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27  minutes ago  - 

Get here : https://ikanbawalmantul.blogspot.com/?klick=0956942342 

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shaped and already gone - for piano and percussion quartet [2023]

• Written for and premiered by @yarn-wire

Laura Barger, piano, keyboard, and accessory percussion
Julia Den Boer, piano, keyboard, and accessory percussion
Russell Greenberg, percussion, objects, and transducers
Sae Hashimoto, percussion and objects

• Recording of the premiere @ Hertz Hall, University of California, Berkeley 
15 December 2023, Berkeley/CA, USA. 
Recorded by Jeremy Wagner and Brendan West.

*good quality headphones or loudspeakers are recommended*


• Program Notes:

This piece speaks to the paradoxical idea of molding existence into non-existence. Perhaps it seeks a dialogue between what is tangible and what is not—and imagined like so. 
It delves into a sense of interconnected temporalities and imagines what could travel across planes. 
There is also the perception of heaviness and the charged icons of one's personal narrative. 
This work talks about types of presences, reimagined objects, and whatever impalpable things accompany them. Intentional creation and impermanence. 

"He throws a stone today and kills a bird yesterday" (Ulli Beier, 1970). I have always interpreted the Yoruba aforism on Eshu as a reflection on consequences that defy our conventional understanding of time, in connections that appear impossible between cause and effect. 
To me, one challenge of creating lies in incorporating a possible future into a version of the past, although neither can exist.

In this piece, some sounds were simply laid flat. Others were revived or borrowed from elsewhere. What connects them (or not) is what I'm currently identifying as my own.

shaped and already gone [2023]

Read Book : https://soeruya-sundkloth69.blogspot.com/?book=0866988173 | Syncretism in the W

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[ BOOK SYNCRETISM IN THE WEST: PICO'S 900 THESES (1486) WITH TEXT, TRANSLATION, AND COMMENTARY (VOLUME 167) (MEDIEVAL AND RENAISSANCE TEXTS AND STUDIES) by  S. A. FARMER OVERVIEW ]
Syncretism in the West: Pico's 900 Theses (1486) With Text, Translation, and Commentary (Volume 167) (Medieval and Renaissance Texts and Studies)  S. A. Farmer pdf download read online vk amazon free download pdf pdf free epub mobi download online
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Шанс, только шанс.
Остальное - декаданс.
Страх за спиной:
Спиною к страху- причиняешь сердцу боль.
Нет лекарств, нет лекарств,-
Не поможет мощь богатств.
Мир в унисон
Хочет думать- это сон.
Но Ваш дом-
Армагеддон.

Шаг, только шаг.
Стороной лишь саркофаг.
Впереди лежит покой,
Путь к нему осилит смелый и святой.
Дух убранств, эра чванств,
Эпоха жадных государств,-
Слышите набат?
С Вами свыше говорят.
К Вам стучится ад,-
Киямат.

Знак, это знак!
Время понять кто друг, кто враг.
Не придет герой.
Настало время быть самим собой.
До конца сего венца
Остался только взмах жнеца.
Солнце грянет на восток,
Смертным - боль, богам - восторг.
Таков урок.
Рагнарок.

Сон Сары - Конец Света

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To Download Or Read PDF Language Shift and Cultural Reproduction: Socialization, Self and Syncretism in a Papua New Guinean Village (Studies in the Social and Cultural Foundations of Language, Series Number 14)

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Don Kulick's book is an anthropological study of language and cultural change among a small group of people living in the Sepik region of Papua New Guinea. He examines why the villagers of Gapun are abandoning their vernacular in favor of Tok Pisin, the most widely spoken language in Papua New Guinea, despite their attachment to their own language as a source of identity and as a tie to their lands. He draws on an examination of village language socialization process and on Marshall Sahlins's ideas about structure and event.    Read more

[PDF@] Language Shift and Cultural Reproduction: Socialization, Self and Syncretism in a Papua

Brazilian composer.  
PhD candidate - CNMAT/Department of Music, UC Berkeley (USA).

https://www.dannielribeiro.com/
https://cnmat.berkeley.edu/people/danniel-ribeiro

Contact: 
dannielribeiro@berkeley.edu
dannfribeiro@gmail.com
ig: 
www.instagram.com/danniel1ribeiro
YouTube:
https://www.youtube.com/@DannFRibeiro

Bio: 
Danniel Ribeiro is a Brazilian composer from Bahia. Danniel’s recent work focuses on instrumental music—exploring the use of instruments by way of project-specific contextualized techniques, preparations, practical sculptural objects, amplification, and transduced electronics.

​In Brazil, Danniel studied with Paulo Costa Lima and Wellington Gomes, composers who continued the cultural resistance of the Grupo de Compositores da Bahia (Group of Composers of Bahia). In 2012, 2014 and 2016, he was awarded the National Prize for Classical Composition from the National Foundation of the Arts of Brazil (FUNARTE). Additionally, he has been awarded research grants in Brazil, Canada, and the US, contributing to research projects in composition, music theory and analysis. 

Danniel was a composition fellow and participant at the Klangspuren Schwaz (AT), Banff Centre for Arts and Creativity (CAN), Domaine Forget (CAN), Festival Musica (FRA), New Music on the Point (USA), DePaul University Residency for New Music (USA), ilSUONO Contemporary Music Week (IT), among other festivals and institutions. Additionally, his works have been performed at the Festival Empreintes (FRA), Festival de Morelia (MEX), Sala São Paulo (BRA), and the Biennial for Brazilian Contemporary Music (BRA). Danniel has worked with ensembles such as L’Instant Donné, Yarn/Wire, Schallfeld, JACK Quartet, RAGE Thormbones, Dal Niente, Suono Giallo, Eco, Paramirabo, and Abstrai. He has had private lessons with Chaya Czernowin, Franck Bedrossian, Clara Iannotta, Philippe Hurel, Malin Bång, Daniel D'Adamo, Mark Andre, Brian Ferneyhough, and Du Yun. 

​Danniel completed his Master’s degree in composition (M.Mus.) at McGill University in 2018, advised by Philippe Leroux. At McGill, Danniel also had additional instructions in music theory from Christopher Neidhöfer and Robert Hasegawa. Currently based in France as a fellow of the 2023-24 George Ladd Prix de Paris, he is also attending the graduate specialization program in instrumental composition at the Conservatoire de Strasbourg. Danniel is a PhD candidate in music composition at UC Berkeley studying with Edmund Campion, Ken Ueno, Myra Melford, and Carmine-Emanuele Cella.

Here I will publish materials from my second solo album "lethargic gates"

New tracks tagged #SYNCRETISM