Archive recordings from the Inner island site-specific series of ambient and improvisational music held on the island of Korčula.

Concert for the Pines is recorded in the old forest overlooking Pelješac Peninsula channel in South Adriatic, few kilometers from the village of Lumbarda at the site called Lenga.

The locale use to be an open quarry, where stonemasons were cutting and shaping lime rock into big blocks. Hundreds of years later the landscape is fully overtaken by Mediterranean flora & fauna, having old square cuts reshaped by the sea salt and with dense pine forest hiding old trade tracks.

Released January 26, 2020

Manja Ristić, Marko Paunović, Igor Stangliczky.

All recordings are field archive captured with Tascam DR-05.

Bandcamp

Manja Ristić—Marko Paunović—Igor Stangliczky: Concert For The Pines 2018

Site-specific soundtrack by Graham Dowdall incorporating field recordings and electronic music. This was created especially for 'WonderDusk' in 2023. This magical event took place at Box Hill in Surrey at dusk and involved a woodland walk with poetry, installation and performance with a continuous soundtrack by Graham Dowdall. This WonderDance track was the backing for a dance performance by young people in the woods.

WONDERDANCE

Made for the contemporary art exhibition "Paesaggi Forti" in Cadine (TN) with Alchemica APS

RE-LOAD

Ugnė Makselytė
Šeimos dalis, 2024
Garso kūrinys, 22:12’

(EN below)

Kiek skirtingų garsų šiuo metu girdite? Koks garsas jums primena namus? Kuo skiriasi klausymasis nuo girdėjimo?
Tai tik keli iš klausimų, kuriuos garso menininkė ir kompozitorė Ugnė Makselytė uždavė Dainavos bendruomenės nariams vasarą vykusių susitikimų metu. Menininkė tuomet dalyvavo meno rezidencijoje Kaune, kurią organizavo Kauno bienalės vadovaujama platforma „Magic Carpets“. Rezidencijos metu Dainavos bendruomenės nariai buvo kviečiami kolektyviai išbandyti giliojo klausymosi praktikų. Naudodami profesionalius garso įrašytuvus, patys dainaviškiai surinko garsus Dainavos parke bei šeimų centro VšĮ Būkime kartu erdvėse garsovaizdžio pikniko metu. Menininkė juos visus įpynė į susimąstyti, nusišypsoti bei pasvajoti kviečiantį kūrinį.

ENG:
Ugnė Makselytė
Part of the Family, 2024
Sound piece, 22:12’

How many different sounds do you hear at the moment? Which sound reminds you of home? What is the difference between listening and hearing?
These are some of the questions that sound artist and composer Ugnė Makselytė asked the members of the Dainava community during the artist's residency in Kaunas, which was organised by Kaunas Biennial as part of the Magic Carpets platform. During the workshops, Dainava community members were invited to collectively try out deep listening practices. With the help of professional sound recorders, Dainava residents themselves collected sounds in Dainava Park and during a soundscape picnic in the spaces of the family center Let's Be Together. The artist wove them all into a piece that invites people to think, smile and dream.

ŠEIMOS DALIS

SHLUK's site specific concert at ARCHA+ for this: https://www.facebook.com/events/374833501978751

ARCHA+

Art canasta

Casa de campo

San Mateo

Jeanna Criscitiello’s site specific sound installation and performance was created for the exhibition of Works of Art & Copies at the Royal Museums of Art & History, Plaster Cast Department Brussels. Presented as a three-dimensional audio experience, custom built by Rachid Moro. The fully immersive, multi-channel format (3rd order ambisonics) transformed the silence of the 250-square-meter space filled with artefacts into a multi-voiced sound piece.


Works of Art&Copies  - Trailer

Czwarty z cyklu 6 utworów realizowanych w ramach projektu "Muzyka Przestrzeni".

kompozycja, produkcja muzyczna, wykonanie - Katarzyna Krzewińska

dźwięki i partie harfy - Adrian Nowak

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Projekt "Muzyka Przestrzeni" zakłada skomponowanie cyklu sześciu utworów site-specific. Kompozycje tworzone są z myślą o konkretnych przestrzeniach ze świata natury lub obszarów miejskich, a środki muzyczne dostosowywane do unikalnego środowiska akustycznego każdego z tych miejsc. Każdy z utworów, skomponowany na inny instrument solowy, wykorzystuje pozyskane nagrania terenowe wkomponowane w warstwę elektroniczną kompozycji. Utwory wykonywane są open-air w wybranych miejscach w formie solowych live-actów.
Wykorzystanie sonosfery natury i miasta pokazuje, jak codzienne dźwięki mogą stać się inspiracją dla sztuki.
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Zrealizowano w ramach stypendium Ministra Kultury i Dziedzictwa Narodowego.

MUZYKA PRZESTRZENI #4

SHLUK is a noise trio dedicated to site-specific interventions and live performance. Their proposal of deep recording is usually presented in multichannel arrangements and unconventional systems of amplification. They are interested in sound and its vibrations beyond human perception, as a collective effort to understand sound as an ecologic marker, and its impact on human relationships.

soundscape composition * electronics  * vocal experiments

https://davaidegam.bandcamp.com/
https://www.youtube.com/watch?v=GlEeQ-NzBeY&ab_channel=zalciupirsteliai

Jeanna Criscitiello works with text, sound, performance and research to weave multi-voiced narratives that dismantle stereotypes and reframe the histories of feminine identity.

New tracks tagged #Site specific