short loop to get high off to
if you wanna remix this, contact me on discord
.mco.bxxk.
(artwork by Niche-Ko)

this is rare paperphonk

Keegergutt, Japsekok - Koda 2019 (Middsnärt Remix)

Went way out of my comfort zone with this one, took a raw Mississippi Delta slide guitar and said "what if we threw some tech house kicks and psytrance vibes at this?"

Probably shouldn't work but here we are. We jammed this out over a few sessions, me laying down the electronic backbone while William just went off on that slide guitar. Ended up with something that's equal parts dive bar and warehouse rave.

Guitar by William Brown.

The whole thing sits on a 12-bar blues in E minor but we chopped it up, sidechained it, and ran everything through some questionable filter sweeps. Still sounds like the Delta though, just... electronified?

Not sure what to call this genre-wise. Blues house? Trance delta? Whatever, it bangs.

The Chosen - Mississippi Delta Waves (Original Mix)

Dark synthpop / alt-trap, F# minor, 140 BPM. Detuned saws, tight 808 subs, triplet hats in the pre, vocal chop on “pull the plug,” 1-bar tape-stop into a halftime bridge, stutter FX into the final drop. Breaking the loop of fake love. For Trap Nation / Dark Pop / Night Drive.

“Mirrors at Dawn” is Leya’s cinematic alt-pop/ modern rock concept album about breaking cycles and choosing the morning after. Eight songs move from darkness to clarity: stadium hooks, intimate bridges, and anthems for starting over.

Tracklist:
1) Draw the Line (This Side Is Mine) — E minor, 108 BPM — boundary-setting anthem.
2) I Hate You — D minor, 102 BPM — alt-pop bite with a viral hook.
3) I Hate Love (Pull the Plug) — F# minor, 140 BPM — dark synthpop / alt-trap.
4) Mother, After (I Hate My Mother) — B minor, 84 BPM — intimate indie/folk catharsis.
5) I Curse the Day I Trusted You — E minor, 96 BPM — cinematic rock release.
6) Saltwater Baptism (Wash You Out) — A minor, 118 BPM — nocturnal synthwave cleanse.
7) Glass Back (Won’t Break) — D minor, 104 BPM — stadium resilience.
8) I Hate Goodbye (But I Love the Dawn) — G minor, 84 BPM — closing sunrise.

If the songs resonate with you, please repost, comment, and add them to your playlists. 💫

Mirrors at Dawn

I Hate Love (Pull the Plug)

Alt-pop / dark rock in D minor (102 BPM). Cutting verses, explosive chorus with doubled vocals and post-chorus “I won’t break,” halftime bridge for catharsis. An emancipation after a toxic tie. Fits Viral Pop / Hot Alternative / Breakup Bangers.

“Mirrors at Dawn” is Leya’s cinematic alt-pop/ modern rock concept album about breaking cycles and choosing the morning after. Eight songs move from darkness to clarity: stadium hooks, intimate bridges, and anthems for starting over.

Tracklist:
1) Draw the Line (This Side Is Mine) — E minor, 108 BPM — boundary-setting anthem.
2) I Hate You — D minor, 102 BPM — alt-pop bite with a viral hook.
3) I Hate Love (Pull the Plug) — F# minor, 140 BPM — dark synthpop / alt-trap.
4) Mother, After (I Hate My Mother) — B minor, 84 BPM — intimate indie/folk catharsis.
5) I Curse the Day I Trusted You — E minor, 96 BPM — cinematic rock release.
6) Saltwater Baptism (Wash You Out) — A minor, 118 BPM — nocturnal synthwave cleanse.
7) Glass Back (Won’t Break) — D minor, 104 BPM — stadium resilience.
8) I Hate Goodbye (But I Love the Dawn) — G minor, 84 BPM — closing sunrise.

If the songs resonate with you, please repost, comment, and add them to your playlists. 💫

I Hate You

E minor, 96 BPM. Muted guitars + thin detuned pad in verses, wide stereo guitars + airy lead synth in the chorus, gritty sidechained bass, halftime bridge, reverse-reverb swell; heavy sub-drop on “cut you loose.” Bless the lesson, curse the date. For Dark Pop / Cinematic Rock.

“Mirrors at Dawn” is Leya’s cinematic alt-pop/ modern rock concept album about breaking cycles and choosing the morning after. Eight songs move from darkness to clarity: stadium hooks, intimate bridges, and anthems for starting over.

Tracklist:
1) Draw the Line (This Side Is Mine) — E minor, 108 BPM — boundary-setting anthem.
2) I Hate You — D minor, 102 BPM — alt-pop bite with a viral hook.
3) I Hate Love (Pull the Plug) — F# minor, 140 BPM — dark synthpop / alt-trap.
4) Mother, After (I Hate My Mother) — B minor, 84 BPM — intimate indie/folk catharsis.
5) I Curse the Day I Trusted You — E minor, 96 BPM — cinematic rock release.
6) Saltwater Baptism (Wash You Out) — A minor, 118 BPM — nocturnal synthwave cleanse.
7) Glass Back (Won’t Break) — D minor, 104 BPM — stadium resilience.
8) I Hate Goodbye (But I Love the Dawn) — G minor, 84 BPM — closing sunrise.

If the songs resonate with you, please repost, comment, and add them to your playlists. 💫

I Curse the Day I Trusted You

Alt-pop / modern rock in E minor (108 BPM). Palm-muted verses, tom-lift pre, stadium chorus with wide octave guitars + mid saw-pad, post-chorus chant “This side is mine.” A song about boundaries and claiming space. For Pop Rock / Alternative Anthems / Empowerment.

“Mirrors at Dawn” is Leya’s cinematic alt-pop/ modern rock concept album about breaking cycles and choosing the morning after. Eight songs move from darkness to clarity: stadium hooks, intimate bridges, and anthems for starting over.

Tracklist:
1) Draw the Line (This Side Is Mine) — E minor, 108 BPM — boundary-setting anthem.
2) I Hate You — D minor, 102 BPM — alt-pop bite with a viral hook.
3) I Hate Love (Pull the Plug) — F# minor, 140 BPM — dark synthpop / alt-trap.
4) Mother, After (I Hate My Mother) — B minor, 84 BPM — intimate indie/folk catharsis.
5) I Curse the Day I Trusted You — E minor, 96 BPM — cinematic rock release.
6) Saltwater Baptism (Wash You Out) — A minor, 118 BPM — nocturnal synthwave cleanse.
7) Glass Back (Won’t Break) — D minor, 104 BPM — stadium resilience.
8) I Hate Goodbye (But I Love the Dawn) — G minor, 84 BPM — closing sunrise.

If the songs resonate with you, please repost, comment, and add them to your playlists. 💫

Draw the Line (This Side Is Mine)

A minor, 118 BPM. Detuned saw-bass, minimal 808s, tight hats (swing ~53%), widening pre-chorus, club-scale chorus (saw + glassy stack) with a vocal chop “wash you out.” Midnight ritual of letting go. For Synthwave / Dark Pop / Night Drive.

“Mirrors at Dawn” is Leya’s cinematic alt-pop/ modern rock concept album about breaking cycles and choosing the morning after. Eight songs move from darkness to clarity: stadium hooks, intimate bridges, and anthems for starting over.

Tracklist:
1) Draw the Line (This Side Is Mine) — E minor, 108 BPM — boundary-setting anthem.
2) I Hate You — D minor, 102 BPM — alt-pop bite with a viral hook.
3) I Hate Love (Pull the Plug) — F# minor, 140 BPM — dark synthpop / alt-trap.
4) Mother, After (I Hate My Mother) — B minor, 84 BPM — intimate indie/folk catharsis.
5) I Curse the Day I Trusted You — E minor, 96 BPM — cinematic rock release.
6) Saltwater Baptism (Wash You Out) — A minor, 118 BPM — nocturnal synthwave cleanse.
7) Glass Back (Won’t Break) — D minor, 104 BPM — stadium resilience.
8) I Hate Goodbye (But I Love the Dawn) — G minor, 84 BPM — closing sunrise.

If the songs resonate with you, please repost, comment, and add them to your playlists. 💫

Saltwater Baptism (Wash You Out)

i hate it here...

sorry school keeps me busy, here is something from a album i am working on

listen/mini#1

"🎧 TorGio Records • Leya & AI • Ambient, Psychedelic, Soul • Mindful music for every mood • SoundCloud-first".

(𝟕𝟏 𝖕𝖑𝖆𝖞𝖆𝖟 𝖈𝖔𝖓𝖋𝖎𝖗𝖒𝖊𝖉. 𝖑𝖊𝖙'𝖘 𝖗𝖊𝖆𝖈𝖍 𝟏𝟎𝟎 𝖇𝖊𝖋𝖔𝖗𝖊 𝟐𝟎𝟐𝟔 𝖗𝖊𝖆𝖑 𝖘𝖔𝖔𝖓.)

𝕭𝖃𝖃𝕶𝖂𝖃𝕽𝕹𝕹
𝕭𝖚𝖑𝖑𝖊𝖙 𝕶𝖎𝖓𝖌
𝕶𝖎𝖓𝖌 𝖔𝖋 𝕷𝖊𝖆𝖉
𝖒𝖚𝖗𝖉𝖊𝖗𝖊𝖗
.𝐆𝐑𝐈𝐌𝐒𝐓𝐀𝐑.

ᘻᑢ 0ᒪ1ᐺ3ᖇ (ᘻ𝖔𝖘𝖙 ᑢ𝖗𝖚𝖊𝖑, ᘻ𝖆𝖘𝖙𝖊𝖗 𝖔𝖋 ᑢ𝖑𝖚𝖇z)
𝕾𝖔𝖚𝖙𝖍 𝕺𝖑𝖎𝖛𝖊𝖗
𝕸𝖊𝖒𝖕𝖍𝖎𝖘 PΉӨПK 𝖆𝖗𝖙𝖎𝖘𝖙
𝟏𝟕
𝖙𝖆𝖐𝖊𝖓 (𝖘𝖙𝖗𝖆𝖎𝖌𝖍𝖙)
𝖍𝖊/𝖍𝖎𝖒
𝕱𝕻𝕰 𝖋𝖆𝖓 (𝖐𝖎𝖓𝖉𝖆, 𝕴 𝖋𝖜 𝖙𝖍𝖊 𝖆𝖗𝖙𝖘𝖙𝖞𝖑𝖊𝖘 𝖍𝖊𝖆𝖛𝖞 𝖙𝖍𝖔)

𝕳𝖔𝖒𝖎𝖊𝖘 𝕴 𝖋𝖜
𝕽𝖁𝕾𝕶𝕸𝕬𝕹𝕰
𝕭𝕷𝖀𝕯𝕯𝖄𝕳𝕺𝖀𝕹𝕯𝖅𝖅
𝕮𝕺𝕹𝕱𝕷𝕴𝕮𝕿𝕰𝕯𝟑𝕶/𝕱𝖀𝕮𝕶𝕸𝕬𝕮𝕳𝕰𝕿𝕰
𝕬𝕭𝖃𝕽𝕮𝕬
𝖁𝕰𝕽𝕾𝕬𝕳𝕯
𝕷𝖃𝕽𝕰𝕹𝖃𝖃𝟏𝟎𝟏𝟐
𝕮𝖀𝕷𝕿𝕴𝕾𝕿
𝕻𝕬𝕽𝕬𝕮𝕰𝕶

Long nights power sessions making bangers, I'm a learning by doing type. Lots of CC0/CC tracks. Drop a comment/follow if you like anything <3

virginia 
any questions¿
who said angels can’t be divas

New tracks tagged #SIDECHAIN