"Southern Breeze" is a tribute to the people of the industrial South form Luxemburg– proud, strong, and unyielding. Amid old factories and silent furnaces, the song tells stories of hard work, resilience, and the quiet wind that carries the history of an entire town. A sound that evokes warmth, pride, and nostalgia all at once.

Southern Breeze

Verse 1:
Tailgate down, headlights on,
Cooler cracked open, night’s still young.
Mud on our boots, dirt on our hands,
In your arms where the fireflies dance.

Chorus 1:
Redneckin’ down by the river bend,
Cold beer on ice, a kiss to lend.
Truck bed thumping’ to a backwoods hymn,
Raise em high, we’re redneckin’ again.

Verse 2:
Moonshine glow, stars on our skin,
Lip to lip, baby, let the trouble begin.
Boots in the mud, hearts on fire,
Redneck love with a side of desire.

Chorus 2 (double):
Redneckin’ down by the river bend,
Cold beer on ice, a kiss to lend.
Truck bed thumpin’ to a backwoods hymn,
Raise em high, we’re redneckin’ again.
Redneckin’ down, baby, sparks in the sand,
Hands in my hair, night in our hands.

Outro / Tag:
Crickets singin’, bass line hummin’,
Redneck love, baby, the night keeps drummin’.
Raise em high, we’re redneckin’ again.

Redneckin’

Top Entries for The Statesboro Revue Mix Contest

Good Love (Matthieu St. Laurent Mix)

Good Love (James Hixon Mix)

Good Love (Eric Passmore Mix)

Good Love  (Kash Meng Mix)

A midnight drive through heartbreak and hope — “Keep the Engine Running” is a gritty blues-rock anthem about holding on when everything else falls apart.
Fueled by smoky vocals, raw guitars, and the pulse of the open highway, it’s a song about grit, faith, and the fire that won’t quit. (Its about not giving up)

hd_4. Keep the Engine Running

Sometimes we love harder than the other person can handle. And honey, if my love is too much, Bye bye. Mixing gritty punk elements with rodeo dance music. Line dance your blues away or walk the hell on out and do your own thing. 

Put You in My Heart

What if zombies decided to dance instead of eating brains? 

Zombie King

Dust on the Wire

[Verse 1]  
You say you love the lost, but you don’t take the calls,  
I knocked, I bled, I told it all.  
You smiled like you meant it, then backed away slow,  
Like my pain was somethin’ you didn’t wanna know.  

I ain’t beggin’ for a pulpit or a stage,  
Just someone who won’t run when the truth turns gray.  
You sing about grace like it don’t get stained,  
But I found it in the ashes callin’ my name.  

[Chorus]  
You preach it ’til it’s pretty,  
You post it ’til it sells,  
But when a man walks outta Heaven,  
You leave him by himself.  
You talk about revival,  
But you don’t know how it feels —  
Don’t say you believe in fire  
If you won’t preach it ’til it’s real.  

[Verse 2]  
You got a verse on a post-it by your desk,  
But you can’t look me in the eyes when I confess.  
Said your God saves, said your door’s open wide,  
But I watched you lock it when I stepped inside.  

I came back burned but breathin’ air,  
With a heart still beatin’ and a thousand prayers.  
I ain’t here to fit your mold,  
I’m here ’cause love wouldn’t let me go.  

[Chorus]  
You preach it ’til it’s pretty,  
You post it ’til it trends,  
But when a man walks outta Heaven,  
You don’t call, you just pretend.  
You shout about the miracles,  
Then ghost the ones who heal —  
Don’t say you believe in fire  
If you won’t preach it ’til it’s real.  

[Bridge]  
One breath from gone, one foot from grace,  
You’d think that would change a man’s face.  
But truth cuts deep, peace comes slow,  
So I’ll sing it loud — even if I stand alone.  

[Final Chorus]  
You preach it ’til it’s polished,  
You quote it with a grin,  
But when the grave lost its grip on me,  
I saw where grace begins.  
You talk about the Spirit,  
Now I know how it feels —  
Love don’t hide from the broken,  
It heals us ’til it’s real.  

[Outro]  
Don’t preach it — unless you mean it.  
Real.

Preach It 'Till It's Pretty

[Verse 1]
Woke up starin’ at an old notepad,
Half a verse and a thought I had.
Same four chords and a cheap red pen,
Tryin’ to find that feelin’ again.
Ain’t got nothin’ left but time and strings,
Guess that’s where the truth still sings.

[Chorus]
Yeah, writin’ songs ’bout writin’ songs,
’Cause I ran outta women and things gone wrong.
Can’t fake the pain, can’t force the muse,
So I just write ’bout the truth.
Just… writin’ songs ’bout writin’ songs.

[Verse 2]
Every dream I’ve chased has paid in tabs,
Barroom lights and broken cabs.
Some nights hit, some fade away,
But I keep pickin’ what I can’t say.
If I ever get a hit, don’t blink—
It’s just another line in ink.

[Chorus]
Yeah, writin’ songs ’bout writin’ songs,
’Cause I ran outta women and things gone wrong.
Can’t fake the pain, can’t force the muse,
So I just write ’bout the truth.
Just… writin’ songs ’bout writin’ songs.

[Bridge]
Maybe one day I’ll find that spark,
Chase it down through the neon dark.
But ‘til that muse decides she calls,
I’ll be spillin’ my heart on these four walls.

[Final Chorus / Outro]
Yeah, writin’ songs ’bout writin’ songs,
Still tryin’ to right what the world got wrong.
Can’t fake the pain, can’t force the muse,
So I just write ’bout the truth.
Just… writin’ songs ’bout writin’ songs.


Writin' Songs 'Bout Writin' Songs

Return to the soggy bottoms with a fresh, hybrid reinterpretation of one of the coolest bluegrass songs to hit in many years. Think Ricky Skaggs meets Nine Inch Nails. O Brother Where Art Thou is reimagined with a dark, modern twist.

Man of Constant Sorrow

“Grandaddy Hex” is a gritty, Southern-tinged alternative rock anthem written, recorded, and produced by Jerry M. Jowers under Jericho Records. Fueled by swampy guitars, thunderous drums, and a slow-burn groove, the track drips with atmosphere — part ghost story, part confession. The verses stalk through the shadows with blues-rock swagger and lyrical mystique, while the chorus erupts in raw emotion, channeling the weight of legacy, rebellion, and spiritual reckoning.

The vocals deliver a gravel-edged intensity — equal parts preacher, outlaw, and poet — telling the tale of curses, bloodlines, and the price of power. Lyrically, “Grandaddy Hex” fuses folklore and modern grit, bridging ancestral roots with personal revelation. Its production feels cinematic and primal, blending classic rock attitude with the emotional depth of modern alt-rock — a haunting anthem of inheritance and fire.

Writers: Jerry Jowers/Jerry M. Jowers
Producer: Jerry M. Jowers
Lead Vocal: Jerry M. Jowers
Guitars / Bass / Drums / Programming: Jerry M. Jowers
Mix / Master: Jerry M. Jowers
Label: Jericho Records

Grandaddy Hex

“Crazy Pauly Country” is a road-worn country-rock anthem about keeping your dreams alive when the odds are long.
Written and produced by Paul Kennedy, it tells the story of a man who never quits — a believer in second chances and the strength to rebuild.
With slide guitars, barroom piano, and honest lyrics, the song rides the line between nostalgia and defiance — where business meets grit, and hope never clocks out.
🎙️ Written & Produced by Paul Kennedy
🎸 Genre: Country Rock / Outlaw Americana
📍 Recorded 2025 | Orleans, Canada
💭 Keep your dreams in drive — Crazy Pauly never stops.

Crazy Pauly Country

“Just Don’t Like Losin’ (Outlaw Cut)” is a southern-country rocker about grit, honor, and holding your ground.
It’s not about beating anyone — it’s about fighting the good fight, keeping your word, and showing respect for the rival who shows up ready.
A gentleman’s fight, with calloused hands and an open heart.

Written and produced by Paul Kennedy, this cut blends outlaw rhythm, slide guitars, and a steady, soulful groove that rides the line between pride and peace.

🎙️ Written & Produced by Paul Kennedy
🎸 Genre: Outlaw Country / Southern Rock
📍 Recorded 2025 | Orleans, Canada
🥊 Fight fair. Stand tall. Never quit.

Just Dont Like Losin' (Outlaw Cut)

“Think I Got Caught Speedin’” is a witty, high-octane roots-rock anthem that turns everyday trouble into a southern-fried story worth tellin’.
Written and produced by Paul Kennedy, it’s got the grit of a live bar band — slide guitars, handclaps, Hammond organ, and a smile behind every lyric.

🎙️ Written & Produced by Paul Kennedy
🎸 Genre: Roots Rock / Southern Americana
📍 Recorded 2025 | Orleans, Canada
🚗 Four sets of eyes, one wild ride — faith, fact, doubt, and love collide.

Think I Got Caught Speedin'

Jericho Records USA is the home of songwriter and producer Jericho Walls, presenting 30+ years of original music drawn from real experiences, emotions, and seasons of life. Each track represents a chapter of his story — from heartbreak to healing, rebellion to redemption. Every song is written, arranged, recorded, and produced by Jericho himself. Some vocals are his original takes, while others are processed through AI voice conversion to capture alternate tones and styles. No third-party voices are cloned or generated from prompts. These are authentic works of art built with modern tools — a bridge between raw songwriting and next-generation production. Real songs. Real stories. Jericho Records USA.

Faye and the Mockingbirds are a dynamic rock and folk-rock band hailing from Luxembourg. The band consists of the energetic vocalist Faye, the guitarists Marc and Georges, the bassist Jean Luc, and the drummer Yannick. The members quickly united, deciding to combine their talents to convey both captivating melodies and meaningful messages. Together they create a soundscape that captivates listeners, taking them on an emotional journey.

The name "Mockingbirds" was chosen to emphasize inspiration and connection to nature. Mockingbirds are known for their ability to mimic the songs of other birds, integrating them into their own musical expression. This philosophy reflects the band's approach: they draw from diverse musical influences and ideas to create their unique sound.
Faye and the Mockingbirds blend catchy melodies with profound lyrics, crafting a distinctive listening experience.

I’m JD Hodge — Oklahoma-born, red dirt-raised, and songwriting for over 30 years.

In 2024, I flatlined on an operating table. Cardiac arrest. Everything changed.

When I came back, the words came with me — like they’d been waiting their turn. Since then, the songs haven’t stopped. I write what’s real: struggle, hope, grit, and grace — stories meant to be felt.

You’ll hear pieces of my past, my people, and the kind of heartland truth you can’t fake. These songs aren’t just mine — they’re for anyone who’s fought through silence and still found a voice.

Retired • Lyricist • Country • Americana • Acoustic Soul
Oklahoma, USA

Southern blues and country-rock storyteller turning scars into songs. Raw, real, and road-born — this is Frost Livingston.

🎶 G.W. Childs is a musician, producer, and sound designer blending country, rock, and synth-pop — think The Eagles meets The Weeknd. He’s released music with COP International and Cleopatra Records, collaborated with John Fryer and Tina Root (Switchblade Symphony), and contributed creative work at Lucasfilm. As a sound designer for Propellerhead’s Reason, he helped shape one of the most iconic music tools of its era.
Pulling from influences like the BeeGees, ABBA, Marvin Gaye and Smokey Robbins and mixing with Depeche Mode and Kraftwerk. Every music listener will find something new and familiar in timeless tracks that deliver big hooks and crafty melodies. 

As a sound designer for major developers like LucasArts, Lucasfilm, Propellerheads, Cakewalk, MTV, US Army and more. Childs explores a wide list of topics from a veterans perspective.

Mark Dillon is a Calgary based musician, “T.A. Vern’s” is his debut solo album, he wrote, recorded, sang, and preformed all the instruments on “T.A. Vern’s”.

New tracks tagged #SOUTHERNROCK