Broken Hearted Blues

Let it Slide (Frank Varela featuring Morgan Giosa)

"Take You Home" is the 2nd single from rock band Stephen Jaemes and the Rowdy Scoundrels.  It's a groovy banger and a clever, fun account of a guy trying his best to convince the woman of his dreams to give him a chance!  

Take You Home - Single

Take You Home

"The Anchor" (The Urs) - REMIX by DJ Dyablow blends Deep House, Techno House, Indie Dance, and Mississippi Blues into one hypnotic groove. Sliding synth riffs meet raw slide guitar textures. Emotional vocals rise and break into chopped hooks that hit heavy on the drops. Built for late nights, festival moments, and endless replay.

Follow. Share. Repeat.

The Anchor (The Urs) - REMIX by DJ Dyablow

Last Move Café is a quiet reflection at a crossroads—when one more move could mean giving up, or finding the courage to begin again.
Set against a warm folk-rock backdrop with slide guitar, brushed drums and light harmonica accents, it sounds like a secret shared just before sunrise.

Last Move Café ist ein stiller Moment am Scheideweg – wenn der nächste Schritt alles beenden oder der Anfang von etwas Neuem sein kann.
Vor einem warmen Folk-Rock-Hintergrund mit Slide-Gitarre, Besenschlagzeug und feinen Mundharmonika-Akzenten klingt der Song wie ein geteiltes Geheimnis kurz vor Sonnenaufgang.

Last Move Café

They told me once, losing’s just a pause
A quiet shift before the next applause
But I’ve been stuck inside a crooked frame
Counting every wrong, naming every name

The king fell early, I played blind
My own two hands, the reckless kind
But here I am, still holding on
With pieces left, and the clock not gone

The board is still set, the night’s not done
One more move before I run
Forget the fall, remember the stake
Your next move means more than your last mistake

The café hums, the light is low
Outside it’s raining, soft and slow
A stranger watches from the bar
Like she’s been here too, wherever we are

The board is still set, the night’s not done
One more move before I run
Forget the fall, remember the stake
Your next move means more than your last mistake

It’s not about the fall you took
But the way you get back up
Go ahead and reset the play
We’re all just guests at the Last Move Café
So here’s to bruises, here’s to grace
To starting late, not losing face

The board is still set, the night’s not done
One more move before I run
Forget the fall, remember the stake
Your next move means more than your last mistake




Last Move Café

Defiant second track from my new EP. 
Experimented with some slide guitar as a way to continue playing with a broken finger.

Can't Stop Me

“Roots Don’t Lie” is a slow-burning anthem carved from the haunted soil of the Mississippi Delta. Gritty slide guitar, stomping rhythm, and raw vocals collide in a protest blues that speaks truth to power. It's a sermon for the forgotten, a hymn for the defiant — and a call to remember what the land never forgets.

Roots Don’t Lie

"Blood Moon Jubilee" is the sound of a backwoods revival under a red sky — stomps, claps, and slide guitar rising like fire through the swamp night. The Swamp Tones turn grit into celebration, singing for the lost and the living in a defiant blues stomp. This track is a field holler for the modern day — raw, ecstatic, and unchained.

Blood Moon Jubilee

"An alternate take of an ending scene for a fictive sci-fi western movie"...

Solo bass, single track, 2nd take, improvisation, played on my 28.6" scale 4 string Ibanez GSRM20B Mikro Bass, converted to sort of a 4 string baritone slide guitar, tuned in an open B tuning, recorded through my "amp-less" setup directly into my Zoom H4n handheld recorder, and only edited through a simple Wav editor.

Home Fallen

Free Download

They Called Him Stewart Stardust I

“Ashes of the Serpent” is the fiery heart of The Swamp Tones’ album — a Delta-born field-holler blues turned revival stomp. Slide guitar cuts sharp, stomps and claps thunder like a congregation, and voices rise against the venom in the soil. It’s a preacher’s cry and a rebel’s hymn — where old roots burn and new ones rise from the flame.

Ashes of the Serpent

Gain Slider

Scott Low Trio — live at Highlander Mountain House (Highlands, NC), 7/31/25. A smoking blues and roots jam featuring Scott Low on guitar & vocals, Kyle Jerome on sax and percussion, and Fisher Wilson on bass. The room was electric — Travis and his friends got down as the trio delivered a night of soulful sax, Appalachian blues, and funky grooves. A perfect snapshot of summer 2025 live music in the mountains.

#ScottLowTrio #ScottLow #KyleJerome #FisherWilson #HighlanderMountainHouse #HighlandsNC #LiveBlues #AppalachianBlues #RootsRock #SoulfulSax #FunkyBlues #LiveJam #SouthernGroove #SmokingShow #MountainMusicVibes #Summer2025

1.3 Sugar Babe

2.2 Meet me at the Bottom

1.4 Key to the Highway

“Midnight Burden” is the Swamp Tones stripped down to their rawest bones — resonator slide guitar moaning over a bowed bass and the steady stomp of a wooden floor. A slow-drag Delta blues prayer, it carries the weight of confession and the hope for release. Heavy with shadow but searching for light, this is the sound of a soul walking through midnight alone.

Midnight Burden

Tax Exempt

Sweetly Broken

A piece about a person strolling along a shoreline and their encounter with a UFO

My Extraterrestrial Life

Another slice of misery from the Druid's Vault

Tailor for two

Industry has its sure reward…

Thanks xx

I write songs to play slide guitars over to change some perspective

Music for whatever you're riding.

Kick it with me while I make some weird loops and trip out with sounds.  I'm a guitarist making music that sounds cool to me, if it sounds cool to you just comment or hit me up.

One man bedroom recordings since 2003. 

Starting with a £20 microphone and a couple of borrowed guitars, I’ve recorded whenever I’ve had the time and inspiration. Over time my skills and gear have massively improved. 

With a broad set of influences my tracks are a complete mix, from simple acoustic tracks, through strange instrumental experiments, but mostly I’m just trying to write the kind of rock songs that made me fall in love with music to begin with. 

Thank you for listening.

Original, eclectic, performance poetry & music fusion

My music: https://taplink.cc/djdyablow
Sheet Music: buymeacoffee.com/DJ_Dyablow

Sweet, sweet noises... 

Experimental dark drone/ambient - Alternative folk - Psychedelic electronic

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This is where almost all my music related output ends, from solo projects, sound tests of gear, to just stuff made for the sake of the experiment or fun of it....

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Enjoy!

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(The following links are to some of my more serious projects, which material for most parts is also to be found here. The Bandcamp pages provide free downloads of all tracks):

IT'S A LONG WAY TO THE TOP (IF YOU WANNA SOUNDCLOUD STAR) 
Geboren 1967 in Bochum, mit 13 Jahren angefangen Gitarre zu spielen, von der ersten Schulband bis zu heutigen Studioaufnahmen war so einiges dabei...aber vor allem Blues/Blues Rock, damit hat alles angefangen....meine liebe zur Musik! 
Bei den Stücken handelt es sich um eigene Kompositionen, die Instrumente sind von mir eingespielt, gemischt...und  gemastert. Den größten Teil halte ich mir für Improvisationen frei und lasse einige Aufnahmen mit ecken und Kanten stehen...ich wünschte mir das die Lieder noch Gesang bekommen würden... da ich mich von  meinem Gefühl leiten lasse weiß ich oftmals nicht wohin die Reise geht...
Es gibt einige eigene Stücke die ich von JUNK PUNCH repostet habe, ein älteres Projekt von mir, es gibt auch einen Link zu "Phenomia" den Anfängen von"TripPex" und der Digitalen Aufnahme...19...

Das Werkzeug:
Les Paul "Gold Top" 1972, Gibbson 335 TDC 1964, Hoyer Taurus Bass, Furch Akustik Gitarre, Cubase 10, Ultimate 11 Native Instruments, Amplitube 4
Nun wünsche ich Dir viel Spaß!

Born in Bochum in 1967, started playing the guitar at the age of 13, from the first school band to today's studio recordings, there was a lot of stuff here ... but especially blues / blues rock, it all started .... my love for music!
The pieces are their own compositions, the instruments are recorded by me, mixed ... and mastered. Most of the time I consider myself free for improvisations and leave some footage with corners and edges ... I wish that the songs would still get singing ... because I let myself be guided by my feelings, I often do not know where the journey is going ...
There are some of my own pieces that I have reposted from JUNK PUNCH, an older project of mine, there is also a link to "Phenomia" the beginnings of "TripPex" and the digital recording ... 19 ...

The tool:
Les Paul "Gold Top" 1972, Gibbson 335 TDC 1964, Hoyer Taurus Bass, Furch Acoustic Guitar, Cubase 10, Ultimate 11 Native Instruments, Amplitube 4
Now I wish you a lot of fun!

Singer and songwriter Stephen Jaemes brings you his unique, classic but modern brands of Soul (Stephen Jaemes) and Rock (Stephen Jaemes and the Rowdy Scoundrels) music.

New tracks tagged #Slide Guitar