www.marcusloeber.com
EMOTION & MELODIC DRIVEN MUSIC FOR MEDIA WITH A TWIST.
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All rights reserved Marcus Loeber & billibaberecords (c) (p) 2025

CAT Loeb SOUNDDESIGN DanceOfThe MicroBugs

grafted

Undercurrent

jamuary 14.01.2025 - blossom

jamuary 15.01.2025

hey guys, Soundsman here, back for another #Soundsman Saturday. sorry for no content recently, but normal life back on Earth got in the way. now, remember whenever I posted the gem unlocking sound effect from Celest, and I said I'd make you the sequence of gems being unlocked? well, here it is. I wouldn't be a superhero if I didn't keep my word. anyway, hope you like this sequence.

Gems Unlocked In Sequence

When The Swifts Disappear

Dusk & Depth 002

jamuary 23.01.25 - habit

24th day of Jamnuary, and Day 14 with my Seed To Stage peeps. Wonderful and fantastic. This is for all of you...

Infinite New Life

This track is my interpretation of: 

Curve of time -
a thought takes flight,
scent of a rose.

Naviar Haiku challenge 577, details here: https://www.naviarrecords.com/haiku-music-challenge

All done with Voltage Modular (Virtual modular environment) from Cherry audio making heavy use of the modules from Dome Music Technologies.  There were too many elements to record this in one go, I neither have enough physical controls of hands. so split it into sections; each recorded as a live, one take performance, following on from and adding to each other.  

I think I hit all the elements for this one.
Curve of Time: A bit of obvious vintage synth, cheesy but who doesn't enjoy a bit of quality Gouda? 
One thought takes flight from the rest.
And I can scent a rose.
But beyond the obvious dairy products placing the element is up to you.

Curve Of Time - (naviarhaiku - 577)

Yearning Shapeshifter (Crow Hill)

Created as a response to:

one by one
praising and withdrawing inside -
winter moon

Naviar haiku challenge 578: details here: https://www.naviarrecords.com/haiku-music-challenge

With the exception of the gongs, a combination of a modified Dreamsynth bell preset and Gong Amp, everything was made with one monster virtual modular patch using VCV Rack (Mostly Surge XT modules). 

Probably not the best way to do it, I should have learned from how easy it was splitting things last week, but everything including the gongs was multi-track recorded as a single live performance. Apart from pushing my far from shabby CPU to it's limit I wasn't able to modulate as many things as I'd have liked, ran into the not enough physical knobs/sliders limit.  ,

One_by_One-(naviarhaiku-578)

I'm primarily a visual artist both 2D and 3D, for the last decade I've operated almost exclusively in the digital 3D realm.   since the late 80s I've made periodic forays into the sonic world, MIDI sequencing, minimalism, musique concrète, found sounds  and improvisation. I am seldom happy with anything and seldom consider a piece finished.

Music for listening and being

Empty Cross - electronic-guitar ambient music project (duet of two musicians, Maria and Albert) based in Lviv, Ukraine.

The sound of the project is a delicate ambient sound fabric, woven from shimmering reverberated guitars, soft analog synthesizers and harmonies, interspersed with minimalistic melodic piano phrases. In this sound space we place abstract vocal parts or vocalises, which become another instrument, creating a flow of intuitive states.

Free solo piano improvisation, music for media, sound finder

All here, in reality, are works in progress and are therefore apt to change at any time. If you have a use for something you hear here please just ask.

 .ooO -------------------------------------- Ooo.

ChatGTP said of AI Music...
'Creative AI tools can be seen as sophisticated plagiarism software, as they do not produce genuinely original content but rather emulate and modify existing works by artists subtly enough to circumvent copyright laws'

Sometimes it takes a dispassionate, independent view to actually see the truth of it ...

 .ooO -------------------------------------- Ooo.

There are links to XiiixxiQ below. Your mileage may vary as to whether it decides to work on your system or not. It only runs on a Mac because I really don't have time to do all the necessary work to make it compatible with anything other than my 2015 MacBook Pro :-(. It is still being developed (for my own use) and improved, and I may yet get round to doing another release if I can find the time to tidy it all up.

get into the sound, not the melody itself. a little bit of dirt might be cool these days

I'm a completely blind audio story and sfx creator, and/or fictional super hero who never lets any of his real life disabilities slow him down. all my followers are all part of a fictional team of super heroes and heroines I've created known as the JAWS team, after the screen reader I use to create stories.

Analog Glitch Artist Psyop Hive Mind Industry Plant OSHA Violating 777

Maxwell Harrison Ratzky is an American-born musician and composer best known for his extensive work with various bands throughout the U.S. and U.K. He's established himself as a sought after multi-instrumentalist, performing and recording with artists such as Halsey, EERA, Kitten, Psychic Love, Overjoy, Veronica Bianqui, and We Should Be Dead. As a composer he's written works for film, media, and the concert hall. 

Proficient in guitar, piano, bass, and percussion, Ratzky's style is often described as haunting and restrained; emphasising dark tones and colours. As a guitarist, he's known for using effects pedals to achieve unique sound worlds and for advocating a less is more approach.

A graduate of the prestigious Liverpool Institute for Performing Arts (LIPA) in England, Ratzky also studied composition at London’s Trinity Laban Conservatoire of Music & Dance with composers Soosan Lolavar, Deirdre Gribbin, and Dominic Murcott.

He splits his time between London and Los Angeles.

New tracks tagged #Sequence