long cool woman (in a black dress) - the hollies  (remixed)
little miss night and day - boz scaggs 
there Is a mountain - donovan
i'm a believer - peter laine & the nana's *
mellow yellow - xavier cugat
dancing in the moonlight - king harvest
do your thing -  moondog
return to paper plates
funnel of love - squrl (featuring madeline follin)
bonus track
congratulations - pinky and perky

* an old tin miner's tune.
mixes are time capsules of sound. each capturing a moment in time that will not be repeated the same way. each mix is meant to transport the listener in their own time machine to their own destination. these are soundtracks for daily living... "music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything"
no copyright infringement is intended. (CC)

i'm a mellow yellow believer - pretty  crazy show

Ep. 212: Restorations with James Vaughan: Abel Gance, Pressure, Man Ray, Abraham’s Valley

Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. Every year the New York Film Festival rolls out a selection of revivals and restorations, and for the latest edition, I welcomed filmmaker James Vaughan (Friends and Strangers) back to the podcast. We discussed a number of highlights, some of which will be making their way to cinemas: La Roue (Abel Gance), Pressure (Horace Ové), films by Man Ray (accompanied by Jim Jarmusch’s band SQÜRL), and Abraham’s Valley (Manoel de Oliveira). Plus a straggler from the premieres: Martin Rejtman’s La Practica.

Please support the production of this podcast by signing up at:
rapold.substack.com

Photo by Steve Snodgrass

Ep. 212: Restorations with James Vaughan: Abel Gance, Pressure, Man Ray, Abraham’s Valley

Ep. 256: Amy Taubin on Leos Carax’s It’s Not Me, The Shrouds, Charles Atlas, Arthur Jafa, Man Ray, and More

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The one and only Amy Taubin comes back to The Last Thing I Saw for a wide-ranging conversation about what she’s been watching. That includes at least a couple of Cannes titles—Leos Carax’s It’s Not Me and David Cronenberg’s The Shrouds—and New York repertory highlights from the spring: the enormous Charles Atlas retrospective at Anthology Film Archives (which is still ongoing through June), the Man Ray restorations touring with new Jim Jarmusch–led score, and Arthur Jafa’s shattering reimagining of the brutal ending to Taxi Driver, titled “*****”, shown at the Gladstone Gallery. There are also shout-outs to the Antoinetta Angelidi revival in Prismatic Ground, a new Blu-ray of Too Much Sleep, and more.

Please support the production of this podcast by signing up at:
rapold.substack.com

Photo by Steve Snodgrass

Ep. 256: Amy Taubin on Carax’s It’s Not Me, The Shrouds, Charles Atlas, Arthur Jafa, Man Ray, more

I once read somewhere that...
mixes are time capsules of sound. each capturing a moment in time that will not be repeated the same way. each mix is meant to transport the listener in their own time machine to their own destination. these are soundtracks for daily living..."music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything"

Critic Nicolas Rapold talks with guests about the movies they've been watching. From home viewing to the latest from festivals and retrospectives. Named one of the 10 Best Film Podcasts by Sight & Sound magazine. Guests include critics, curators, and filmmakers.

New tracks tagged #SQURL