LENG SHOP - https://lengrecords.bandcamp.com/album/i-feel-you-incl-mudd-remixes

Since emerging on Golf Channel Recordings a decade ago, Payfone has built up a strong catalogue of singles that effortlessly blur the boundaries between slow-motion electronic disco, seductive songs and sun-splashed Balearic beats. While the project has appeared on a number of different labels, some of the best material – including the superb ‘Last Night In Sant Celoni’ and atmospheric ‘Sofian’ – has appeared on Leng.
 
‘I Feel You’, Payfone’s first outing on the long-serving label for two years, is another high-class mid-tempo offering tailor-made for loved-up dancefloors and intoxicated, sofa-bound listening sessions. Produced by Phil Passera and Jimmy Day in collaboration with Dominican Republic-born lyricist and vocalist Kyd Nereida, who also appears on the cover artwork, the song is a typically atmospheric, mid-tempo treat marked out by immersive chords, squelchy synth-bass, eyes-closed jazz guitar motifs (courtesy of guests J Felix and Royce Wood Jr.) and smoky sax (provided by Jordi Blanch). Add some bonus percussion hits and Nereida’s sassy lead vocal, and you have another superb, stirring and spine-tingling treat.

I Feel You

LENG SHOP

Payfone & Kyd Nereida - I Feel You (Radio Edit)

Disco From The Archives

Episode 142 of Funkier Sounds is dedicated to the memory of Danielle Moore from Crazy P. I played a good few tracks featuring her divine vocals in the first hour, and did my best to put together a set of the sort of deep, sleazy, low-slung disco that Crazy P do so well. 

For hour 2 it felt like the only right thing to do was to replay the guest mix she did for me earlier this year. I was so thrilled when she finally sent me this mix, and super proud to put it out on my little show. Loads of the songs in it have since made it into my collection - a marker of her impeccable taste, and it’s quite emotional to hear those voice drops she so kindly put in again. Like so many others I’ll really miss her - she’s gone way too soon. But let’s bask in the warm glow of a Danielle Moore DJ set and remember her fondly as a kind soul and a true star. ❤️

HOUR 1 TRACKLIST

1	Crazy P - Never Gonna Reach Me (Hot Toddy mix)
2	Even Funkier - Get On Down
3	RTSAK - Give It Up (Benedek Remix)
4	Crazy P - SOS
5	Situation, Andre Espeut - What Is Going On? (Andromeda Orchestra Remix)
6	Los Amigos Invisibles - Plastic Woman (Frank Booker Dub)
7	The Owl - Gettin' On
8	Belleruche - Reflection (Trus' Me Remix)
9	Crazy P - The Hit
10	Róisín Murphy - Murphy's Law (Cosmodelica Remix)
11	Tony Deledda - Electric Deep Funk
12	Crazy Penis - Give It Up
13	Crazy P - One True Light
14	Crazy P - Stop Space Return (Unabombers Vox Mix)
15	Crazy P - Disc Odyssey
16	The Paradise - In Love With You (OHYEAH Remix)

Funkier Sounds Episode 142 - Danielle Moore Guest Mix

Mid-tempo dancefloor specialists... plus everything else.

Quen.
Quen meaning 'familiar' in Vietnamese, and in Chinese, Quen is a last name meaning: mountain pass, to close, to shut, to turn off, to concern, to involve. My Mother and Father gave me the name meaning Priest.

I go by the alias ACIDSTRUCK when performing in the underground Techno scene. The whole alias is inspired by the sound of the 303 we call ‘ACID’. I developed real respect for electronic music once I found out how it all started, especially keeping in mind how vast the music scene now is.

I focus on a mixture of uncommon techno styles that started in the late 1980s. Alongside with Acid-techno that originated from Acid-house, Detroit styled old-school, analogue and modular techno, even Garage and styles like Dark Disco, or as we call it, fucked up party music, that originated from Germany.

I decided to become a DJ when I was 16. I was first introduced to House-music when I was 14, and by the time I was 18, underground styles like Drum&Bass, Trance, and all sorts of Techno caught my attention. I chose to devote my life and effort into music, and since then, the music is what drives me.

I am preferably a closing DJ. Times between 12 AM and 12 PM are my prime times, which already gives more of an after-hours type of element to the selection.

My preference BPM for closing is 130-160. All-over Preference BPM 115- 160. I try to anticipate and read the room and try to set the mood according to the party. I would regularly start off an opening set with House and/or Dub Techno between 115 BPM 125 BPM, depending on the setup and time and setting. Underground late nights times like 9pm to 12AM, preferably 125-135 bpm. Midnight hours can range from 130- 140. All-over favorite BPM for closing is 140 for times, like 12 AM to 12 PM. Depending on my mood, the party, and the crowd, I would take it up near the end of the party to 144-160 or slow it down to 130– 138.

Bookings and general chatter - tom@evenfunkier.com

Funkier Sounds - Fortnightly Radio Show on NDC
Evening Funkier - Weekly livestream on Twitch
Disco Waltons member and Global Funk Fam resident

London-based DJ, producer and radio host Even Funkier weaves together Disco, Funk, House, Soul, Boogie, Jazz, Hip Hop and Global delights to create something fresh, irresistibly funky and downright groovy. He plays tunes from across the decades, genres and BPMs, mixing up hidden gems with tried and tested favourites, with a focus on sweet, sweet Disco music brought right up to date for modern dancefloors.

As a DJ he’s taken his trademark rollercoaster genre-fluid sets to locations including Glastonbury, ADE and Westival, playing parties for Midnight Riot, Good Custard, Project Bango, Pineapple Police Horse and DiscNoTheque. And as a producer he’s released on over 20 labels labels including Tropical Disco, Hot Digits, Mango Sounds, The Disco Express, Midnight Riot and TheBasement Discos.

New tracks tagged #Sleazy Disco