A country-pop ballad about what happens when the confetti stops falling. It follows a former reality TV singing contestant now working at an office supply store, navigating the awkwardness of being recognized and reconciling her fifteen minutes of fame with her current reality. It’s a reflection on "edited dreams," the weight of expectations, and the realization that the truest connection isn't found on a big stage, but in a quiet room with a song that means something.

Didn't You Used to Be

"Chair Number Three" is an emotional ballad from behind the salon chair. It explores the unspoken role of a small-town hairdresser acting as a therapist, secret-keeper, and grief-absorber for her community. From nervous brides to grieving widows, she holds space for everyone else's pain, until the lights go down and she's left alone with her own. A song about the heavy price of empathy and the need to be cared for in return.

Chair Number Three

"The Sound Between Us" is a devastatingly raw ballad exploring the complex intersection of profound grief and reluctant gratitude. Told from the perspective of a mother meeting the young woman who received her deceased son's heart, the song centers on the moment she listens to his heartbeat through a stethoscope—a rhythm that is at once familiar and foreign. It is a story about the terrible beauty of organ donation and the enduring connection between a mother and child that transcends even death.

The Sound Between Us

"The Wrong Guy" is a gritty, emotional ballad detailing the heavy reality of survivor's guilt and a battlefield promise kept. The song follows a soldier who returned home when his best friend didn't, tasked with stepping in as a father figure to the son left behind. It navigates the complex journey of raising a grieving child, facing the anger of a boy who wanted his real dad, and finding redemption in simply showing up, day after day, in boots that weren't meant for you.

The Wrong Guy

"Quiet Heart" is a musical sanctuary for a weary mind. It’s an ambient folk lullaby designed to stop the clock on a chaotic world, inviting the listener to drop their armor and accept a peace they don't have to earn. A song for twilight, for release, and for finding the rhythm in the stillness.

Quiet Heart

“I’m In Love With A Psycho Killer” is a dark-pop confession wrapped in toxic romance and irresistible danger.
The track explores the magnetic pull toward someone who feels wrong, destructive and unpredictable yet impossible to walk away from.

My soft, emotional vocals collide with Matthew’s cold, controlled delivery, creating a chilling contrast:
My vulnerability vs. his chaos, her longing vs. his destructive charm.

It’s a story about falling for red flags, loving the thrill more than the safety, and choosing danger even when you know it will break you.
The production blends haunting melodies, deep bass and cinematic tension, turning the song into a dramatic experience.

This isn’t just a love song 
 it’s an admission.
A warning.
A heartbeat racing toward something deadly and beautiful at the same time.

I’m In Love With A Psycho Killer  Nada Samir x JustMatt

I’m In Love With A Psycho Killer  JustMatt x Nada Samir

"Minor Key" is a bluesy anthem for the imperfect life. It challenges the idea that happiness always has to be "major" and bright. It’s about finding the beauty in the breakdown, the depth in the canyon, and realizing that the "black keys"—the struggles and the shadows—are often the ones that ring the truest. A song for anyone who has found peace in the blue notes.

Minor Key

Written in the early 2020s, “We Were When I First Met You” is a tender duet that traces the arc and excitement of young love — from the spark in a crowded hallway to late-night phone calls, shared moments, and the gentle parting as life carries two people down separate roads. It’s a story honoring the memories you carry forward, friendly goodbyes, and the lasting mark someone can leave on your heart, no matter where life takes you.

We Were When I First Met You

Sharing a raw, early version of something new I’m working on.

"Hold My Own" is a late-night reflection on the silence that grows between people, the feeling of being physically near someone while emotionally miles apart. It’s about the cruelty of silence and trying to find your footing when the days start to blur.

Still finding the final shape for this one, but wanted to share the idea in its stripped-back form.

Thank you for listening.

'Cause I've been here for, 
been here for so long 
And I wonder how to hold my own 
And I hear you singing into the night 
Watch as the moon rises high 
The sun won't know it's own daylight

I Never knew you could be so cruel
I never knew you could be so cruel 
Without saying a word to me 
Without saying a word to me


Hold My Own

CYBER CHORD writes songs the way a porch light holds a night: small, steady, and impossible to ignore. I work with AI as a true co-writer, then carve the lyric by hand and shape the track in Suno. The sound leans bare and human—country roots in the soil, a little rock grain in the teeth, and a faith-lit lift that chooses hope without preaching.

These are ordinary-room hymns: rings hidden in cotton, receipt-tape strings, a dress behind rain glass, a sink that cools while you find the words. Silence is an instrument here; sometimes there’s a full bar where the house gets to breathe. If a line can’t survive a campfire and a cracked mug, it doesn’t make the song.

If you’re new, start with the heartbreakers. They don’t shout. They stay. I believe in the holiness of the everyday, and in the quiet bravery of saying the thing before “later” takes it away.

No paid promo, no playlist buys, no cover-art pitches, no dance offers, no cold DMs. If it’s a pitch, the porch light’s off. If you’re a real listener, come in soft: pick one song, leave a genuine note (lyric or timestamp welcome), and hand it to one friend. That’s how this fire stays lit.

May your road stay open, your coffee stay warm, and your day be peaceful.

I’m just a chill dude who loves creating music and honest sounds.
Social media’s pointless to me 
that’s why I don’t have it and don’t need it.
I’m not chasing fame.
I’m chasing feeling. 🌌

Detroit raised.
Family made.
Heart first.

If you vibe with real stories, soft vocals, and music that feels like late-night honesty welcome.

Nada Samir is a gifted German singer and songwriter hailing from Frankfurt am Main. Born on June 18th, 1996, she has created a unique sound blending elements of pop, indie pop, and R&B soul. Nurturing her passion for music from a young age, she began writing her own songs at the tender age of 13, and by 16, she was sharing her talent by posting cover songs on YouTube. Her music career took off in February 2020, with the release of her debut single "Your Promise." April 2nd, 2021 marked the release of her critically acclaimed debut album, "Heartbroken." And on January 1st, 2023, she has recently dropped her sophomore album "See You Next Life." Her music is an honest reflection of her feelings and experiences, delving into themes of depression and self-discovery.

Howdy! I’m Alexander Rivers, a songwriter, guitarist, and student of voice. These are raw, one-take sketches recorded on my phone whenever I pick up a guitar. I’m finding my sound, stretching into something new, just truth in the moment. I'm working on a more polished version of these songs (and others) to put in an album one day.

Some of these songs reflect hard things, grief, loss, mental health. If you’re already carrying something heavy, and these songs speak to it, please know you’re not alone. Music is how I process pain, maybe it helps you too.

If you’re struggling, please reach out:
📞 US: 988 or 1-800-273-8255 (Suicide & Crisis Lifeline)
💬 Chat: 988lifeline.org/chat
🌍 Global support: 988lifeline.org/help-yourself


I’m also a proud supporter of To Write Love on Her Arms (https://twloha.com), a movement dedicated to hope and help for anyone struggling.


Thanks for listening. Truly.

New tracks tagged #SingerSongwriter