MUSICIANS
John Beckmann: all music
Dämmerungschor: vocal ensemble, Berlin
Recorded at Lux Astralis, New York
Hansa Studios Berlin, mastering

COMMUNE OF THE ZEALOTS

MARIA ORSIC

LUNAR VISITATION

Bring high-octane energy and emotion to your next production with Vector: Commercial DnB - a euphoric blend of driving rhythms, uplifting melodies, and radio-ready polish. Crafted for producers working at the intersection of drum and bass, trance-infused pop, and commercial electronic music, this pack operates at a slightly slower BPM than traditional DnB, giving you more space to work in vocals, arrangement, and crossover ideas.

Vector is packed with glossy synth leads, wide-eyed melodic progressions, and deep, anthemic basslines designed to channel the spirit of artists like Sub Focus, Dimension, Rudimental, and even the chart-friendly side of Joel Corry or Becky Hill collaborations. Every element has been designed to slot effortlessly into commercial mixes, sync briefs, and high-impact trailers. Whether you're writing for radio, dancefloors, or library music content, the sonic identity of this pack hits that glossy, emotional sweet spot with wide market appeal.

The drum and percussion content brings pace and punch, with full loops and stripped variations giving you flexibility across intros, builds, and drops. One-shots are clean and precise, perfect for custom groove construction or layering with your own hits. And with FX and atmospheric elements included, it’s easy to add that extra shimmer and tension for transitions or breakdowns.

Whether you’re building big-room pop DnB, cinematic breakbeat cues, or fusing trancey emotion into your next uptempo hybrid, Vector: Commercial DnB gives you the professional edge and inspiration to move fast and sound huge. This is the sound of feel-good adrenaline, laced with melody, movement, and modern commercial appeal.

Vector: Commercial DnB

Vector: Commercial DnB [SAMPLE PACK]

Playlist: Works in Progress
First uploaded: July 12, 2025

From the composer: I can see a cottage along the river, just by the bridge, during a foggy sunrise, as the family inside awakens for another day of the small dramas and quiet beauty that make life worth living. I wrote this piece with that kind of scene in mind, and I hope someone might consider it for the opening credits of a television series.

Cottage By The Bridge

Grime track featuring a strong female vocal hook and rap verses. Built on a driving bassline, with syncopated African-influenced percussion and gritty synth elements. Structured for high-impact moments in urban or action-focused content.

I'm Rich (Grime / Hip Hop)

indie-inspired track perfect for setting the scene of a coming-of-age experience

feeling fine

A catchy robot themed pop song with a retro feel and a contemporary twist about a robot invasion.. This may induce foot tapping or dancing and it's OUT SOON or NOW!
"The Robots Are Here"
All Words, Melody & Music Written Arranged & Composed By Nick Myer.
All Music performed by Nick Myer.
Vocals: Nick Myer
Edited, Mixed and Mastered by Nick Myer.

* An interesting side note: This song was musically based on a song I wrote a very long time ago but for this transformation, I wrote a new top line melody and words and some new arrangements resulting in this very different beast.  Enjoy..   It's OUT SOON.. or NOW by the time you read this.

The Robots Are Here  - Nick Myer (OUT SOON!)

Welcoming new producers and beatmakers. 

TBA New Production Sponsors & Beat Makers. Enjoy

Long Awaited Love

Empire of Echoes closes the EP "Frequencies OF Silence" with a sense of faded grandeur – a cinematic piece built on memory, resonance, and emotional depth.
The track feels like walking through vast, forgotten halls where each step awakens ghostly reflections of what once was.

Warm analog pads rise beneath a bed of layered textures, while deep bass pulses give the piece a quiet authority.
Subtle melodic fragments drift in and out, echoing themes that never fully resolve – like half-remembered dreams.

This is not a climax, but a fading – a final echo that leaves space rather than filling it.
Empire of Echoes is a sonic monument to what remains after the sound is gone.

—
🎧 Tags: Cinematic, Deep House, Ambient, Organic Electronica, Minimal, Instrumental
🎛️ Mood: Melancholic, Expansive, Introspective
🔈 Length: 3:24 min
🎛️ Produced by: Tom Lysar
📅 2025

Empire of Echoes

Playlist: Works in Progress
First uploaded: July 21, 2025

From the composer: "Don’t Fight the Apple" is about the pursuit of knowledge that isn’t easy to accept at first, but that ultimately brings peace. I wanted the music to feel a little uncomfortable yet intriguing, with the promise of clarity somewhere on the other side. I think of the tedious process of assembling a mandala, which I understand to symbolize the universe and the path to wisdom. I once watched monks create one, grain by grain. It required incredible patience. Then when it was complete, they let it go.

Don't Fight the Apple

There’s something sacred about the sea. The way it carries memories, calms storms—or creates them. This is a song I wrote to remember a journey on the Chesapeake Bay… the wind, the dolphins, the danger, and the stillness that came after.
🌊 Acoustic. Honest. Story-driven.

Chesapeake Sails

Slightly more depressing take on the original. Movie trailer or film scene in mind. 

Produced by: Bryce McKamey
Singer: Marta Garret
Mixing: Vedant Shankar
Mastering: Federico Hencker

Do You Really Want To Hurt Me

“Give 65” was the first track I earned money from through sync licensing—that's when music is used in TV, film, or other media. The main riff comes from an earlier song of mine called Something’s Gonna Give. The bridge slows down to create a moment of tension, perfect for a slow-motion scene, before crashing back in with full energy. The title “65” refers to the original version’s length—exactly 65 seconds—before I was asked to extend a short section, making it just a bit longer.

Give 65

How IT All Works

go follow https://soundcloud.com/jraamusic

"Pull Ya Weight" dives headfirst into the chaos — distorted 808s, glitched-out guitars, and raw vocals in the spirit of Lil Darkie and Killswitch. It’s a brutal, mosh-pit anthem for the digital age, blending dark trap energy with punk-tinted rage. The genre-bending production slaps like a punch to the gut and refuses to be background music

PULL YA WEIGHT! (feat. SYNC)

Made a party rap pop song for you.

Lyrics
Lately we been living it up
Spending the time like it’s unlimited yup
Staying out til the sun coming up
Running it up I’m loving it yup
You can have whatever you want
Long as you’re grateful for everything you got
Yeah we turn heads when we step in the spot
Stirring the pot and then serving it hot
You and me where it’s at
Going out pockets fat
We ain’t ever turning back
If you feeling stuck then you really really got to

Gotta lose yourself
(Lose it lose it)
So you can move yourself
(Move it move it)
Realign yourself
(Do it do it)
So you can find yourself
(Find yourself again)

Be kind to yourself
Re-define what is wealth
Make time for yourself
Recline with yourself
Now we outside it’s a vibe in itself
You looking so good with your fine little self
I ain’t got time for anybody else
So I’m putting you first till everybody tells
I know it was meant to be I feel it in my cells
Now I’m counting up Ws forgetting all the Ls
You ain’t seen nothing like this before
And everyone can feel it when we walk into the door
Stepping back out and we leave them wanting more
Feeling like Marley how we’re coming in from the core
Lights camera nother take
It’s a movie run the tape
This is right this is fate
It’s your night, your are great

Gotta lose yourself
(Lose it lose it)
So you can move yourself
(Move it move it)
Realign yourself
(Do it do it)
So you can find yourself
(Find yourself again)

Gott get outa my head
Stuck in bed
Once again I’m feeling down and out
Sometimes you gotta go within
And find your zen
And shake off all the doubt
I just gotta wake up and see
That there ain’t nobody quite like me
This is something special
I was in my head being so mental
Now it’s time to stop
And pick yourself back up

Gotta lose yourself
(Lose it lose it)
So you can move yourself
(Move it move it)
Realign yourself
(Do it do it)
So you can find yourself
(Find yourself again)

(Lose it lose it)
(Move it move it)
(Do It do it)
(Find yourself again)
credits
released July 25, 2025
Written by Jackson Tynan Whalan and Vaughn Tracy McCloud

Produced by Jackson Whalan

Lead vocals:
Jackson Whalan
Background vocals:
Amy Whalan

Keyboard: Entrfied The God of Sound
Programming: Jackson Whalan

Recording Engineer: Jackson Whalan
Mixing engineer: Jackson Whalan
Mastering: LANDR

Find Yourself

Bandcamp

Uplifting positive track, Belief, Support 

I Believe in Us - Scott Forman, L Murray, S Cosentino

Tracks in various stages of completion. from: Jim Hewitt, The Carrie Whitesnakes, jx2, Three Chord Circus.  

Artist and producer making music that hits different.

https://ffm.bio/jackson-whalan

Contact: hello@jacksonwhalan.com
Booking for live shows: booking@jacksonwhalan.com

I'm a passionate, independent Christian songwriter. Thanks for sharing this musical journey with me. Appreciate your streams, feedback, comments, likes, and time!

mcswervy is a songwriter, track maker, bad driver, sound painter = mixworthy - sync songs for TV and Film 

I write songs with grooves, cowrite with singers and lyric writers.

Pop, Country, Soul Country

My name is Nick Myer.  I'm a PRS and PPL member songwriter and I love to create words melody & music.   I also produce my own songs that usually feature very talented female vocal artists.  I  sometimes sing my own songs. I never feature AI singers thus I don't support the AI agenda that seeks to takeover human creativity and talents mostly via plagiarism it seems which I am greatly opposed to.  Thus I explicitly do not permit any AI training to be carried out on my original copyright protected songs.  I value my intellectual property therefore I will relentlessly protect it and pursue any breaches of it.  Anyway....
This is a small showcase of many original songs I have composed, recorded & produced for various projects of mine.  I was formerly an exclusively signed songwriter for a small independent publisher/ record label owned by the successful Producer Ben Findon, a long time ago. and had one co-written release called French Nites by artist Judy High.  A historic record here
https://www.discogs.com/release/4488078-Judy-High-French-Nites
These days I am composing new material for self releases that I UK and US chart register through a digital provider & also  pitching songs for sync/licensing. 
I am interested in both exclusive and non exclusive agreements with regard to my compositions/productions for use in TV and film. A fun relative fact, I am second cousin to well-known successful Director Garth Jennings (SING, SING 2, Hitchhikers Guide To The Galaxy, Son of Rambow & many  successful music videos & more)..
Message me if you have any professional interest re any use of my songs including for TV or Film  or for covers of any of my songs for signed vocal artists.
Thanks for reading..

Tom Lysar creates electronic music with an emotional core — shaped by atmosphere, structure, and instinct. His compositions don’t follow fixed genres but emerge from moments, moods, and inner imagery.

In his work, sound, memory, and motion blend into a fluid musical expression. Each track becomes an invitation: to drift, to remember, or simply to feel.

This is music that doesn’t confine — it opens space. Between light and shadow, closeness and distance.

🎧 Use of music for external projects (DJ sets, video, sync etc.) is possible.  
📩 Just get in touch: TomLysar@gmail.com  
🌐 More links below

An ongoing SAFARI with musicians from around the globe. AIR waves of sound flowing from musicians and instruments to data, speakers and our ears. Canadian born producer/writer/singer/DJ Bryce McKamey leading the adventure.  House, electro, latin and music for film.

Artist || Producer || Guitarist 🎸
I can never stick to one genre.

contact: ZAKKRIFFLE@gmail.com

What are the chances my newest song ends up in TV or film? Follow to support this work. Thanks for listening. 🌈 (he/him)

www.mortalprophets.com

“Anyone having trouble getting to, or staying, asleep should proceed with caution when playing The Mortal Prophets’ debut album around bedtime. The demonic intentions implied by the album’s name and defined by John Beckmann … coil each selection in menacing directions, bringing fresh, often frightening twists to these standards. Be aware - when you engulf yourself in these riveting, uncompromising performances. They are not for the squeamish.”
- American Songwriter

The Mortal Prophets blur the boundaries between reality and reverie, crafting soundscapes that pulse with cinematic intensity and lyrical mysticism. Led by enigmatic frontman and songwriter John Beckmann, the group emerged in 2022 from New York’s eclectic underground with their debut EP, “Stomp the Devil,” swiftly capturing attention for their innovative blend of blues-infused psychedelia, dream pop textures, and ambient atmospherics.

Known for their lush orchestrations and haunting vocals, The Mortal Prophets channel diverse influences—from the dark romanticism of Leonard Cohen and the poetic introspection of Nick Drake, to the avant-garde experimentation reminiscent of Brian Eno. Their music feels simultaneously timeless and deeply contemporary, echoing classic motifs while consistently exploring uncharted sonic terrains.

Their discography has rapidly expanded, encompassing seven full-length albums, including the acclaimed “French Summer,” featuring Anaïs de Nerval. Described as a hallucinatory journey steeped in European cinematic nostalgia and analog warmth, the record showcased Beckmann’s distinctive lyrical storytelling paired with a dreamlike ambiance. The collaboration hinted at deeper artistic mysteries, inviting listeners into a world both surreal and profoundly evocative.

Through their evolving discography, Beckmann and his collaborators continue to defy easy classification, positioning themselves as architects of an otherworldly sonic mythology—one that resonates deeply with those drawn to the enigmatic fringes of modern music.

New tracks tagged #SYNC