CLOR. 2 Who are you?  (chlorine, chlore..)
Egeon Dusk

UICPA 2,3,22,24-tétrahydroporphyrine
No CAS 2683-84-3
PubChem 65106
ChEBI 36303
Formule C20H16N4
Masse molaire1 312,367 8 ± 0,017 9 g/mol
C 76,9 %, H 5,16 %, N 17,94 %

Unités du SI et CNTP, sauf indication contraire.
modifier Consultez la documentation du modèle

En chimie organique, la chlorine est un noyau aromatique hétérocyclique constitué de trois cycles pyrrole et d'un cycle azoline formant un macrocycle fermé par quatre ponts méthine. À l'inverse de la porphine, constituée de quatre cycles pyrrole et formant le noyau des porphyrines, la chlorine n'est pas aromatique sur l'ensemble de sa circonférence. Un composé apparenté, dont le macrocycle compte deux pyrroles et deux azolines, est appelé bactériochlorine.

Les chlorophylles sont des chlorines qui chélatent un cation de magnésium Mg2+ au centre du macrocycle ; elles constituent la principale classe de pigments photosynthétiques dans les chloroplastes.

En raison de leur photosensibilité, les chlorines sont utilisées comme photosensibilisant en photochimiothérapie.



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Clor. par Egeon Dusk est concédé sous licence via une licence Creative Commons.

CLOR.2

Weightlessness, immersion, diving, fading out everyday life. Atmosphere and hydrosphere merge into one.

Sonic Experimentation during my semester abroad at ESMAD in Vila do Conde, Porto, Portugal.

INHALE EXHALE (Sonic Experimentation @ESMAD, P.PORTO)

This song is a high-energy, adrenaline-fueled ride through the digital realm, where glitchy electronic beats, stuttering rhythms, and infectious funk grooves collide. With its syncopated drum patterns, exploding sounds, and frenetic pace, the song embodies the spirit of digital chaos and sonic experimentation. The lyrics celebrate the thrill of system overload, data crashes, and cybernetic flows, inviting listeners to reboot their senses and surrender to the infectious funk electron beat.


LYRICS:

[Verse 1:]
Circuits crackin', system breakin'
Electronic waves are shakin'
Syncopated rhythm, digital flow
Watch these frequencies go, go, GO!

[Chorus:]
(Glitch!) Bounce back, track attack
(Spark!) Digital heart, never slack
Breaking code, exploding sound
Funk electron, turn it UP, throw DOWN!

[Verse 2:]
Pixel fragments, beat deconstruct
Neural networks getting rupt
Fragmented bass, stuttering beat
This techno-funk can't be beat, REPEAT!

[Bridge:]
(Distortion!) Voltage rising
(Mutation!) Sound surprising
Quantum leap into the groove
Ain't no algorithm got something to prove!

[Chorus:]
(Glitch!) Bounce back, track attack
(Spark!) Digital heart, never slack
Breaking code, exploding sound
Funk electron, turn it UP, throw DOWN!

[Verse 3:]
System overload, data crash
Error messages, digital rash
Cybernetic flow, reboot the beat
Funky algorithms, can't be beat!

[Chorus:]
(Glitch!) Bounce back, track attack
(Spark!) Digital heart, never slack
Breaking code, exploding sound
Funk electron, turn it UP, throw DOWN!

[Outro:]
Digital. Funk. MAXIMUM!
Critical mass, system collapse
Digital. Funk. OVERLOAD!
Signal lost... Funk terminated...

Funk Electron

привет, если хочешь использовать этот бит, бери, но отметь меня (публиковать только на ск, или напиши мне в тг) и удачи

tg - @psina_psii
tg c - https://t.me/aanorexx
____________________________________________________________________________________________________

Hi, if you want to use this beat, go ahead, but tag me (publish only on sk, or write to me on tg) and good luck

tg - @psina_psii
tg c - https://t.me/aanorexx

swamps

Inspiré par les musiques électroniques dès le plus jeune âge, Egeon commence à mixer à 18 ans sur des premiers DJ sets electro-house à Paris au Mixer Bar, où il fera la rencontre de Delphine (DJ SEXTOY). Se liant d’amitié, elle l’invitera à mixer avec elle aux soirées Ladies Room, au Pulp ainsi qu’au Dépôt sous le nom de DJ Guyzmo. 
Repéré par Eric Hauville, fondateur de la radio Maxximum, il devient assistant de production de Pschent music, label pour lequel il travaille à cette époque sur les compilations Hôtel Costes, Buddha Bar, Maxim’s et Mezzanine de l'Alcazar.
Deux ans plus tard, il prend la résidence du Delaville Café où il crée ses premières soirées Mister Fur. A cette occasion il fait entrer la musique électronique minimale dans cette belle maison des Grands Boulevards. 
Egeon poursuit ensuite ses créations de soirées sur Lyon, Paris, Genève, Toulouse, Nice et Montpellier - sous le nom de Furox et Alaskan Fur. 
Désormais installé à Nice, il amène avec lui son univers sonore sur la Côte d’Azur.

Contact : +33 (0)6 37 33 62 62 / contact@gearfox.fr 

////////////////////////////////////// E.U.

Inspired by electronic music from an early age, Egeon began mixing at the age of 18 on the first electro-house DJ sets in Paris at the Mixer Bar, where he met Delphine (DJ SEXTOY). As they became very good friends, she invited him to mix with her at Ladies Room parties, at the Pulp as well as at the Depot under the name of DJ Guyzmo.
Spotted by Eric Hauville, founder of Maxximum radio, he became a production assistant for Pschent music, a label for which he worked at that time on the compilations Hôtel Costes, Buddha Bar, Maxim's and Mezzanine de l'Alcazar.
Two years later, he took up residence at the Delaville Café where he created his first Mister Fur parties. On this occasion he brought minimal electronic music into this beautiful house of the Grands Boulevards.
Egeon then continued its parties creations in Lyon, Paris, Geneva, Toulouse, Nice and Montpellier - under the names of Furox and Alaskan Fur.
Now based in Nice, he brings his sound universe with him to the French Riviera.

Contact : +33 (0)6 37 33 62 62 / contact@gearfox.fr

Songwriting has been a lifelong passion for me, dating back to elementary school when I first began crafting stories, poems, and eventually lyrics. As a former drummer in various bands, I always relied on others to bring my words to life musically. However, after a long hiatus from drumming, I decided to take the leap and learn to compose music to accompany my lyrics. Through classes and dedication, I've embarked on a new journey, breathing fresh life into old lyrics and penning new ones. You'll find a mix of older and newer works here. Especially for some of the lyrics. 

Music has been a part of me for as long as I can remember. One of my earliest memories is being completely entranced by 'The Little Drummer Boy' as a very young child. There was something about the rhythm and the melody that just captivated me. I must have played it a thousand times, wearing the record out, and from that moment on, I was hooked. I knew I wanted to be a drummer and to create that magic for others. 

But I was too young then, and of course, I couldn't afford a drum set just yet. So, I turned to writing as a way to express myself. As I mentioned above, I started with stories, then poems, and eventually, lyrics. I found that writing was not only a way to tap into my creativity, but also a way to process my emotions and experiences. 

As I grew older, my love for music only deepened. I realized that music has this incredible power to transport us to different times and places, to evoke emotions and memories that we thought were long forgotten. It's a universal language that can bring people together like nothing else can. 

For me, writing lyrics is a cathartic experience. It's a way for me to tap into my emotions, to process the world around me, and to create something that I hope will resonate with others. And when I hear my words come to life in a song, it's truly magical. It's a feeling that never gets old, and it's what keeps me coming back to music time and time again. 

I love many genres of music and artists of many genres. And if you listen to some of my songs, you will find that I like to make songs of different genres as well as mix different genres into each song. One of my all-time favorite bands is Evanescence, and I have made a lot of songs where I have tried my best to emulate that sound. 

Now, I have recently started experimenting with new sounds. I never heard of glitch beats before I took music classes, and now I'm fascinated with the sound, so I have been experimenting with glitch beats recently. 

I hope you enjoy some of my songs. And thanks so much to everyone who has been listening so far. I truly appreciate it. I welcome constructive feedback to help me grow as an artist, and I appreciate your support. ❤️

BTW if you follow me, I will ALWAYS follow back. If I like your music, I will follow you, but if you don't follow me back within a week or so I will probably unfollow. The same goes for when I see someone listening to my music, I WILL follow, however, if they don't follow me back within a week or so, I'll unfollow, because I'm at my limit of follows and I want to follow back everyone who follows me. Did not know that SoundCloud limits us to following only 2000. 😢

*******************
VickStiX's Artist Manifesto
*******************

I am the static between truth and noise.
A pulse that cracks the silence open.
When the world forgets its conscience,
I remind it — one beat, one lyric, one spark.

I don’t shout to divide; I sing to awaken.
I don’t chase fame; I chase clarity.
My art is not a weapon — it’s a flare in the dark.
A signal to every soul that still believes in better.

Let the trolls rage, let the cowards hide.
They can’t drown out a voice that’s tuned to truth.
I will paint their lies in sound and light
until justice has a melody again.

Because protest is not anger — it’s hope with a megaphone.
And I was born to be loud.

🎶 VickStiX — Truth. Rhythm. Revolution.












welcome to my sound experiments // 
moving in spaces between digitality and nature.

New tracks tagged #Sonic Experimentation