Method: It‘s complex. 
Narration: Just think of Paris, millenia later.
Image: Another (altered) section of the original Tiny Inclusions illustration. Yes, I guess 'blue' might have been seen in ancient Greece as well.

poem / copyright jo richter:
(as published in: Tiny Inclusions, in: Auslegpapier)

Out of the blue
he is back, has returned.
It is the Klein kind of blue,
to be precise. He must have
stared at the picture for hours.
.
The walls reek of bliss.
His own smell carries that stink.
Long before he had realized it,
his senses had learned
to abhor beauty.
.
.
It is now that
he remembers his name.
He was the one who courted,
beguiled Helen, took her to Troy.
His name, the gods took him here to remember his name.
.
.
.
All his life, he had fought his way along
the Hausmann lines of perfection
that used to encircle his palace. Armies of strangers.
This is where they end, in a blue
square on a gallery wall
reeking of bliss,

blue

Blue

It is one of the foundational achievements of archaeology, and one of the most momentous discoveries ever made in any field --

We follow the long debate over whether and where the remains of the ancient legendary city of Troy could be found, and we see how the mystery was solved by the excavations overseen by the brilliant, ruthless, and indefatigable German businessman, explorer, and serial liar, Heinrich Schliemann.

Pt. 2 will examine how modern scholars and excavators have used the finds from the site in Turkey -- including the long lost priceless "Treasure of Priam" -- to reconstruct the city and its place in the Bronze-Age world.

Music: "Les Cyclopes" by Jean-Philippe Rameau, played on piano by Paul Barton, and published by Feurich Piano.

Image: Sophia Schliemann posing in a gold diadem, necklace, and earrings from Troy 2, dubbed "The Jewels of Helen," 1873-4.

Suggested further reading: Tolstikov & Treister, “The Gold of Troy”; Allen, “Finding the Walls of Troy”; Traill, “Schliemann of Troy”; Moorehead, “Lost and Found: the 9,000 Treasures of Troy”

Please sign up as a patron to hear all patron-only lectures, including the previous "Doorways in Time" on the Dead Sea Scrolls -- https://www.patreon.com/c/user?u=5530632

Doorways in Time: The Great Archaeological Discoveries, 9: Troy -- pt. 1: The Odyssey in Reverse

History lectures by Samuel Biagetti, a historian (and antique dealer) with a Phd in early American history; my dissertation was on Freemasonry in the 1700s. I focus on the historical myths and distortions, from "the Middle Ages" to "Race," that people use to rationalize the world in which we live.   More info at www.historiansplaining.com

Please see my Patreon page, https://www.patreon.com/user?u=5530632, if you want to keep the lectures coming, and to hear the patron-only materials.

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

New tracks tagged #SCHLIEMANN