Iṅjeel : Yuhannā 4:5-42 - Ziṅdā Paanī

Musalmaanon ke nuqta nazar se bahut kam Taurait, Zabur, aur Injeel ke tarjume maujud hain. Islie, is website par un teeno kitaabon ki kuch kuch ayaton ka tarjuma Quraan ki raushani me kiya gaya hai. https://tziq.org

Iṅjeel : Yuhannā

Iṅjeel : Yuhannā 4:5-42 - Ziṅdā Paanī

Featuring
@apoc_krysis
Artwork
@yenshin
Mix/Master
@ashketcher

ANOTHA DOLLA FEAT. APOC KRYSIS [PROD. SAM R I x ASH KETCHER]

Real G's (Ft. YounGxd & Sam R I)

نوع السامري: حوطي
أداء: جمعية دار عنيزة للتراث 

الا يا سدره قاعة الغرمول يزيك

نوع السامري: ناقوز
أداء: جمعية دار عنيزة للتراث 

الاعب بالهوى عذرا مليحه

حي الله اللي يغيب ويسرع الرده

زارني عمر بليل

يا حمام على الغابه ينوحي

نوع السامري: حوطي
أداء: جمعية دار عنيزة للتراث 


يا حمامه غريبه عند باب السلام

ياعلي صح بصوت لك رفيع (حوطي)

نوع السامري: سامري عنيزة
أداء: جمعية دار عنيزة للتراث 


ياعلي صح بصوت لك رفيع  (سامري عنيزة)

يالله الا يا والي الناس

يالله اليوم يا رواف

MYG OG COLLECTION

SAT.25.OCT.

C4R4(live)
Obstsalat
Emmallic
Dj Zhao

Yummy Indian snacks by Sticky Fingers

Door: 22h / 10 Euros

Central Berlin ocation to be announced:  ngomasound.com 

TRI-CONTINENTAL celebrates adventurous urban electronic music of the Global South:  Nigerian Cruisebeat, Saudi Arabian Samri, New school Brazillian Funk, Dominican Dembow, Lebanese Dabke, South African Gqom, Jamaican Dancehall...

TRI-CONTINENTALis a safe space for people from all over the world, for the exchange of vibes, moves, flavours, and ideas, and welcomes anyone interested in advanced rhythm science rooted in ancestral sonic traditions.

Information, location, and more:   ngomasound.com

TRI-CONTINENTAL

Kuwaiti Samri is Gulf folk music with a gentle 2/4 sway and a soft frame-drum pulse. In many gatherings you hear interlocking handclaps and chant-like refrains that rise and settle with a warm communal feel. This piece offers a modern instrumental take that features violin as a surrogate for the genre’s lead vocals. The usual call and response is set aside so the core sway remains, carried by a singing melodic line while a quiet frame drum keeps time. The result is intimate and cyclical, with phrases that lean into the beat, float above it, and return to the theme for a calm, hypnotic flow. It gives first-time listeners a clear window into Samri’s rhythmic heart without the crowd energy that typically surrounds it.

[CREATIVE NOTE]
This arrangement adopts the violin as the principal melodic voice throughout, drawing on the Kuwaiti ṣawt tradition to stand in for Samri’s vocal line. Violin is not standard in classic Samri settings. Its use here is an intentional compositional choice that preserves the style’s gentle sway and measured cadence while presenting the melody instrumentally for clarity and learning.

Folklore Interlude - Samri Style Instrumental

I’ve always lived at the crossroads of music and poetry — where feeling becomes form, and melody turns memory into meaning. Whether it’s a lingering jazz note, a well-placed rhyme, or a shift in tempo that tells a deeper story, I’m drawn to that quiet magic where art reflects life with a little more style.

My roots are in classic music — the kind that doesn’t chase the moment but lingers with you long after the last note. Over time, that love expanded into poetry writing and jazz — especially the kind that swings, speaks, and smirks all at once. Jazz, to me, isn’t just a genre; it’s a personality. A conversation. A little tilt of the head and a grin that knows more than it says.

When I set out to create an album, it’s rarely just a collection of songs. I approach it like a personal playlist — one that drifts and flows as if the entire tracklist were one long, uninterrupted piece. Each track leans into the next, shifting mood, pace, or voice, but always carrying the same thread of feeling. I want you to listen the way I do — not as a shuffle of moments, but as a cinematic arc. One breath that lasts an hour.

Lyrically, my work is rooted in lived experience. Sometimes it’s obvious. Other times it’s just the skeleton of a memory, dressed up in wit, irony, or longing. I draw from real-life events, then let the poet in me twist, stretch, or sweeten them to taste. Depending on the tone of the album — playful, romantic, nostalgic, or something in between — I try to keep the emotional truth intact while giving it a fresh coat of creativity. A little humor where it fits. A deeper dive where it hurts.

My newest jazz album continues this tradition — short-lined swing tracks, conversational duets, and tongue-in-cheek storytelling. It’s an homage to late-night alleyway ballads, rooftop serenades, and train station goodbyes — all bound together with a sense of charm and cohesion. Each song is its own little scene, but together they tell a story — one you can revisit with each replay.

Thanks for stopping by my profile. I hope you find something that earns a spot on your repeat-play list — a melody, a lyric, or a moment that feels like it was written just for you.

Born in Beijing and based in Berlin, Dj Zhao brings a poly-cultural understanding of polyrhythm to dance floors all over the world, and applies historical materialist analysis to the study of social music.  Not restricted by style and convention, Dj Zhao's deeply percussive sets span across genres and draws from wildly different times and places, connecting Africa, Asia, and South America, acoustic and electronic, traditional and hyper-modern.

Select Past Performances:
———————————
FESTIVALS

Nyege Nyege (Uganda) 
Fusion Festival (Germany) 
Incubate (Holland) 
Odunde (USA)
EXIT Festival (Serbia) 
Sondeka (Kenya) 
Club Trans Mediale (Germany) 
Sziget Festival (Hungary)
Tribal Gathering (Panama) 
Ethnoport (Poland) 
Worldtronics (Germany) 
Fest de Bestuiving (Holland) 
Sineztezija (Montenegro) 
Sonar Festival (Germany) 
MišMaš (Czech Republic) 
Solar Weekend (Holland) 
Mikser (Serbia) 
Treffpunkt Afrika (Austria) 
Decoloniale (Germany)
At.Tension (Germany) 
Hakuna Matata (Germany) 
Art Lake (Germany) 

———————————
CLUBS

Berghain (Berlin, DE)
Golden Pudel (Hamburg, DE)
Ponyaza (Johannesburg, SA)
Ritter Butzke (Berlin, DE)
La Riviera (Madrid, SP)
About://Blank (Berlin, DE)
Nuba (Paris, FR)
Palác Akropolis (Prague, CZ)
Watergate (Berlin, DE)
Radialsystem (Berlin, DE)
Danse Danse! (Amsterdam, NL)
Andel music Club (Prague, CZ)
Rich Mix (London, UK)
HKW (Berlin, DE)
UT Connewitz (Leipzig, DE)
Opium (Vilnius, LT)
The Shrine (NYC, US)
Gretchen (Berlin, DE)
Klub Fabryka (Krakow, PL)
Leopold Museum (Vienna, AT)
Floripa (London, UK)
Treehouse (Nairobi, KE)
YAAM (Berlin, DE)
Red Cat (Mainz, DE)
Coup D'Etat, Chicago (US)
Capital Pub (Kampala, UG)
Vacca Matta (Johannesburg, SA)
Occii (Amsterdam, NL)
Club 414 (London, UK)
WonderBar (Boston, US)
Noize Fabrik (Berlin, DE)
Lipsiusbau (Dresden, DE)
La Dame De Canton (Paris, FR)
Karlstorbahnhof (Heidelberg, DE)
Zeba Washington (Washington DC, US)
Guanabara (London, UK)
Shikisha (Johannesburg, SA)
Passing Clouds (London, UK)
Urban Spree (Berlin, DE)
ACUD Macht Neu (Berlin, DE)
Panke (Berlin, DE)
Take Five (Bristol, UK)
Badehaus (Berlin, DE)
Bi Nuu (Berlin, DE)
Cookies (Berlin, DE)
Confessions (Prague, CZ)
Bohannon (Berlin, DE)
Tausend (Berlin, DE)

———————————
TALKS

“Forbidden Drums: The Secret History of Modern Social Music”
Untitled Gallery, Berlin, DE 

“Altered Beats: Transatlantic Rhythmic Cross-Pollination” 
Festival de Bestuiving / Utrecht, NL 

“Forged in Pain: The Colonial Process of Musical Development”
Sound System Culture, Berlin, DE

“Legacy of Rhythm: From Biology to Culture” 
Mutant Rhythms Conference, Berlin, DE 

“Reconstructed Cultures and Music from Memory” 
Voneinander Lernen- interkulturelle, Gaziantep, Turkiye 

“Ancient Futurism: Racing The Rhythm Lineage of Modernity” 
Centrum Sonic Lecture Series / Berlin, DE 

“Deep Roots: African Sonic Heritage Today” 
THE SPACE BETWEEN US Music Convention / Berlin, DE

Auzu bilahi minaash shaitaan ar-raajim.

Bismillah ar-rahamaan ar-raheem.

Taurait, Zabur, Injeel, Quran:

Allaah ne insaanon ki hidaayat ke liye asmaani kitaaben apne pyaare nabiyon par naazil farmaai thin. Ham sab is baat se waaqif hain ki Quraan Allaah ki bheji hui akhiri kitaab hai.

Isse pahale ki teen paak kitaabon me bhi Quraan ki tarah hidaayat bheji gayi jisko har insaan ke liye padhna zaruri hai.

Musalmaanon ke nuqta nazar se bahut kam Taurait, Zabur, aur Injeel ke tarjume maujud hain. Islie, is website par un teeno kitaabon ki kuch kuch ayaton ka tarjuma Quraan ki raushani me kiya gaya hai.

Ye afsos ki baat hai ki musalmaan ne Taurait, Zabur, aur Injeel ko padhne aur samjhaane ki zimmedaari sirf Isaayon aur Yahudiyon ke haath me chhod di hai. Hamaara in tarjumon ko karne ka khaas maqsad ye hai ki asmaani kitaabon ki hidaayat sab tak pahunchaai ja sake. Inshaallaah hamaari koshish zarur kaamyaab hogi. Ameen.

https://tziq.org

http://traktrain.com/apoc_krysis
Rapper and Producer from Atlanta.

Production Credits : Spaceghostpurrp, Ramirez, Sxmpra, Black Smurf, LE$, Freddie Dredd, Kreayshawn, Baker x Phonk, WifiGawd,  Supasortahuman, Slim Guerilla,  Dragonmane , Playa Misery , Sista Mas, Zootleggz, Mr. Sisco, Trippjones, Ayoza
IG: @APOCKRYSIS

New tracks tagged #SAMRI