I did this free write over some loops years ago -been waiting to meet a rapper that cld take it on - not happening - bit it worryingly feels more relevant today than when I wrote it 🤘🏻💜🤘🏻

Sheep just bleat on the beat 
Fuck and buy and fight and eat
I wanna be strong but I’m always wrong
Just to get along in the shit show circus

Discuss discourse how not to make a fucking fuss
Distrust sold as truth wanna blow off the roof 
Discover the truth of our origins 
Not suck collagen 
Deadly sin a male invention 
Twisted vine twisted mind twisted intentions 

The sheep just bleat on the beat 
Fuck and buy and fight and eat …themselves
It is time to rise up 

Is it time we rise up

Hidden I see unbidden patterns of behaviour 
Saviour behaviour slaviour behaviour 
Deflecting our attention from the dancing pigs 
Prancing violent jigs across a burning world 
My eyes unfurl
Cannot unsee irrelevance of you and me
Only when we open 
Can we unite 
Concentrate the fight together 
As one forever
As one become 
The very thing they fear 
That small voice in their ears 
The very thing they fear is us 

It is time it is time to rise up

The sheep just bleat on the beat 
Fuck and buy and fight and eat ….themselves

Only when we open 
Can we unite 
Concentrate the fight together 
As one forever
As one become 
The very thing they fear 
That small voice in their ears 
The very thing they fear is us 

When you care more for me than the next hot celebrity 
You can hate me less than the mess they laid at your feet 
I weep 
I weep
Always wrong 
Try to be strong 
It is time we rise up 

,

sheep

Still Candy - Robot Sheep (Prod. FOS Music)

Lyrics:

Yep yep yep yep (baa baa baa baa)
Yep yep yep yep 
Yep yep yep yep (baa baa baa baa)
Yep yep yep yep 

I be drinking all these coffee it’s my hobby
When I’m moving l just feel like I’m dying in my body
I be tripping out on this kool-Aid like am happy
You got hella plastic you be acting like a Barbie

baa baa baa baa

I just been stuck on this farm
They are just setting alarms
Are we just hurting self
Feeling like food on the shelf

Holy shit holy shit
I been living my honest life
I been hating this other side
I just don’t wanna die

Holy shit holy shit
Dismantling all of me
Trash the bones it’s skeleton
It’s getting scary I’m rotting away

Beep beep beep robotic sheep
Made of metal I can’t sleep
In my software it’s too deep
In my dream I can’t not leap
If I’m human I would bleed
I wish I could really see
I can’t cry so happily
There watching me I thought I died

Am I, even real anymore
it’s been killing my Core
Instinct my mind is gone
I think I am not real
I am robot
I never had flesh
I never got love
I never saw me

Am a sheep sheep sheep
Am a sheep sheep sheep
I wanna to escape
I wanna just leave

Am a sheep sheep sheep
Am a sheep sheep sheep
I wanna to escape
I wanna just leave

Yeah aye aye yeah aye yeah uh ahh
Yeah aye yeah yeah uh yeah
 Yeah yeah

You think it’s easy
I been building all this shit
I been farming all these animals taking all these heat
You always Roll in around shit what I buying it ain’t cheap
I said everybody gon flop cuz you beep beep like a sheep

I said gimme all ya money
I said gimme all ya bags 
Running up my numbers cuz y'all dummy coming back
64 blocks of gold I keep it high in my stacks
Always hidden in my safe full racks
Yes this is my monopoly

Try stopping me
You ain’t nothing to me
You ain’t something to me
You owe everything to me
You a sheep you wanna be
Try to play with me you’ll see
Throw ya shit up in this garbage bag

I will take ur bed next
I will take ur food next
I will take ur game next 
I will take ur car next
I will take ur house next
I will take ur fun next
I will take life next

Am a sheep sheep sheep
Am a sheep sheep sheep
I wanna to escape
I wanna just leave

Am a sheep sheep sheep
Am a sheep sheep sheep
I wanna to escape
I wanna just leave

Robot Sheep (Prod. FOS Music)

Hoshi  Min at the end of this world breizh Mylène ouessant farmer

Radio commercial produced for Yorkshire Fibre, using a character-led rural setting to introduce the service and communicate the benefits of reliable broadband in remote areas.

The piece demonstrates:

• short-form radio commercial structure within a 30-second format
• character dialogue and regional tone to support brand identity
• integration of voice, music, and sound effects for narrative clarity
• pacing and editing designed for broadcast advertising

A short production example highlighting dialogue editing, sound design, and commercial radio production.

Commercial Spot | Yorkshire Fibre

Yaksta, DJ Big Skipp- Black Sheep (Official Audio)

linktr.ee/sh33pasleep

Prod. Sh33p
Sample by 1yarkuss 

MY BRAIN IS A SAD LITTLE SQUARE BALL (And i'm okay with that)

Love Birds N Sheep Clothing

But I Always Go Back To Black...

Happy Birthday Ruth!
3 original secret tracks on here, metallica, dami and poppy :)

Sheep at Lamont Farm

How to wean lambs from ewes in confinement feeding

14 Weaning lambs during drought

15 Removing ewes from confinement

16 Keeping sheep healthy in confinement

Special requirement for managing pregnant ewes grazing on cereal crops

17 Managing pregnant ewes grazing cereal crops

The clothing brand Stem abandoned the conventional runway at Copenhagen Fashion Week and instead invited participants to work with textiles in an interactive workshop. Youth Journalism International Correspondent Noah Haynes reports from Copenhagen.

A stylish choice - making the most of Danish wool, by Noah Haynes

Steve Smith :: Creekside Church :: Sunday, February 

From John 10:1-21, Pastor Steve preaches about four distinguishing features that mark out Jesus as the Good Shepherd, comforting the sheep and compelling the skeptic to believe.

Worship music permitted under CCLI License #264436.

John 10:1-21 - Jesus is the Good Shepherd

The Gospel of Mark
Sheep without a Shepherd (Mk.6:30-44)
Pastor Ben Schoffmann 2/22/25

Sheep without a Shepherd

This first aired on Wednesday the 11th of March, 2026 on ONE FM 98.5 Shepparton.

One FM breakfast announcer Plemo reads the weekly livestock report from the Shepparton saleyards.

Listen to Plemo live on weekday mornings from 6am-9am.

Contact the station on admin@fm985.com.au or (+613) 58313131

The ONE FM 98.5 Community Radio podcast page operates under the license of Goulburn Valley Community Radio Inc. (ONE FM) Number 1385226/1.

PRA AMCOS (Australasian Performing Right Association Limited  and Australasian Mechanical Copyright Owners Society) that covers Simulcasting and Online content including podcasts with musical content, that we pay every year. This licence number is 1385226/1.

Plemo reads the weekly Livestock report - Wednesday the 11th of March, 2026

In Luke 2:1–20, the familiar nativity story comes into focus not as tradition or sentiment, but as real history unfolding exactly as God promised. This message explores how Jesus’s birth fulfills prophecy while grounding the story in its true setting, what it actually meant for Mary and Joseph to be turned away, and what a manger really was. All of this goes down against the background of a pagan emperor who accepts the title "Savior of the World".

(3-15-26) Jesus is Born: Savior, Christ, Lord | Luke 2:1–20

I'm an French Musician creating for visual media.
The land of my ancestors is "USHANT (Ouessant)"
I live in Brittany near the "Pointe du Raz".

All compositions - © John USHANT de KELLER

💜🤘🏻 Is there anybody out there fancy a jam? Check out my playlist “come play with me “ in my spotlight -all open to collaboration-I’ve really been enjoying rearranging covers of classics but feeling stuck in a rut - so if you have a riff but never know where to take it - chord sequence you always strum but never use -bass - melody lyrics -even a whole song you wanna hear in a different style -DM me ☺️💜😈-nothing can become something with a little energy exchange ....💜🤘🏻💜

BROKEN SPIRITS MEMBER
STILL CANDY

SEND ME BEATS
therealstillcandy@gmail.com

Producer cooking like a baby
Breakcore - Techno - Tekno - Retro Hardcore/Hardstyle - Tekk - whatever

Youth Journalism International connects student writers, artists and photographers with peers around the globe, teaches journalism, fosters cross-cultural understanding, and promotes and defends a free youth press.

The Gulbali Institute is the leading research centre at Charles Sturt University, with investigations across agriculture, water management and the environment. Guided by the First Nations Wiradjuri principle ‘Gulbali ngurambang’—to understand Country—our research informs policies and practices that support landscapes and communities across regional Australia and the world.  

Charles Sturt University TEQSA PRV12018 (Australian University) CRICOS 00005F.

One FM Community Radio Station airs a range of programs, including  "Ethnic Programs"  (in languages other than English), specialist interview programs such as "Shepplife" and health programs (So Much More)which are podcast here.  We also podcast a range of local sports programs as part of our Super Saturday Sports Show.  
Goulburn Valley Community Radio Station  Inc. (One FM 98.5) podcast site operates under APRA AMCOS (Australasian Performing Rights Association and Australasian Mechanical Copyright Owners Society) and ACMA (Australian Communications Media Authority) Licence Number  1385226/1.

The programs are recorded and first aired at One FM 98.5 Community Radio Station in Shepparton (Victoria, AUSTRALIA), and produced with the assistance of the Community Broadcasting Foundation or the National Ethnic and Multicultural Broadcasters' Council.

All intro and outro music for So Much More podcasts are taken from Beneplacito Boogaloo composed by Terry Barbossa and Matt Holland.

Creekside Church (formerly Cornerstone Community Church) is a place for you and your family to grow with us as we worship God and serve Him and others. We’re a non-denominational church meeting Sundays at 2743 82nd Place in Urbandale, IA. There’s something for you at Creekside, where you’ll find friendly faces of all ages and walks of life gathered to worship Jesus Christ and follow God’s word, the Bible. Visit our web site for directions and details.

Radio & Podcast Audio Producer | Sound Designer | Engineer

I produce spoken-word audio for radio and podcasts that is clear, natural, and engaging. My work focuses on pacing, tone, and the small details that help a story land.

I bring 25 years of professional studio experience to narrative audio production. My background includes work connected with Shrek 2 and sessions involving artists such as Counting Crows, Seal, Lisa Stansfield, and Sugababes across studios in Los Angeles, New York, and the UK.

I now focus on broadcast and podcast production, creating intros, sweepers, features, and narrative sound design.

Portfolio: https://chrisdemetriou.com  
Contact: chris@christopherdemetriou.com

New tracks tagged #SHEEP