Prophets may never break into the Billboard mainstream, but that’s hardly the point. Their appeal is in the slow burn, the intimacy of discovery. Beckmann’s work isn’t built for quick consumption; it’s built for listeners willing to linger, to decode, to wander down the long corridors he constructs. In an era obsessed with speed and surface, The Mortal Prophets offer the opposite: a deep dive into the echo chamber of the self, scored by a man who seems to know exactly how to make the walls sing.

New tracks tagged #Roxy Music