Emotional keys, mellow drums, and delicate vocal chops create a sad but soulful atmosphere. A slow R&B groove built for heartfelt melodies and late-night storytelling.

• 75 BPM
• C minor

~ Produced by Kike Gutz

Cry Cry - Prod. by Kike Gutz | Boom Bap | R&B | 90 BPM | A Minor

Originally penned in 1929 by Kay Swift and Paul James, “Can’t We Be Friends?” has echoed through generations — most memorably in the voices of Ella Fitzgerald and Frank Sinatra. This modern Soul & R&B groove rework breathes new life into the classic, turning vintage heartbreak into a smooth, head-nodding confession. With warm electric bass, soulful vocal harmonies, and velvet-toned keys, it’s a stylish tribute to emotional resilience through rhythm.

---------------
What if heartbreak had a backbeat? This Soul & R&B groove rework of “Can’t We Be Friends?” turns classic rejection into a smooth, head-nodding anthem. With a warm electric bassline, rhythmic guitar, soulful vocal runs, and velvety keys, this version transforms vintage melancholy into modern groove. It’s love lost — but with style.

"Can't we be friends?" (1929) | Reimagined Version

[Verse 1 – Lead]
Biskan layò ka na subong,
Kag mabug-at ang gab-i,
Ginahawiran ko gihapon
Tunog sang imo tingug sa akon kilid.
May ngalan mo sa akon gininhawa,
May itsura mo sa akon siga—
Biskan bagyo mag-abot,
Di niya mapapas ang matuod nga gugma.

(BVs – echo/response)
Hawid lang…
Di magbuhi…
Siga sang gugma…
Wala ginapa-budlay…

[Pre-Chorus – Lead]
Wala ko naga pangita sang perpekto,
Ginasandigan ko lang ang kamatuoran.
Kada adlaw nga nagapukaw ako,
Ikaw gihapon ang akon ginapangita.

(BVs – harmony)
Sandig sa tuod…
Ikaw gihapon…

[Chorus – Lead]
Kay ang gugma indi ginapamatud-an kung sayon lang,
Kundi kung pilion ta gihapon bisan pwede na magpalagyo.
Isang-at ko man, bisan masakit man,
Gina-ambal ko imo ngalan bisan wala may sabat.
Oo, may layò nga distansya, pero indi ko pagpaluyahan—
Kay kabalo ko nga takus ini isang-at ko gid.

(BVs – call & response)
Gugma indi sayon…
Pilion ta gihapon…
Bisan may guinabatyag…
Tawgon mo gihapon…
Isang-at gid…
Isang-at ko gid…

[Verse 2 – Lead]
May mga gab-i nga ginapanamgo ko ang imo katawa,
Pagbugtaw ko, sakit lang ang nabatyagan.
Pero ginasaligan ko gihapon ang dalan
Nga ang matuod nga paghigugma lang ang makaubra.
Ikaw kag ako, wala ginpatindog sa balas,
Ginsulat ta aton saad sa hangin pero nagapabilin.

(BVs – support harmonies)
Katawa mo…
Dalan nga tuod…
Matuod nga gugma…
Magapabilin…

[Pre-Chorus – Lead]
Wala ko gina-ihap ang adlaw,
Gina-ipon ko ang pamatuod—
Nga ang akon tagipusuon
Nagapadayon para sa imo.

(BVs – harmony)
Pamatuod sang gugma…
Para sa imo…
Ikaw lang gid…

[Chorus – Lead]
Kay ang gugma indi ginapamatud-an kung sayon lang,
Kundi kung pilion ta gihapon bisan pwede na magpalagyo.
Isang-at ko man, bisan masakit man,
Gina-ambal ko imo ngalan bisan wala may sabat.
Oo, may layò nga distansya, pero indi ko pagpaluyahan—
Kay kabalo ko nga takus ini isang-at ko gid.

(BVs – fuller harmony)
Takus ang tanan…
Biskan may kasakit…
Ari ko gihapon…
Ari ko gihapon…
Isang-at ko gid…

[Bridge – Lead]
Damu nga kahadlok, damu nga duha,
Pero ibaylo ko ang akon kasiguruhan basta ara ka.
Indi ko magpanuko, indi ko magpike—
Gina kup-kup ko ang imo ngalan sa akon tagipusuon.

(BVs – soul harmonies)
Sa tagipusuon…
Indi magpike…
Magpabilin…
Magtuo gihapon…

[Final Chorus – Lead]
Ang gugma wala ginasukot sa oras o lugar,
Ginapamatud-an ina sang mga pilas nga aton ginbaton.
Isang-at ko man, sabton ko ang panawagan,
Biskan sa hilom, ginasaot ko daw ara ka diri.
Pwede sila magduha-duha, pero kabalo ako—
Ang bili sang gugma amo ang handa ta isang-at para diri.

(BVs – gospel style)
Isang-at…
Gugma…
Para sa aton…
Ginahatag…
Isang-at ko gid…
Para sa gugma…

[Outro – Lead (soft ad-libs)]
Oo, para sa gugma lang…
Para sa imo lang…
Nagapadayon…

(BVs – soft fade)
Para sa aton…
Isang-at ko gid…
Gugma ta lang…

Isang-at Ko Gid

[Verse 1 – Lead]
Biskan layò ka na subong,
Kag mabug-at ang gab-i,
Ginahawiran ko gihapon
Tunog sang imo tingug sa akon kilid.
May ngalan mo sa akon gininhawa,
May itsura mo sa akon siga—
Biskan bagyo mag-abot,
Di niya mapapas ang matuod nga gugma.

(BVs – echo/response)
Hawid lang…
Di magbuhi…
Siga sang gugma…
Wala ginapa-budlay…

[Pre-Chorus – Lead]
Wala ko naga pangita sang perpekto,
Ginasandigan ko lang ang kamatuoran.
Kada adlaw nga nagapukaw ako,
Ikaw gihapon ang akon ginapangita.

(BVs – harmony)
Sandig sa tuod…
Ikaw gihapon…

[Chorus – Lead]
Kay ang gugma indi ginapamatud-an kung sayon lang,
Kundi kung pilion ta gihapon bisan pwede na magpalagyo.
Isang-at ko man, bisan masakit man,
Gina-ambal ko imo ngalan bisan wala may sabat.
Oo, may layò nga distansya, pero indi ko pagpaluyahan—
Kay kabalo ko nga takus ini isang-at ko gid.

(BVs – call & response)
Gugma indi sayon…
Pilion ta gihapon…
Bisan may guinabatyag…
Tawgon mo gihapon…
Isang-at gid…
Isang-at ko gid…

[Verse 2 – Lead]
May mga gab-i nga ginapanamgo ko ang imo katawa,
Pagbugtaw ko, sakit lang ang nabatyagan.
Pero ginasaligan ko gihapon ang dalan
Nga ang matuod nga paghigugma lang ang makaubra.
Ikaw kag ako, wala ginpatindog sa balas,
Ginsulat ta aton saad sa hangin pero nagapabilin.

(BVs – support harmonies)
Katawa mo…
Dalan nga tuod…
Matuod nga gugma…
Magapabilin…

[Pre-Chorus – Lead]
Wala ko gina-ihap ang adlaw,
Gina-ipon ko ang pamatuod—
Nga ang akon tagipusuon
Nagapadayon para sa imo.

(BVs – harmony)
Pamatuod sang gugma…
Para sa imo…
Ikaw lang gid…

[Chorus – Lead]
Kay ang gugma indi ginapamatud-an kung sayon lang,
Kundi kung pilion ta gihapon bisan pwede na magpalagyo.
Isang-at ko man, bisan masakit man,
Gina-ambal ko imo ngalan bisan wala may sabat.
Oo, may layò nga distansya, pero indi ko pagpaluyahan—
Kay kabalo ko nga takus ini isang-at ko gid.

(BVs – fuller harmony)
Takus ang tanan…
Biskan may kasakit…
Ari ko gihapon…
Ari ko gihapon…
Isang-at ko gid…

[Bridge – Lead]
Damu nga kahadlok, damu nga duha,
Pero ibaylo ko ang akon kasiguruhan basta ara ka.
Indi ko magpanuko, indi ko magpike—
Gina kup-kup ko ang imo ngalan sa akon tagipusuon.

(BVs – soul harmonies)
Sa tagipusuon…
Indi magpike…
Magpabilin…
Magtuo gihapon…

[Final Chorus – Lead]
Ang gugma wala ginasukot sa oras o lugar,
Ginapamatud-an ina sang mga pilas nga aton ginbaton.
Isang-at ko man, sabton ko ang panawagan,
Biskan sa hilom, ginasaot ko daw ara ka diri.
Pwede sila magduha-duha, pero kabalo ako—
Ang bili sang gugma amo ang handa ta isang-at para diri.

(BVs – gospel style)
Isang-at…
Gugma…
Para sa aton…
Ginahatag…
Isang-at ko gid…
Para sa gugma…

[Outro – Lead (soft ad-libs)]
Oo, para sa gugma lang…
Para sa imo lang…
Nagapadayon…

(BVs – soft fade)
Para sa aton…
Isang-at ko gid…
Gugma ta lang…



Isang-at Ko Gid (Chill Vibe Mix)

A voice, a glance… and a second chance.

The Next Time picks up where The First Time left off. A mellow dancehall / club dance groove carries a male vocal through reflection, rhythm and restraint.
Emotional, spacious and syncopated - this is what it sounds like when memory starts to hope again.

Following the footsteps of The First Time, this second chapter leans into warmth and reflection. A male vocal moves gently over a 110 BPM groove  smooth percussion, soft keys, and that signature PRF restraint.

For when time circles back... but nothing feels quite the same.

Title: The Next Time
Lyrics and arrangement by PRF Soundscapes (All rights reserved 2025) 
Music style: Club Dance / Dancehall
*************************************
The other day I saw you
You looked the same
Different place
But same old flame
You didn’t speak
I didn’t move
But something shifted
In the groove (mmm)
Can’t get you out of my head
Is this the next time? (next time)

The next time... (next time)
Don’t walk away (don’t go)
The next time...
Let’s try, let’s stay (yeah)
The next time...
Don’t say maybe
The next time 
Say my name (say it)

You smiled once
Then looked down
It wasn’t much
This ooooh so fragile frown (still feel it)
Same song
Same beat
You always find
A way to repeat
Can’t get you out of my head
Is this the next time? (next time)

The next time...
Don’t walk away
The next time...
Let’s try, let’s stay
The next time... (one more time)
Don’t say maybe
The next time 
Say my name

Will I see you? (Will I?)
Will you stay? (Say you will)
Will we meet
Some other sunny day? (mmm...)

The next time...
Don’t walk away
The next time...
Let’s try, let’s stay
The next time... (you know)
Don’t say maybe
The next time 
Say my name
The next time

The Next Time

Smooth piano, jazzy guitar, warm bass and vintage organ blend over classic boom bap drums in this soulful old-school beat. Perfect for storytelling, freestyles, or mellow golden-era vibes.

• 90 BPM
• A minor

~ Produced by Kike Gutz

Air - Prod. by Kike Gutz | Boom Bap | 90 BPM | A Minor

 This track is all about real loyalty, staying true, and riding through the highs and lows with those who never fold. Smooth verses, heartfelt melodies, and a rhythm that keeps your head nodding — this one’s for the day ones.

🎧 Hit play, feel the vibe, and share with your real ones.
🔥 Drop a comment and let me know what loyalty means to you!

Loyalty

🌿 “I Am Yours” – a heartfelt worship ballad about surrender, faith, and finding peace in divine love.
With pure vocals and minimal instrumentation, this song captures the moment when you let go of fear and place your heart fully in God’s hands. Tuned in 432 Hz, it resonates with the natural frequency of life, bringing calmness and emotional healing.

✨ Why 432 Hz?
432 Hz is said to align with the earth’s vibration, promoting inner balance, clarity, and peace. Many listeners report a deeper emotional connection when hearing music at this frequency.
🎧 Close your eyes, breathe, and let this song guide you back to love.
© 2025 KITKA – All Rights Reserved.
🎙️ Vocals, Lyrics & Production by KITKA
📍 Written between Germany & Thailand
💿 Unauthorized copying, reproduction, or distribution is prohibited.

Iam Yours (432 Hz)

**Emotions Vol. 2** is a deeper dive into the sacred textures of soul, memory, and movement.

Curated with precision and presence by **Raza Sole**, this mix explores the space between worlds — where cinematic downtempo meets tribal dreamscapes, and emotion moves through sound like breath through silence.

Expect layered percussion, ancestral echoes, and ambient emotion designed for healing, reflection, and embodied dance.

🎧 Genres: Ambient Downtempo, Cinematic Soul, Organic Tribal, Ethereal Electronica

✨ Perfect for:
– Inner journeys  
– Breathwork or massage  
– Conscious chill spaces  
– Emotional dance  
– Plant medicine & somatic sessions

🌿 Raza Sole on:
Instagram: @razasole  
SoundCloud: soundcloud.com/razasole  
YouTube: youtube.com/@razasole  
Facebook: facebook.com/RazaSole


Raza Sole – Emotions Vol. 2 | Deep Cinematic Soul & Tribal Dreamscapes

Sa Pinaka-Budlay Nya nga Adlaw

Music producer & beatmaker. Always on the hunt for fresh sounds. I love collaborating and experimenting with other artists. I blend traditional folk music from around the world with underground textures. Find more about me on my Instagram @ kikegutz

I'm Kitka, 23 years old – a singer, songwriter & producer with roots in Thailand and Germany.
My music blends emotive vocals, deep electronic sounds, and healing frequencies like 432 Hz.
It guides you through nights, thoughts, and emotions – to feel, dance, and let go.
🌍 Based between Pattaya & Konstanz – a sound that connects cultures and touches hearts.
💫 Let yourself drift. Feel the sound. Hear the moment.

🔐 Copyright Notice:
All content (lyrics, vocals, compositions) is copyright protected.

📜 Copyright Registration:
Lyrics & Music © 2025 Kitka
Contact: ralfizain@gmail.com

The MFBoogi Project is the creative vision of DJ Boogi, a powerhouse DJ and producer driven by an unstoppable passion for music. With deep roots in both the East and West Coast nightlife scenes, Boogi has built a reputation for delivering unforgettable energy behind the decks while steadily carving his place among the world’s elite producers.

His motto, “Music is Life… Not Faking the Funk!”, defines his approach — authentic, soulful, and unapologetically real. For Boogi, music isn’t just a job — it’s a way of living, a calling that fuels every beat he crafts and every crowd he moves.

Now, with The MFBoogi Project, he merges his love for DJ culture and production, collaborating with top-tier artists and creating tracks that resonate worldwide. From high-energy club nights to soulful studio sessions, MFBoogi is on a mission to push boundaries and share vibes that connect people through sound.

Booking & Remix Requests:
📧 Email: anthonydow81@gmail.com
📱 Instagram: @DjBoogi
👍 Facebook: DJ Boogi

With over two decades behind the decks, Raza Sole is a sonic alchemist known for crafting immersive journeys that transcend genre and awaken the ecstatic within.

From underground raves to sacred ceremonies, his sets flow effortlessly across the spectrum — from tribal downtempo, organic house, and Afro rhythms, to techno, tech house, trap, dubstep, and high-energy bass music.

Every performance is a ritual — a sensual, emotional, and often spiritual transmission — designed to guide listeners into altered states of movement, release, and presence.

Whether beneath strobe lights or under moonlight, Raza Sole dissolves musical boundaries to reconnect dancers with their primal pulse. Whether the stage is dust-covered or candle-lit, Raza Sole’s music opens portals — guiding dancers into altered states of rhythm and release, where genre disappears and only energy remains.

🎶 Different themes. Same outcome. Music is the ritual. Movement is the prayer

New tracks tagged #SoulfulVibes