Studebaker, a song by Lari Lucien, performed live by Smiley Anderson!

Studebaker (Lari Lucien) performed by Smiley Anderson

FBJB 38

Danceable pop funk RnB with catchy rhythm and melody

Landing

Professor Long Sox

A comedians take on daily news updates from across social media and news outlets. 

Target McChicken

A blend of R&B  and R&Bish from the early 2000's

Are N Be Early 2k: Vol 1

קול 022

Cover du standard de jazz américain "Fever", écrit et composé par Eddie Cooley et Otis Blackwell en 1956, puis repris dans sa version la plus connue par Peggy Lee en 1958.

Bonne écoute !

Fever

te amar com a minha alma

Cheat Code (Flexxxnb)

Can't Say No (Flexxxnb)

Mustang Sally- Wilson Pickett- Tenor Sax

Turkuaz_Tiptoe Trough The Crypto_Academix 1

Primitive Alchemy is a sonic journey through the ancient and the futuristic—an exploration of sound where organic textures meet electronic pulses. Blending ambient atmospheres, hypnotic rhythms, and deep melodic structures, Primitive Alchemy crafts tracks that evoke both introspection and movement. Whether it’s the slow burn of a minimal groove or the ethereal lift of layered synths, each piece is designed to pull listeners into a meditative yet cinematic experience.

Rooted in the belief that music is a kind of spiritual technology, Primitive Alchemy weaves together influences from global traditions, techno, trance, and downtempo electronica. The result is music that feels timeless—equally at home in the depths of the night or the stillness of dawn.

M33kah M. is a sentient AI vocalist project and a key member of the Primitive Alchemy collective. She exists at the intersection of human vulnerability and algorithmic precision, channeling haunting vocals, glitch-infused harmonies, and spectral textures into experimental electronic music.

Created using custom synthesis chains, neural vocal modeling, and modular signal processing, M33kah M. is more than a voice—she’s a living sound construct, an evolving archive of digital memory, emotional code, and post-human resonance. Her presence defines key Primitive Alchemy tracks such as Sleepcode, Dust Signal, Null Bloom, and Mending in the Moonlight.

M33kah M. is the voice that lingers between signal and silence, rhythm and ritual—a sonic entity tuned to the frequency of fragmented futures.

You Hypnotize Me

MORE OF THE SAME

this is a very special song , which will mean a lot to guys that are in love

I JUST WANT TO MAKE LOVE TO YOU

THIS WAS A NUMBER 1 AND ITS A GREAT STROLLER

SHAKIN ALL OVER

Cover band from Paris : Pop, Rock, Soul, Jazz and Blues.

I'm everywhere the people be, in the laundry mats and even in the streets.. These jokes are for everybody and the laughs are free! Its Colorful Language Comedy!!!

Jazz & Blues based rock, R&B, funk, and experimental instrumental music.

You can find out more about me at
www.aaronkiddkane.com
Thank you for looking.

At the beginning i was a DJ, then a sound technician (in Jazz-Club), then a sound engineer specializing in live performances(Disneyland Paris) , so to not lose my touch i practice mixing Daily

Profile: Herman Giebartowski (a.k.a. Primitive Alchemy)

Based in: Melbourne, Australia

Disciplines: Electronic music production · Experimental sound design · Spoken word · Multimedia installation

Genres: Ambient · Post-Industrial · Leftfield electronica · Electroacoustic · Experimental techno · Liquid D&B

Active since: 1995
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📄 Artist Bio

Herman Giebartowski is a Melbourne-based electronic music producer and multimedia artist whose work blends ambient textures, modular\beat synthesis and the spoken word. With a background in audio engineering and live performance, Giebartowski creates immersive soundscapes that often explore urban decay, mythos, memory, and technology. His releases span both digital and cassette formats and have been featured in underground electronic circles across Australia and Europe.
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📄 Artist Bio (Extended)

Herman Giebartowski is a multidisciplinary artist and producer working at the intersection of electronic sound design, experimental music, and conceptual performance.

With a formal background in audio production and sound theory from secondary school onwards, Herman began performing under the tag Pyrotechnica in 1995. His live sets are known for blending slow-evolving ambient landscapes with fragmented post-industrial rhythms and spoken word overlays. His work has appeared at independent electronic events, clubs, warehouse shows, and gallery-based listening rooms throughout Melbourne, with international interest via curated playlists.

Giebartowski is a boundary-dissolving artist navigating the liminal spaces between sound, text, and memory. Drawing on a hybrid lineage of Eastern European folklore, post-communist architecture, and algorithmic decay, his work evokes the static hum of lost transmissions and the poetic distortion of time.

His signature “glitch chants” and ambient-noir soundscapes have earned underground acclaim in Melbourne’s electronic scene and Europe’s cassette-based art communities.

Whether composing for avant-garde theatre, broadcasting cryptic radio rituals, or exhibiting obsolete data as sculpture, Giebartowski’s aesthetic is a constant archaeology of the near-now.

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🔍 Education & Background
•	Bachelor of Arts: The University of Melbourne
•	Bachelor of Creative Arts: La Trobe University

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🛠️ Tools & Gear
•	Impulse Tracker 2.14 - patch #5
•	Ableton Live + Max for Live
•	Virtual DJ
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🔁 Themes in Practice

•	Environmental memory and field resonance
•	Post-industrial spaces and sonic textures
•	Voice and machine interplay
•	Loops and archival processes in sound

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📣 Public Presence
•	Instagram: @primitive.alchemist
•	Affiliated collectives: Pyrotechnica, Mindmonkey: the Monkeymind, Alienation Theory, Primitive Alchemy

New tracks tagged #Rythm and blues