Let us believe in the resurrection of the earth expresses hope for the earth’s renewal and asks for forgiveness. Will we do what it takes to undo the damage we have already done to the earth? The piece calls for reflection and action, and in this movement, a call-and-response refrain invites the audience to join in singing.

This piece is excerpted from A Calendar of Light, a 75-minute work that takes the shape of a calendar and holds us accountable for our relationship with the earth, especially in the greater context of climate change. Ultimately, the piece calls for reflection and action.

This work was commissioned by The Esoterics and is dedicated, with gratitude, to its Artistic Director, Eric Banks. A Calendar of Light was composed in part at the Tusen Takk Foundation, with thanks to Geoffrey Peckham and Patricia Melzer for their generous support. 

LET US BELIEVE IN THE RESURRECTION OF THE EARTH

Let us believe in the resurrection
of the earth. Forgive us now
our unbelief.

—Barbara Crooker

This piece excerpts Crooker’s poem “Liturgy for March.”

A Calendar Of Light: Let us believe in the resurrection of the earth

"Is it impossible to plant change?" invites the audience to contemplate the titular question with an engaging call-and-response refrain. This piece is excerpted from A Calendar of Light, a 75-minute work that takes the shape of a calendar and holds us accountable for our relationship with the earth, especially in the greater context of climate change. Ultimately, the piece calls for reflection and action.

A Calendar of Light was commissioned by The Esoterics and is dedicated, with gratitude, to its Artistic Director, Eric Banks. This work was composed in part at the Tusen Takk Foundation, with thanks to Geoffrey Peckham and Patricia Melzer for their generous support. 

IS IT IMPOSSIBLE TO PLANT CHANGE?

Is it impossible to plant change?

—Barbara Crooker

A Calendar Of Light: Is it impossible to plant change?

A symphonic concertante poem for violin and cello accompanied by string orchestra and harpsicord.

soloists:
- Maria Eklektou | violin
- Ioannis Stefos | violoncello

Unicorn

วิ่งวน - (Prod By Wildboy1996)

Your Love - JISOO (Cover)

Joseph Chabanceau de La Barre (1633-1678) : "Si c'est un bien que l'espérance"
Extrait des "Airs à deux parties avec les seconds couplets en diminution" (Ballard, 1669)

Pierre-Edouard Pecourt, ténor
James Holland, théorbiste

CRD de Dieppe, classe de Julie Hassler
Enregistrement live (avec le concours du chauffage au gaz :), Eglise de Saint-Aubin-sur-Scie (76)
Dimanche 16 mars 2025

Joseph Chabanceau de La Barre - Si c'est un bien que l'espérance

Ryan White tells us his methodology of putting himself in the thick of it and learning about himself in the process.

Quantum Music: Dissecting the Modern Musician - Ryan White (4/23/2025)

Del Claro - Breve Concertante para Violoncelo e Camerata

The violinconcerto is rich in melodies. the solo violin part is virtuoso and energetic

Next - Violinconcerto No.2 (2025)

Rhapsody for Trombone (Gordon Langford)
Chris Binns
Jugend Brass Band Forum Ostschweiz (conductor: Joram Botts)
Summer Camp 2024

Rhapsody For Trombone - Gordon Langford (Chris Binns)

Kim Bowman, born in Margaret River, WA, in 1957, was mostly educated in the Netherlands, where he started art school in Den Bosch at the age of 17. He made art installations and environments and exhibitions of large books and ‘experience machines’. His works have been purchased and commissioned by museums, private art collectors and the Dutch Government. A few immature compositions date from those years, and Bowman also played guitars and drums in several New Wave bands at the time. After graduating from art school, Bowman made some tape compositions in his own studio, using both electronic and concrete sounds as well as self-made percussion and string instruments. He also started studying cello and percussion.

Bowman started composition studies at the Utrecht Conservatorium of Music in 1986 where he also worked in the electronic music studio. He continued his studies at the Rotterdam Conservatorium of Music, where he also added double bass and piano to his curriculum. He graduated in 1993. Bowman’s works have been performed throughout the world and commissioned and performed by major orchestras and ensembles, such as the Residentie Orchestra The Hague, Amsterdam Sinfonietta, Holland Sinfonia, the Sydney Symphony and the Meridian Arts Ensemble New York. Reinbert de Leeuw, David Porcelijn, Etienne Siebens, Lucas Vis and Jac van Steen, among others, have conducted his works.

im mainly on bandlab!! https://www.bandlab.com/sseujwon

Hailed by the New York Times for her "soaring melodies and beguiling harmonies," Dale Trumbore has received commissions, performances and awards from organizations including ACDA, ACME, Inscape Chamber Orchestra, Los Angeles Master Chorale, The Singers - Minnesota Choral Artists and VocalEssence. Learn more about her music at daletrumbore.com.

Welcome to Riverwest Radio – WXRW 104.1 FM

Riverwest Radio is a nonprofit storefront community radio & podcasting platform dedicated to uplifting Milwaukee voices through locally produced content.

MISSION STATEMENT
Riverwest Radio provides a community platform for education, advocacy and creativity, as well as an outlet for marginalized and alternative voices in our neighborhood and beyond. We invite all Milwaukeeans not only to listen, but to take an active role in the production of their own show and become stewards of the station.

Sur cette page, je souhaite vous faire partager librement mes univers musicaux. Bienvenue, et bonne balade auditive :)

Fernando Britto é Bacharel em Composição pela FIAM-FAAM, Acadêmico da Academia de Música do Brasil e vencedor do Concurso Internacional de Composição do Gramado in Concert 2024.

New tracks tagged #SOLOIST