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⚙️💀🔥🔥🔥“DESTRUCTION” 🔥🔥🔥⚙️💀
A cyber-industrial declaration of dominance. It tells the story of betrayal, ignition, and rebirth through relentless rhythm and aggression. From the cold mechanical rise of Ignition Sequence to the Slavic-rage detonation of Burning, the project fuses hard dance, big-room, and Russian hardbass into a cinematic club weapon. Every track bleeds fury, precision, and control — this isn’t chaos; it’s calculated power. ⚡️Ignition Sequence⚡️ to the Russian hardbass inferno of 🔥Burning🔥 — this album hits like a riot under neon skies. Every track screams resilience, dominance, and control. They talk — you rise. They burn — you dance. 💃🕺

Mood: 😤 Vengeful · 🔥 Triumphant · 💪 Unbothered · ⚡ Electric · 🧨 Apocalyptic
Core Message: They talk. You rise. They burn. You dance.

Description:
The retaliation — pure Russian rage in 4/4 time. 🇷🇺💣
Burning mixes Slavic hardbass, cyberpunk acid, and full metal energy. It’s vodka, vengeance, and violence on the dance floor — the sound of laughing in the fire while haters choke on the smoke. 💀🔥

Technical Info:

🎵 Genre: Russian Hardbass / Cyberpunk Hard Dance Hybrid
⚙️ Tempo: 138 BPM
🔊 Sound: 808-driven kicks · Distorted bassline · Acid growls · Metal percussion · Crowd chants
🧠 Structure: Countdown (10→1) → Verse 1 → Chorus → Drop 1 → Verse 2 → Bridge → Final Drop → Outro
🎙️ Vocals: Male (fast, commanding, accented) + Female (cocky, sharp, layered)
💭 Themes: Revenge · Defiance · Mockery · Power
🔁 Hook: “Bass! Fire! Sweat! Floor!”
🚨 Tagline: You talk. I roar. Hardbass war.

Streaming Tags:
🇷🇺 russian hardbass · 💣 hard dance · 🔥 cyberpunk bass · ⚡ slavic edm · 🎧 nightclub banger · 🧨 industrial techno · 🦾 aggressive rap · 💃 female counter vocal · 🕺 mosh pit ready · 🚀 rave anthem

Burning

⚙️💀🔥🔥🔥“DESTRUCTION” 🔥🔥🔥⚙️💀
A cyber-industrial declaration of dominance. It tells the story of betrayal, ignition, and rebirth through relentless rhythm and aggression. From the cold mechanical rise of Ignition Sequence to the Slavic-rage detonation of Burning, the project fuses hard dance, big-room, and Russian hardbass into a cinematic club weapon. Every track bleeds fury, precision, and control — this isn’t chaos; it’s calculated power. ⚡️Ignition Sequence⚡️ to the Russian hardbass inferno of 🔥Burning🔥 — this album hits like a riot under neon skies. Every track screams resilience, dominance, and control. They talk — you rise. They burn — you dance. 💃🕺

Mood: 😤 Vengeful · 🔥 Triumphant · 💪 Unbothered · ⚡ Electric · 🧨 Apocalyptic
Core Message: They talk. You rise. They burn. You dance.

Song Description:
Description:
A cinematic hard-dance anthem that explodes from countdown to chaos. 🚀 Heavy acid basslines, metallic percussion, distorted supersaws — Ignition Sequence is the villain’s rise: confident, ruthless, and unstoppable. The vocals hit like commands; every word another detonation. 💣

Technical Info:
🎵 Genre: Cyberpunk Big Room / Hard Dance Hybrid
⚙️ Tempo: 138 BPM
🔊 Sound: Acid basslines · Distorted supersaws · Metallic percussion · Festival-grade drops
🧠 Structure: Countdown → Verse 1 → Chorus → Drop 1 → Verse 2 → Bridge → Final Chorus → Outro
🎙️ Vocals: Male (low, gritty, rhythmic) + Female (powerful, anthemic, layered)
💭 Themes: Betrayal · Rebirth · Power · Ascension
🔁 Hook: “Ignite — Rise — Burn — Repeat.”
🚨 Tagline: The rise before the firestorm.

Streaming Tags:
🔥 hard dance · ⚡ big room techno · 💀 cyberpunk bass · 🎛️ cinematic edm · 🎤 male rap · 👑 female anthem · 💣 festival banger · ⚙️ acid bassline · 🕶️ villain energy · 🎆 revenge track

Ignition Sequence

Sonata for Viola and Accordion


A collaborative track with Surmachina. Released on Label Cantroll as part of the album "Walking Over Three Seas." 

"Хождение за три моря" (Walking Over Three Seas). Along the way you'll encounter Scandinavian talharpa (bowed instrument), northern Russian tunes, flutes, Udmurt wedding song and even the ancient melody of Anatolian highlanders. All this is thickly mixed with rocking hip-hop rhythms and electronica. 

💾 On the platforms: band.link/c209

Surmachina is a beatmaker's project from the north of Moscow, absorbing the ideas of classic hip-hop, noir jazz, and lo-fi aesthetics. In each of his releases, he experiments with a new sound. For example, the album Японские Заметки" (Japanese Notes), is recorded in the format of travel notes: with warm guitars, dictaphone recordings and jazz melodies. And the album ‘Strange rhythms of evening Moscow suburbs’ is united by reflection on the theme of megapolis and its suburbs. Sometimes, in Surmachina tracks you can hear hoarse saxophone and female vocals. The release “Онега” (Onega) mixes hip-hop beats, electronics and authentic instruments. In particular: recordings of Solovetsky choir, Bulgarian and Pomor chants, sampled Scandinavian talharpa and Carpathian kalyuka (flute). In 20204, the hip-hop album "И тайное общество битмейкеров" (And the Secret Society of Beatmakers) was released, dedicated to life in the big city. The main feature of the album is the use of modern synthesisers (Arturia Microfreak, Dreadbox Typhon) and samplers (Roland sp 404, Elektron Digitakt).

Марево (feat. Paradeigma)

Potwory przychodzą w nocy (Marysia)

The Vikings Prayer

A playful, enchanting vibe, groovy bass and danceable rhythm, atmospheric instruments and hypnotic synths, gentle female vocals with elements of a traditional lullaby...

This is a beautiful fairytale metaphor about a little girl living in a wooden cottage, where the fire crackled in the stove, and she struggled to fall asleep. The only thing that helped her was the lullaby of a cat, who came every night before bed to lull her to sleep. Then he would sit nearby, purring his quiet song and guarding the girl’s dreams.

But as the girl grew up, she started going to amazing parties, and her lullaby needed to change — it had to be a little more invigorating, no longer just soothing and sleep-inducing.

What came out of this transformation, you can hear in this new take on the lullaby...

Link to other stores and streamings: 
https://band.link/kotya

Kotok

Kotok (Extended Mix)

Been playing guitar and bass since I was a kid.  Gradually transitioned to learning keyboard and drums as well.  Started writing my own songs when I was 15.  I’ve written well over 1000 songs in my lifetime . I'm a fully functioning studio and work with various musicians worldwide. I enjoy working with all genres.  Im registered with ASCAP and hope and pray daily someone will buy my songs. Check out my website at rorydavidmusic.com.

Amalomu is the new name of an artist whom you may have previously known as Aleksandr Stroganov, Red Nuts, Invisible Warrior, Stereo Nuts. Now it is a single name that unites all the alter egos of Aleksandr Stroganov,.

The main musical styles of this project are Afro House, Organic House, Tech House. Not only limited to these genres, Aleksandr is constantly experimenting in electronic music and, along with the main directions, can create a work in a completely unexpected genre for him.

His music is always filled with energy, emotions, hypnotic rhythms and authentic sounds.

🔥⚡ Concrete bass 🧱🔊 Endless night 🌃🌑

I’m not here to fit into genres — I’m here to break them. From 🪩 bass house sweat pits to 🌀 psytrance spirals, from 💀 Russian Hardbass war cries to 🌃 cyberpunk drift phonk nights, my sound is chaos in motion.

808s distorted till they bleed 🔊, donk bass stomping through concrete 🥾, neon synths burning like chrome fire ⚙️🔥, and vocals cut short, filthy, and raw 💋. Every track is built like a weapon — something you feel in your chest before your ears.

This isn’t just music for playlists. It’s music for everywhere the bass can shake the walls: 🏚️ abandoned warehouses, 🚧 back-alley raves, 🌌 night drives under neon skies, 🎧 headphones at 4AM when the world feels too heavy. It’s for freaks, queens 👑, rebels, dreamers, loners, lovers, and anyone who refuses to sit quiet. It’s not about fitting in — it’s about feeling alive. Every drop is rebellion, every synth a spark, every kick a heartbeat.

Vodka shots and bass drops 🍸💣, sweat and freedom, chaos and connection — if you feel it, you’re already part of it. And if you’re here, you already know: the walls won’t hold, the night won’t end, and the system won’t win.

Paradeigma has been composing strange music since 2007, balancing on several edges at once: non-trivial electronic, which occasionally mutates into abstract hip-hop or experimental downtempo with a touch of funk. There are no vocals in the tracks, while the music is often life-affirming and constructive. The music has a important message - "about something good". The main instruments are guitars, synthesizers and samples from 80's records. Sometimes there are voice inserts, a lot of attention is paid to experiments with the rhythm section. Paradeigma is a trio, a duo, and a solo project - the only permanent member is Mark Shishlev.  

Mark is also the founder and leader of Label Сantroll. In the past, an organizer of large offline events. By main profession - project/ brand manager in various companies and holdings.

"Compete only with yourself. Progress is not to get close to someone, but to surpass your past achievements. For every closed door there is always an open one. Doing the important things is a shortcut to moving forward", — Mark Shishlev.

✉ E-mail: m.paradeigma@gmail.com

New tracks tagged #Slavic