Glasgow Kiss by John Petrucci
Covered by Farid Alizadeh

Glasgow Kiss

From upcoming instrumental Dehumanizing Process EP "Voiceless", out February 9th 2025

Dehumanizing Process - "01"

Post Malone is a fantastic artist of our time. He's a bit strange but he is a fantastic songwriter and artist. 
I'm not really a fan of pop music. But I just had to play this song.

Chemical - Post Malone - Cover by Vanderwald

Stemmed from a conversation with my girlfriend, so I took it upon myself to try and then totally let it collect digital dust. These are the sections I recorded, and I spliced together the most interesting and complete sections. It is a medley of sorts. As seen in playthroughs, they use a pitch shifter, which I do not have. But I still think it came across as convincing. Used the GGD Matt Halpern PV drum kit, and added some de-monotonouzing flare to the outro to add some spice and originality.

Cellar Door - Spiritbox (cover)

Remanence

The Fallen

Falling Forward (Instrumental Demo)

Hi Buddy

Quantum Rift

A remix, since I can't stop messing with my old stuff.

Dehumanizing Process - 03 (2025 remix)

Based on a series of events in the "Carrion Call" Vampire the Masquerade session through the eyes of the Malkavian, Jack.
Entering the doors of the St. Vitus church in the middle of a forest, searching for Lara, the kidnapped Keeper of Elysium. Mind games, battles, the horrific descent into fleshwarped corridors, rescue of Lara and a scrambling escape are represented in each movement of the song.

Called Below, With Visions of Red

This track began taking shape back in February 2025, during a period of experimenting with different guitars and hardware pedals—especially lots of echo effects. From the outset, I decided to abandon any formal plan or structure. My approach was simple: plug in a guitar, play whatever came to mind, and keep whatever felt promising. I just wanted to create something organic, hand-played, with some kind of consistent flow... 

Over time, ideas started to accumulate, and it felt generally fun to just keep recording. 

I’ll admit, part of the inspiration came from a beautiful trip to a magical northern spot, home to a stunning waterfall (see my art cover). Whether that feeling made it into the music—well, I’m honestly not sure.

The final result is this 7-minute progressive guitar journey, featuring two electric guitars, two steel-strings, and one classical guitar. 

Feel free to take a listen and let me know what it brings to mind!

WATERFALL SESSIONS

THE WATERFALL :: DS 2025

🔥 On this episode, I remind you all that I’ll be at The NAMM Show 2026 starting January 20th—make sure to join us for exclusive coverage you won’t see anywhere else! 🎸

Tonight, Ron shows off his brand-new Red Crackle Jackson Soloist with some killer upgrades. We also dive into the story behind Nuno Bettencourt’s Steampunk Washburn guitar—a true one-of-a-kind build. ⚙️

Then I reveal some mock-up photos of my TEASE ST-1 SPR Strat, sharing ideas on swapping out parts and dialing in the perfect setup. From there, we hit the workbench as Ron installs a TESI kill switch on his stunning Lambo Orange Schecter. 🛠️

And remember that Squier Telecaster neck I doweled on the last episode? I re-drill, mount it on a Strat body, and bring a whole new guitar back to life! To wrap it all up, I jam a little and give you a mini studio tour. 🚀

👉 Don’t miss it—hit that subscribe button and join us live!

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Straturday Night! Red Crackle Jackson,More of Nuno’s Steampunk Washburn & Squire Strat Mods! 9/20/25

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🎹  Arturia Pigments & Roli Studio
 🎛    Fractal FM3 - HESU Cab - SM57 + AKGP220  

Battle On - Sea of Stars Cover

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Vanderwald steht für Coversongs interpretiert mit der Gitarre

I make music for fun so if you happen to swing by and take a listen, thank you thank you

Farid Alizadeh (Persian: فرید علیزاده; born on September 10, 2002, in Tabriz, Iran) is an Iranian musician and composer. He is best known as the guitarist for Kolga (Kölgə) since 2019.
He has a height of 1.78 m

Composer of multi-instrumental music, with a preference for longer, progressive and complexly arranged pieces.   

Have played guitar for many years, but I am probably a slightly odd type of guitarist. Not particularily interested in the guitar genre, not too keen on listening to long solos, etc. I don't enjoy playing for people - a party-killer, in short. However, leave me alone with this wonderful tool (or the keyboard, which I play too), and I will start experimenting with it, searching for something to develop. 

Strongly interested in classical music and anything remotely related to that. I want to construct music with a similar structure and complexity, although with other instruments, and in my own way...  
___________________________________________________________

During 2010-2013, I worked on a suite of related pieces, GUITARS PLAYED BY DS, with every sound played on the electric guitar. A major undertaking, and (all-in-all) 45+ minutes long, all complexly related and released in five segments.

During 2014-2015, the main focus was on the full-format 'LONG INSTRUMENTAL', a progressive work with lots of different instruments and sounds, restless and complex. Some sections stand on their own feet: MYSTERY, and FANFARE. 

The 2014-2015 recordings also resulted in two shorter pieces: CAMBRIAN EXPLOSION and CLUSTER OF WARNINGS.

During 2015 I initiated a suite played on classical guitars - GUITAR STRUCTURES. It is a series of slowly changing ideas, a weave of melodies and harmony, the first section out in April 2015 (the 2nd came 2 years later).  

I played guitars on Tolubai's wonderful ambient piece 'MEMORIES' (August 2015).

EARTHSHINE came out in January 2016; a darker and slightly dissonant progressive piece, and one of my personal favorites. So is SILENCE, out 1st July 2016. September 2016: IGNITION  with TOLUBAI and LET THERE BE LIGHT 22th Sept 2016 with PuppyWolf. 

20/11-2016: The OORT CLOUD PROJECT I-IX. An 18+ minutes long progressive synth-based instrumental, with lots of short guitar phrases integrated. Also, the spin-off PASSAGE was released. 

GROTESQUE released too in the end of 2016. The 19th January 2017, I released the sketch OMMA CONTRAPUNCTUS PROJECT. The 4th February 2017, the track '3 WORLDS COLLIDE' was released.

'Guitar Structure No. 2' out in March 2017, took 2 years to complete.

BEST OF 2 WORLDS was released in November 2017, another personal favorite composition.

APPROACHING: an unfinished sketch released 1st April 2018. TAURUS IV released 8th April 2018.

New Years evening 2019, quickly improvising a track: DECADE. Uploaded 23:58 local time. It was a very fun way of ending the year and I used a symbolic art cover with red sweeping in, but I wouldn't have dreamed of what was to come soon.

One main project this year is the SNOWFLAKES VARIATIONS suite; the Prelude was released in January 2020.

8th April 2020: CREATURES RISING was released. CREATURES OF THE RAINFOREST also a spinoff track (released 2021).

In the Lockdown March-April 2020, I recorded 'Era', out of frustration...

5th June 2020: REPORT FROM PLANET THREE, which was initiated 31st May 2019. 

31st July 2020: FORECAST was released. April 2021: SUMMER SNOWFLAKES, a 25 minute long track and perhaps my most ambitious ever. 

OCTOBER 22, 2021: OUTPOST. Was hell of a lot work behind this, which started out as the "Conquerer" project already in 2017. 

APRIL 28, 2022: The Disclosure (Part I).
SEPTEMBER 23, 2022: PEACE GUITARS. A track very dear to me, much of it written outdoors at the shores with my lovely dog with me. 

OCTOBER 6, 2023: SHAMBOLIC GUITARS.  Intensive recordings!

DECEMBER 7, 2024: TABOOOO released. (Oldfield Tribute)

SEPTEMBER 6, 2025: WATERFALL (part 1). Another part will follow in 2026!
 ___________________________________________________________
Many thanks for visiting here, and for the comments, 'Likes' & reposts.

D. Svensson Sept. 2022

*********************************************
All rights to the audio/tracks, and album photography are reserved, and respectfully belong to the owner. 

© DavidSvensson.

Singer-songwriter and a primary writing force in Iscah.

I want to do covers, collaborate, or write for you. My voice is mostly suited for modern metal/progressive metal (djent). However, I love many differing styles of music and can work with whatever you have in mind. So don't let the pedigree deceive you. I am no producer, so almost everything I have here is a demo. I also love playing bass and writing grooves. My skill is not solely vocals if you wish. Metal bass is just one color in my palette. I can also be a consult and objective ear/suggestive mind for your writing. 

You can follow my band's links here:
https://linktr.ee/iscah_metal

SoundCloud:
@IamBean

https://www.instagram.com/niclearnsmusic/

Independent guitarist/artist/producer based in Melbourne Australia.

I'm just a guy who loves to play on the guitar :))

New tracks tagged #SCHECTER