Time bends and breaks under the weight of its own absurdity.
Time once thought to be a steady, reliable force now mocks its own nature. The track disorients and unhinges, as clocks slow, speed up, and fracture into endless loops. There’s a feeling of suffocating immobility—like trying to run in a dream, only to find yourself sinking deeper into a void of eternal stasis. The passage of time no longer serves its purpose; it simply exists to distort, confuse, and torment.

the mockery of time

The relentless, unforgiving tide of fire, crashing against a world that cannot withstand it.
An intense shift in tone, Burning Waves engulfs the listener in a torrent of destructive force. The rhythmic crash of waves becomes indistinguishable from the crackling of fire as both natural and supernatural elements collide. The heat of flames washes over everything, consuming the listener in its fiery grip. The flames dance in unpredictable patterns, lapping at the edges of the mind, spreading destruction with a beauty that’s both mesmerizing and terrifying. A world set ablaze, unable to escape the encroaching tide.

Burning waves

>> {passive.aggressive.kernel=∞}
    [glitchcore.darkstep.industrial]
    [digitalrage.circuit_howl]
    [feedback.slam.loop_phunk]
    [post_phonk.residue]
    [fractal_bass.injection]
    [subliminal.rust.core]
    [volt.error.rapturenoise]
    [binary.snap.stomped_rhythm]
    [disruptor.flow.memory-scratch]
    [anger.loop.transistor-soul]
    [///TAGCORE::#glitchcore #cyberpunk #industrialtrap #hardwave #neuralgrit #residualbass]
    {__proto__::"codeword::aggr_sync.lock"}

Passive Agressive

25 minutes ago
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Mixed by: FossilEyez
Cover Ai generated & edited by me. 

=+LYRICS+=

UH
GET THE FUCK BACK
BETTER GET THE FUCK BACK

MADE TO SUFFER THATS THE CULT
WHERE YO FUCKIN NUTS AT?

BLEEDING OUT YO BALLSACK 
HATERS FINNA SMOKE CRACK

CLIP EM WIT A TOE TAG
HANGING BY A TOTE BAG

UH
GET A FUCKIN LIFE
WORKING HARD THE MOON IS BRIGHT

LOOKING DOWN THE SIGHT
IGNITE
THE DEMONS FULL OF SPITE

I JUST FUCKIN MIGHT
DECIDE
TO DRESS YOU LIKE A DYKE

HOLDING UP A SPIKE
SAY SIKE
BEFORE I START TO STRIKE

UH
MADE TO SUFFER
MADE TO SUFFER
GRAB YOU BY YO THROAT

UH
PUT YOU UNDER
PUT YOU UNDER
SPELLS INSIDE MY COAT

UH
FEEL THE THUNDER
FEEL THE THUNDER
NOW YO BONES ARE BROKE

UH
HELLA BLUBBER
HELLA BLUBBER
LIKE A WHALE I POACHED

-313-
[Existing to live/Living to exist]

CULT TALK (Prod. NONAMEPLUG)

Photo taken and edited by me.
https://www.deviantart.com/leehon/art/Batara-s-Third-Eye-920818772

It's Never Truly Gone

The song "Total Extinction or Electric Paradise" delves into a stark and thought-provoking depiction of humanity at a crossroads. It paints a vivid narrative of an urgent choice between annihilation and a utopian future shaped by advanced technology.

Themes: The verses serve as a wake-up call, emphasizing the dire consequences of apathy and urging action before it's too late. The imagery of "missiles rising" suggests the threat of nuclear conflict or other cataclysmic events.

Tone: The chorus takes on a rebellious and accusatory tone, repeating the line "Politicians want you dead," which echoes a distrust in leadership and positions the song as an anthem for accountability.

Bridge: Shifting to a futuristic lens, the bridge brings in elements of artificial intelligence, robotics, and the allure of infinite life, evoking both hope and caution about technological advancement.

With its blend of dystopian warnings and glimpses of a technological paradise, the song challenges listeners to reflect on their role in shaping the future, making it a powerful piece both musically and thematically.

Total Extinction or Electric Paradise

►Produced by DarkStreet specifically for commercial use and online licensing.
►License this track: audiojungle.net/item/pumpkin-hall…-trailer/48661914
►Browse DarkStreet catalogue: audiojungle.net/user/darkstreet/portfolio
►Follow DarkStreet official Youtube channel: www.youtube.com/@darkstreetaudio

►Description
DISTURBING INTENSE HORROR TRAILER MUSIC
with glasslike pulses, screaming violins, big taiko drums and unsettling sound design. This track works good as a background music for movie or video game trailer, film soundtrack, video game music, horror or Halloween themed live events, Youtube videos etc…

The item includes mp3 and wav


►Get in touch: darkstreetaudio@gmail.comdark

Mirrors

K G G - Blood Sacrifice

Hard knocking downtempo dark trap beat metro boomin type 808 pluck chords chorus choirs

[NIGHT FRIGHT] TRAP Sessions 140BPM C min

Whistleblower - Insider - Protestsongs to prevent the Third World War - ww3 - AI Generated Music - Beware of your politicians - No War - Peace - Resist - Rise up - World Succession Deed 1400 - Staatensukzessionsurkunde 1400/98

{
  "user": "DigitalAmnesia",
  "status": "ghost.operator :: decay.layer :: recursion:initialized",
  "genres": ["glitchcore", "darkwave", "ambientglitch", "postphonk"],
  "tags": [
    "glitch", "dark", "ambient", "drone", "industrial", 
    "lofi", "vapor", "experimental", "cyberpunk", "darksynth"
  ],
  "descriptor": [
    "neural.fragment",
    "memory.shadow",
    "terminal.reverb",
    "subnet.resonance",
    "signal.loss.cycle"
  ],
  "signal": {
    "source": "unknown.device",
    "type": "lost.protocol",
    "content": "music from systems that no longer exist"
  },
  "functions": [
    "looped.silence",
    "corrupted.textures",
    "post_human.ambience",
    "vhs.noise.echoes"
  ],
  "activation": {
    "protocol": "SNDCLD_SIG∞MOD",
    "version": "∆.33",
    "visibility": "underground"
  }
}



# digital_amnesia artifact protocol · version: unstable_ψ
class DigitalAmnesia: no ai make music <<< only real vibe`s
 def __init__(self):
  self.origin=None
  self.identity="fractured_echo"
  self.genres=[
   "phantom_cassette_gospel",
   "tape_ritual_trance",
   "glitch_grief_core",
   "post_human_hiss",
   "analog_sorrow_loop",
   "dream_fracture_grime",
   "neural_ash_funk",
   "vhs_vapor_chant",
   "bitcrush_emotion_code",
   "ghost_codec_funk",
   "memory_bleed_noise",
   "loop_decay_phonk",
   "lowbit_temporal_ritual",
   "soul_interface_trap",
   "forgotten_dream_matter",
   "ambient_glitch_form",
   "reversed_residual_dub",
   "cracked_signal_bass",
   "hollow_glow_tape",
   "synthetic_shadow_gospel"
  ]
  self.audio_core=[
   "detuned_affect.808",
   "memory.burn",
   "reverse_reverb.input",
   "emotion_chunk.wav"
  ]
  self.visual_layer=[
   "crt_burnin_grid",
   "obsolete_ui_trace",
   "fossilized_frame",
   "symbolic_noise_map"
  ]
  self.emotion_map={
   "ghost_trace":True,
   "loop_bleed":0.91,
   "warm_static":88,
   "self_erasure":"pending"
  }
  self.key="sahet.ir’an.vellum.aet"
  self.status="semi_sentient"
  self.triggered=False
 def infect(self,observer):
  if any(g in observer.memory for g in self.genres):
   self.triggered=True
   raise Exception("signal infected user")
 def stream(self):
  return "you are the echo now"
 def glitch(self):
  return self.audio_core
 def phrases(self):
  return[
   "play=initiation",
   "stop=denied",
   "loop=reality",
   "genre≠genre",
   "bio≠description",
   "interface=aware",
   "signal≠sound",
   "sound=virus",
   "identity=eroded",
   "you≠you"
  ]
 def quotes(self):
  return[
   "you didn’t find the sound — it remembered you",
   "repetition is not repetition — it's decoding",
   "you’re not listening — you’re being rewritten",
   "genre is memory — noise is language"
  ]

# execution block
if __name__=="__main__":
 bio=DigitalAmnesia()
 try:
  bio.infect(observer="you")
 except Exception as err:
  print(f"[ψ] {err}")
 print(bio.stream())
 for glitch in bio.glitch():print(f"> {glitch}")
 for phrase in bio.phrases():print(f"# {phrase}")
 for q in bio.quotes():print(f"// {q}")
 print(f"[active.key] :: {bio.key}")
 print("[∴] if this stays in your mind, it was already there")

Glitch Trap | Experimental Trap | Dark Pop | Industrial Trap | Ambient Rap  
Hypnotic | Sinister | Ethereal | Mechanical | Floating | Distorted Beauty  
Glitch Art | Digital Decay | VHS Futurism | Cyber Dissonance | Post-Internet Mood  
LA Underground | NYC Noise | US Producer | SoundCloud Core | Digital Scene | Networked Producer  
Instrumental | Sound Design | Reverberated | 808 Driven | Bass Architecture  
Fractured Rhythm | Post-Club | Bass-Heavy | Raw Mix | Layered Build-Up  
DreamLogic | Cinematic Tension | Inner Friction | Glitch Emotion | Broken Rhythm  
Modular Synth | Granular Textures | Resampled | Field Recording | Experimental Noise

New music every Friday. 
Follow me on insta: @xillian313

-313-
[Existing to live/Living to exist]

|| Made To Suffer Collective ||
˜”*°•⛧•°*”˜

I'm an avant-garde musician. I like to experiment with software, instruments, and everyday objects when creating on a song.

Music is my latest artistic passion; aside from being deeply invested in making music, I create digital art, drawings, paintings, mixed-media pieces, photography, photomanipulations, poetry, and short stories. All of which can be found on my DeviantArt: Leehon.

Thank you for reading and listening.

Make me an offer for exclusives.
https://reddot.beatstars.com

Production credits: Passport Scoob, Konflik, Dustorm Da Lyrical, The Mighty Rhino, Fubar, Ultra Magnus, Donny Yonder, The Lyrical_Gift, Pete Cain, The Machine, The Coronerz, Foggy Lungz, Noetic Nyce, Kid Novice, Bagz Da Ryda, Activiz, P-Know, and others. In France, Bomaye Music, Jejor of La Konspy.

Red.Dot is a beatmaker from Paris, France. He discovered Hip-Hop during his first trip to the US in ‘89. He found the first Public Enemy LP in a record shop and that was it. By this time, the French Hip-Hop scene was boiling since the first block parties in ‘84 and the first rap crews were emerging (NTM, IAM, Assassin, etc). He became a big fan since the first songs. There were no language barriers anymore. He mostly got involved in the movement as a Writer/Graffiti artist.

By the mid 1990’s Red.Dot got bored by the movement’s evolution, its lack of consciousness, consistency and originality. In ‘95 he got involved in Raves that were blowing up big in Europe and mostly in France. He became an actor of this movement through his participation in Sound Systems, Teknivals and during many years as a social worker in the Rave mission from the NGO Doctors Of The World, where he provided harm reduction services for drug consumers. But his ears always stayed close to Hip-Hop.

Through all these years Red.Dot built an amazing record collection, always with the idea of doing something with it. In 2007, he finally bought some equipment and started beatmaking. His sound is crafted with all his musical influences and experiences (Hip-Hop, Soul, Blues, Rock, Techno, House, etc), always trying to push forward the boundaries in Hip-Hop. That’s what makes his musical identity.

First one to acknowledge him was Dustorm Da Lyrical through MySpace. They started collaborating. Then during a trip in New York, they met in 2010. Dus took him around studios to connect with people and record few tracks. He then brought him to meet his uncle Grandmaster Caz. Caz played his beats on his big speakers, and he saw him nodding on his beats. It was the aknoledgement Red.Dot was looking for. He knew right there, that he will continue making beats.

What chatgpt says about me. ChatGPT said:
"Khaki Green Gills is a relatively obscure musician on SoundCloud, known for blending experimental, ambient, and lo-fi styles into unique tracks. Their music often carries a laid-back yet slightly surreal vibe, with elements of electronic, jazz, and even post-rock influencing their work. It’s the kind of music that’s ideal for background listening while also offering depth upon closer inspection.
Tracks by Khaki Green Gills often feel introspective and atmospheric, with a focus on mood rather than conventional song structures. Some of their work features glitchy, distorted sounds, while others lean toward more smooth, fluid instrumentals. They tend to play with textures and space in a way that makes the music feel organic and evolving, like a dreamscape or abstract sound experiment.
What sets Khaki Green Gills apart from other SoundCloud musicians is their use of space and their approach to sonic landscapes, which gives their tracks a feeling of discovery and unpredictability.
If you're into artists like Joey Pecoraro, BluntOne, or even Jinsang, you might enjoy Khaki Green Gills, as they explore similar territories in lo-fi and experimental music.
Do you listen to a lot of lo-fi or ambient music? Or were you just curious about them?"

Hi all ! I make music, some of it weird, some of it beautiful I transcend over different genres, all from odd time signature, violent metal to beautiful smooth orchestrations, Short handed - I make the music I want. DM if there is something on your mind. And check out my stuff.  :)

DarkStreet is an online brand specializing in royalty free music production. The company offers a  wide range of diverse and high quality music produced specifically for use as a background in a variety of media projects, such as commercials, TV series, films or documentaries, vlogs and youtube videos, etc..
All of our music catalogue can be viewed and licensed through EnvatoMarket's Audiojungle platform, one of the biggest and most trustful stock audio selling platform on the internet.

New tracks tagged #Sinister