Midnight on the dashboard glow
Empty streets, nowhere to go
Heart’s a map with no clear sign
Just the hum of tires and wasted time
Pulled to the curb where memories burn
A flash of heat, a cold return
Sky breaks open, crying loud
Heavy drops like a ghosted crowd

And the radio bleeds, just my luck
Tony’s voice like a haunting touch
"Another sad love song"... oh God—
Right when I thought I’d had enough

Rain on the roof — boom boom boom
Tears in the beat — doom doom doom
Sad love song — all too soon
Can't dance this feeling out the room

Windows fog like breath on glass
Clock hands tick but never pass
Thought I was numb, but I still feel
Every chorus cutting real
Echoes echo what I hide
Lonely's louder from inside
The night’s a mirror, cracked and wide
I’m just the shadow in the driver's side

And the world don’t pause, it spins and stings
While the saddest song just softly rings
She’s gone, I’m here, and this heart sings—
But only in minor keys

Rain on the roof — boom boom boom
Tears in the beat — doom doom doom
Sad love song — all too soon
Can't dance this feeling out the room

I didn’t ask the sky to weep
Didn’t ask the song to cut so deep
But here I am, a broken beat
In a world that won’t skip, won’t repeat

Rain on the roof — boom boom boom
Tears in the beat — doom doom doom
Sad love song — all too soon
Can't dance this feeling out the room

Another Sad Jazz Song

Sewing wings in the dark,
Empty streets, broken spark,
Wind carries dreams too far,
Letters drowning in the stars.

Lights on the road...
Heart still alive...
Lights on the road...
I survive, I survive...

Doubts are burning my hands,
Call it love, I call it sand,
Shadows flicker, hopes pretend,
I choose the night again.

Lights on the road...
Heart still alive...
Lights on the road...
I survive, I survive...

Even when dogs howl at the sky,
Even when dreams break and die,
I walk the cracks, I don’t fall,
Dreams still burn... I have it all.

Lights on the road...
Heart still alive...
Lights on the road...
I survive, I survive...

Lights on the Road

Heat on my face, no place to run,
Drifting out slow beneath a velvet sun.
The world’s still humming — far, far away,
Kids laughing like echoes that won’t stay.
Wrapped in the blue, where the silence grows,
Sadness flows sweet, and nobody knows.

I float on weight like it’s part of me,
The stillness speaks so endlessly.
No rescue light, no need to hide —
I’m not sinking, I’m on the tide.

🎵 Let me frown, let me drown,
Let me feel it pull me down.
This lake of sadness, soft and wide,
Is where my soul begins to glide.
Sunlight kisses off the rain,
I don’t resist, I don’t explain.
Don’t save me — this is where I breathe,
Deep in the calm, where I believe.
I’m not lost, I’m not afraid —
This is not drowning... it’s the wave. 🎵

I don’t chase noise or neon dreams,
Just ride the edges of silver streams.
My airbed sways to a silent song,
The sky writes verses all day long.
And I smile — yeah, I understand,
Sometimes you drift to find the land.

It’s an art to float where the silence grows,
A gift to sink where no one knows.
No reaching out, no shallow play —
I’m where the echoes learn to stay.

🎵 Let me frown, let me drown,
Let me feel it pull me down.
This lake of sadness, soft and wide,
Is where my soul begins to glide.
Sunlight kisses off the rain,
I don’t resist, I don’t explain.
Don’t save me — this is where I breathe,
Deep in the calm, where I believe.
I’m not lost, I’m not afraid —
This is not drowning... it’s the wave. 🎵

Close my eyes…
Let the lake hold me…
The world fades… but I’m still light…
rising,
falling,
like the music always knew me.

Lake of Sadness (Deep House Version)

Ship on the Ocean” is a deeply emotional and poetic ballad that captures the quiet unraveling of love. Set against a backdrop of vast, open seas, the song uses maritime imagery to explore the loneliness and uncertainty that come when connection fades.

With a gentle melody and introspective lyrics, it paints the picture of two hearts once aligned — now like ships slowly drifting apart in fog. It’s about silence replacing words, distance replacing closeness, and the ache of watching love disappear over the horizon.

For anyone who’s ever whispered goodbye without speaking a word.

Ship on the ocean

🚨 OUT NOW — “JAILER” 🚨
🔗 Listen Now:
🎧 Spotify: [https://open.spotify.com/track/2GP01PHOslIbgFGkiyuOLK]
🎧 Deezer: [https://link.deezer.com/s/30wRJyEImjqYHB7pHPB9M]
🎧 Apple Music: [https://music.apple.com/us/album/1824649718?i=1824649719]


Some prisons have no bars — just broken promises.
________________________________________
“Jailer” — A Soulful Cry Wrapped in Rhythm.
What if love wasn’t freedom, but a sentence?
"Jailer" is an Afrofusion heartbreak anthem that dares to ask this question. A haunting blend of Afro-trap drums, Zouk grooves, and Congolese rumba guitar creates the sonic cell where a woman’s voice aches for liberation.
🎙 The Sound:
Slow-burning. Danceable. Undeniably emotional.
This track pairs smooth melodies with raw vulnerability, making sadness something you can dance through — and grow from.
________________________________________
💔 Lyrical Themes That Hit Deep:
1. Love as Captivity
A home with "a roof and four walls" becomes a prison. Love isn’t always safe—it can trap, wound, and break.
2. Gaslighting & Emotional Manipulation
Reality twisted. Trust eroded. The lyric “gaslighting, I misunderstood” echoes the silent confusion of emotional abuse.
3. Desire & Pain in Motion
The beat moves your body, but the lyrics hit your soul. It's the kind of contradiction only toxic love understands.
4. Reclaiming Power
“No more.” “I can’t.” These aren’t cries of surrender—they're battle cries of a woman breaking free.
5. A Woman’s Testimony
With a female vocalist at the helm, “Jailer” speaks to generations of women who’ve been silenced. This is her voice. This is her revolution.
________________________________________
✨ Tagline:
“Some prisons have no bars — just broken promises.”

Jailer

Jailer by NuVox

These remixes are produced by NuVox through a fusion of Afro-trap in D minor, baritone range. Opens with reverb-rich Congolese rumba guitar and lush legato female vocals. Deep samba 808s, heavy kicks, Afro-trap hats, and Afro-drums fuel the groove; crisp bongos add staccato edge. Crescendo-decrescendo swells shape dynamics. Chorus explodes with wide, layered new jack swing–style R&B/funk vocals, stereo-panned reverberant bass, cinematic synths. Bridge spotlights a dramatic, jazzy Afro-guitar solo. Outro dissolves to sparse textures and whispered baritone lines, panned in stereo for a sense of distance and closure.

Biological Clock - Volume 3

Biological Clock Vol.3

Biological Clock - Volume 1

Biological Clock

Biological Clock - Volume 2

Biological Clock Vol.2

Biological Clock - Volume 4

Biological Clock Vol.4

👑 Philosophical Reading of “The Empress in the Mirror”
A meditation on identity, authenticity, and the quiet collapse beneath curated power.
________________________________________
1. The False Binary of Power and Vulnerability
This song shatters the illusion that power must be without pain. The Empress is not a static, flawless sovereign — she is a woman unraveling in real time, mastering the art of poise while surviving interior wars. This duality is voiced in lines like:
"Posting grace with shaking hands."
"I’m the fire and the fiction, the diamond and the dust."
Philosophically, this reflects Nietzsche’s idea of becoming: identity is not fixed — it’s fluid, forged through contradiction. The Empress is not one truth; she is the friction between truths.
________________________________________
2. The Mirror as Existential Crisis
The mirror is not just literal; it’s a metaphor for self-awareness in a hyper-curated world.
"I see the Empress in the mirror, but she’s scared of her own eyes."
This recalls Jean-Paul Sartre’s concept of “the gaze.” When we look into the mirror — or worse, when others look at us — we begin to see ourselves as objects. The Empress isn’t looking at herself, she’s looking for herself in the reflections of societal expectation, social media, inherited scripts.
It also touches on Simone de Beauvoir’s feminist philosophy — that woman is often “the Other” in her own reflection, sculpted by the needs and projections of others.
________________________________________
3. The Age of Performance
There’s a deep postmodern anxiety running through the lyrics. We live in an age of curated performance — where identity is branded, publicized, polished:
"I swear I’ve read all the sacred texts, but I skip the pages that make me reflect."
"Do I know the truth or just know the trend?"
This feels like a direct critique of performativity culture — a world where healing becomes content, strength becomes a pose, and authenticity gets entangled with algorithmic success. It asks: Is empowerment still empowerment when it needs to be validated by strangers?
________________________________________
4. The Empress as Everywoman
While the Empress is a title, the song strips her of myth. She is not divine — she is exhausted. She carries generations of expectation, performance, and emotional labor. Yet, she still chooses to try:
"I’m still here. I’m still trying. Still becoming what I seek."
This is the most radical act — not conquering, not ascending, but persisting. It echoes bell hooks and Audre Lorde — the political power of self-care, of choosing oneself in a system that wants to fracture you.
________________________________________
5. The Final Question — A Philosophical Knife
"If I lose the crown… do I lose myself? Or do I finally get to breathe?"
This is the existential dagger of the song. It questions the cost of power, the illusion of having it, and whether letting go is actually the key to becoming real. It recalls Krishnamurti’s idea: freedom is not in adding, but in shedding.
________________________________________
🪞 Conclusion:
“The Empress in the Mirror” is not a lament — it is a mirror cracked open to let in air. It dares to admit what so many queens — metaphorical and real — won’t: that sometimes, the greatest crown is the one you finally set down.
It is Caeli August at her most modern, most feminist, most human.


3:33

The Empress in the Mirror

THE EMPRESS IN THE MIRROR  (1)

THE EMPRESS IN THE MIRROR  (5)

“Still In My Head” is a dreamy lo-fi indie pop track with soft female vocals and a nostalgic, melancholic vibe. It’s a song about missing someone, feeling empty inside, and memories that just won’t fade. Perfect for late-night listening, headphones on, lost in your thoughts.

still in my head

Ever booked a one-way ticket to your own feelings? ✈️

This track is that moment when you’re staring out of the plane window, trying to be deep, but the turbulence is stronger than your emotional stability. 🌫️✨

Golden streets, fading memories, rivers, clouds… and suddenly you realize you didn’t even pack snacks. 🥲
It’s chillwave for dreamers, sound therapy for overthinkers, and a perfect soundtrack for anyone who pretends to be in a music video while looking out of a bus window at 3 AM.

⚠️ Side effects may include:
• Accidental nostalgia 🌌
• Imaginary slow-motion scenes 🎥
• Wanting to quit your job and move into a random house with a nice garden 🏡
• Feeling high, high, high — but lost in sound 🎧

Put on your headphones. Close your eyes. Forget the map.
This isn’t just a song. It’s a boarding pass to nowhere. 🪐

Lyrics:

Golden streets fade into blue,
City lights dissolve from view.
Houses, gardens, dreams we knew —
I’m losing you, I’m losing you.

Forests breathing, shadows fall,
Memories, I hear them call.
I want to stay — I want it all.

Up, up, up — above the clouds
Down, down, down — I’m falling out
Can’t let go, can’t turn around
High, high, high — but lost in sound

Up, up, up — above the clouds
Down, down, down — I’m falling out
Can’t let go, can’t turn around
High, high, high — but lost in sound

Rivers fade where we belong,
Every thought’s a fading song.
Close my eyes, but not for long,
I’m holding on, I’m holding on.

Stay… forever…
Lost… together…
Above… the city…
Gone… so pretty…

Up, up, up — above the clouds
Down, down, down — I’m falling out
Heartbeat slow, no way back now
High, high, high — but lost in sound

Lost Above the Clouds (Chillwave Version)

Always Remember was written in 1993 after a holiday romance in Cyprus that burned bright under the stars but ended all too soon. It’s a story of young love, heartbreak, and the bittersweet memories that linger long after goodbye. The song begins with ocean waves before building into a driving modern pop-rock anthem with crisp guitars, pulsing bass, emotive piano, and soaring strings. Lyrically, it captures the raw honesty of love lost — the late-night phone calls, the regret, the tears, and the unshakable memory of lying together on a beach watching shooting stars. Both tender and powerful, Always Remember is a reminder that some goodbyes never leave us.

ALWAYS REMEMBER

[Verse 1]
So now, you're leaving me
Now I'm trapped inside my house of pain
With no doors to escape tonight
I pick up the phone and then I dial your number
But then I'm saying all the things 
that I should keep inside
Please forgive me, I don't blame you, 

]Chorus]
But you're leaving me
So what can I do?
Should I break down and cry?
But that is not what a man's supposed to do
I'll let you walk away
I'm so tired of this pain
But saying goodbye to you is something I didn't want to do

[Verse 2]
Yeah, you were right and I was wrong
Now it's time to write this song
Don't think I blame you, don't you dare
But I'm just dreaming of you here
We were young, oh so young
So many dreams left undone
You were right, I was wrong
Now it's time to carry on
I don't blame you

[Chorus]
But you're leaving me
So what can I do?
Should I break down and cry?
But that is not what a man's supposed to do
I'll let you walk away
I'm so tired of this pain
But saying goodbye to you is something I didn't want to do

[Bridge]
My tears fall at night
I cry for you

[Outro]
Do you remember?
All the times, we shared together
That night, when waves crashed by your side
The stars shining bright
I'll always remember
But it's time to leave again
I'll always remember
I don't blame you, my friend
Someday, somehow, someway
Maybe?
Maybe?

Second Genesis

Always Remember

“I Don’t Need to Know” is a slow, atmospheric bedroom beat wrapped in neon shadows and gentle intimacy. It’s the story of reaching out to someone who just needs to be held, no questions, no judgment, just warmth. Like a quiet embrace in a futuristic cityscape, the track blends chill, lo-fi R&B vibes with a cinematic, Blade Runner–inspired atmosphere. Smooth vocals whisper lines like “come here, I don’t need to know his name, just let me hold you,” capturing a love that transcends labels and lives in the moment. Both tender and futuristic, this is a song for late nights, rain on the window, and a connection that feels untouchable yet real.

I Don’t Need To Know

YYMG (Ya’ Yo Miziki Global) is a pioneering international record label dedicated to producing and releasing premium, boundary-pushing music for the global stage. Specializing in world music and genre fusion, from Afrotrap and Afrofusion to Samba, Dancehall, and unexpected experimental blends, YYMG brings a bold, innovative sound that resonates across cultures and continents.

At our core, we believe in the transformative power of music. Through high-quality production and genre-defying artistry, we aim to elevate listening experiences, stimulate cultural curiosity, and contribute to the mental and emotional growth of our audience.

Whether we’re developing emerging voices or collaborating with global talents, our mission is clear:

> To craft timeless music that challenges borders and sets new standards for creativity and sonic excellence.



YYMG music is globally distributed and available on all major digital streaming platforms, including:

🎧 Spotify, Apple Music, iTunes, YouTube Music, Amazon Music, Tidal, Deezer, Boomplay, Pandora, iHeartRadio, Saavn, Tencent Music, NetEase, ClaroMusica, Yandex Music (beta), Triller (beta), MediaNet, Twitch Soundtrack, and more.

Socially engaged and digitally active, you can also connect with YYMG via: 

📱 Instagram, Facebook, TikTok, Resso, and YouTube


Cognix (Steve)—nephew of Hollywoods Little Ricky of I Love Lucy a professional musician and cousin to a former Atlanta Hawks cheerleader—is a combat veteran and prolific author of over 17 books, whose life story reads like a modern epic. He earned his stripes and served with distinction, Steve transitioned to civilian life with the same drive and precision.

By day, he writes code—designing custom software tools that blend efficiency with creativity. By night, he crafts immersive audio experiences under his artist name Cognix. His music draws on up to 30 layers of real custom samples, real world field recordings-from orca calls to distant storm rolls—woven together in chaotically rhythmic cadences that mirror nature’s own intelligence and teamwork. 

A proud father and devoted friend, Steve survived a near‑fatal encounter overseas that deepened his belief in art’s transformative power. When he isn’t serving others, sketching track designs, or working on his next book, you’ll find him in his apartment  sampling the world around him—blending forest rain, ocean swells, and urban hum into futuristic soundscapes.

Support Cognix and become part of the journey. Your contribution helps fuel independent creativity — from upgrading equipment to producing more powerful, meaningful music. Every bit of support isn’t just appreciated — it creates real impact. When you invest in an artist, you’re helping shape the future of sound, one track at a time. Thank you for being part of something lasting.

Cognix’s work stands at the intersection of heritage and innovation: carrying his family’s creative spark into every beat, every line of code, and every story he tells.

About

I’m Dean R. Chandler — a London based songwriter, recording artist, and storyteller. My music is rooted in a lifelong search for meaning, weaving together themes of love, loss, faith, alien contact, and humanity’s future.

My upcoming double concept album Human Odyssey (set for release in January 2027) is the culmination of decades of writing and reflection. It’s a narrative journey that begins with a search for God and ends with an encounter with extraterrestrial intelligence — exploring not only what it means to be human, but also where we might be heading as a species. Musically, it draws inspiration from the epic storytelling of Jeff Wayne’s War of the Worlds, the synth-driven edge of Gary Numan, and the emotional depth of artists like Tori Amos and Chris de Burgh.

I previously released Time Machine – Reflecting Shattered Dreams (2014) and continue to revisit my archive of songs written across 35 years, reimagining them with today’s tools and sounds. Some pieces remain intimate and acoustic, while others expand into dark rock, industrial, or orchestral landscapes — but all are connected by a focus on emotional honesty and cinematic storytelling.

Beyond music, I’m fascinated by the intersection of creativity and technology. I’ve been experimenting with AI-driven composition and production to bring old demos to life and to spark entirely new works. For me, these tools are not replacements for human artistry but extensions of it — ways of unlocking stories and emotions that otherwise might have remained hidden.

At its heart, my work is about connection: to the past, to the future, and to the unseen mysteries of existence. Music, for me, isn’t just entertainment — it’s a chronicle of transformation, a conversation between spirit, science, and sound.

https://www.linkedin.com/in/dean-r-chandler-b19715382/
www.deanrchandler.co.uk

Hi there — welcome to my corner of the web.

I’m here for one simple reason: to share my music with you.
Take a listen, explore, and I hope something here resonates with you. Enjoy the vibe!

Nada Samir is a gifted German singer and songwriter hailing from Frankfurt am Main. Born on June 18th, 1996, she has created a unique sound blending elements of pop, indie pop, and R&B soul. Nurturing her passion for music from a young age, she began writing her own songs at the tender age of 13, and by 16, she was sharing her talent by posting cover songs on YouTube. Her music career took off in February 2020, with the release of her debut single "Your Promise." April 2nd, 2021 marked the release of her critically acclaimed debut album, "Heartbroken." And on January 1st, 2023, she has recently dropped her sophomore album "See You Next Life." Her music is an honest reflection of her feelings and experiences, delving into themes of depression and self-discovery.

I’m a guy from Kinna, born in 1973, and I’ve loved music for as long as I can remember. I picked up playing at 17 and spent the 90s in a local garage band, having a lot of fun making music with friends.

These days, I mostly play at home for my own enjoyment. I listen to all kinds of music, as long as it speaks to me and has some feeling behind it. Music has always been a big part of my life, and it’s something I’ll never let go of.

New tracks tagged #SadButBeautiful