Creepy and Atmospheric - The Dollhouse is a short collection of horror inspired music crafted for use in film, game or television. 

the attic

Composed by JoJo Worthington. Directed by Justin Genest. Special thanks to all the crew for allowing me to write to such a beautifully produced film. Cara Italia. 

La Guerre

Cara Italia

Sans Terre, Sans Océan

Per Te (Main Theme)

The you it takes with it
Is the you I see as me.
“Me” as in the “I” we all
Perceive ourselves to be.

The you it takes with it
Is your core identity.
Identify yourself from now on as
A separate entity.

The you it takes with it
Is the you you can't concede
Unless breathing is itself no longer
A cold necessity.

The you it takes with it
And everything you gave for free
You're taking nothing of it with you
Still it takes eternity.

The you it takes with it
I see so much of it in me.
I am the you it left behind this time
“You” are the me I've yet to be.

The you it takes with it.
-sterieaux

The You It Takes With It

ALONE

Moog Matriarch - Arp
Arturia SynthX - Synthline
Arturia Yangtze - Erhu and Pipa
Ableton Live

Flamin'

SOKAK

Dark/Industrial/Underground/Techno/Disturbia
Emotional/Ballade

When Music Build Pictures...!!!




[Schnu]-Deep Emotional Underground_Techno_[iknowwhatifeel]

Emotional Underground Techno

Unique - Deep - Groove

Guitarist/ Songwriter/ Multi-instrumentalist / Vocalist from the WV, USA
I performed, recorded, All the Instruments and Vocals you here on these songs in my home recording studio.
over a decade or so.. Music for me is passion ,and therapy..

Hope You Enjoy!
STAY SAFE AND HEALTHY

STUDIO LINE IS:

DT HAWKINS- Lead & Backing Vocals , Lead and Rhythm Guitar, Bass Guitar, Keyboards, Sound FX , Percussions, Programing , Engineering, Producing ..

All Songs ... Written By & Arranged By DT Hawkins @ Rising Man Studio / Rock 24 Studio (EXCEPT**)

This Song is a product and property of the following:
©℗® Melodic Monster Entertainment LLC & DT Hawkins Music.
(All Rights & Permissions are Reserved)

Music and Logo are Trademark and Copyright Protected ©℗® Melodic Monster Entertainment LLC & DT Hawkins Music ..All Rights and Permissions are Reserved

[A soft tour-de-force, the grand echo from the small sound, a burst of light from the centre of the room]

Over the past decade, JoJo Worthington has emerged as a distinct presence in creative Canadian music, pairing deftly penned songs with spectacular sonic landscapes. Having wandered through the “lost, enchanted forest” (Bandcamp, New & Noteworthy) of 2016’s breakthrough album, \\, and sailed the seas of her epic avant-pop odyssey TCYK (2019), BAPTIZED I sees this visionary songcrafter adorning her armour, grabbing her sword, and beginning a quest for a destination that isn’t tangible—a quest towards the divine.

BAPTIZED I leaves no stone of Worthington’s distinctive sonic palette unturned. Tender acoustic ballads erupt into sweeping electronic passages; anthemic refrains find peace in surreal soundscapes. Uniting Phoebe Bridgers-esque hooks with the electronics sensibilities of M83, these songs match confessional intimations with grand gestures. They bring Death, the devil, and the Holy Ghost into scenes of high school bush parties and wintertime walks along the St. Lawrence. Combining earthly and celestial sounds, BAPTIZED I stands between worlds as Worthington yearns to make her “flesh connect / to the world as it is / and to be as the spirit is.” This chameleonic EP explores the feeling of crossing a bridge between the ordinary and the extraordinary; between the superficial and the sacred; between what has been and what should be.

Written while moving from a residency at the Banff Centre to a new city—Canada’s indie music mecca, Montreal—during the pandemic, BAPTIZED I finds Worthington making sense of her surroundings by looking inwards and going deep. On one hand, this means looking back and reconsidering formative memories and intimate relationships; on the other, it means looking critically at the present: seeing the local outcomes of ubiquitous housing crises, systemic racism, and mass misinformation. Through unprecedentedly vulnerable songs, Worthington works to make sense of what has happened, find spiritual purpose, and strive towards wisdom.

Part of the quest that is BAPTIZED I involves articulating the mental health struggles peculiar to her generation, detailing incessant duels with “millennial stress.” For Worthington, burnout isn’t a buzzword; it is the feeling of your mouth becoming detached from your body. It’s the never-ending pressure to “find every little way” for everyone to know your name when there are people dying from neglect around the block. It’s the double-edged sword of empathetic reflection, of art-making, of existence. But it is through this quandary that Worthington reaches beyond the mind and the body, considers the soul, and strives for victory through personal transformation.

Worthington has toured internationally, astounding audiences with her technologically miraculous live performances and opening for acclaimed acts such as Novo Amor, Ariana Gillis, Frightened Rabbit, Great Lake Swimmers, and The Grapes of Wrath. Her recorded work has received several international awards (Songwriter’s Hall of Fame, Independent Music Awards) and she has applied her distinct production sensibilities for projects spanning from hip-hop to folk rock, including co-producing The Lifers’ Honey Suite, nominated for a Canadian Folk Music Award. Worthington was selected from thousands of submissions to participate in the inaugural TD Creative Entrepreneur Incubator program, recently completed the Audio Recording Practicum at the Banff Centre for Arts and Creativity, and was selected to participate in 2021’s Equity X Mentorship Program (RBC & SOCAN).

Ceaselessly engaging, deeply affecting, and always forging deeper into the unknown, JoJo Worthington is one of the most forward-thinking musicians of her generation.

make the music you wanna hear in the world

New tracks tagged #Soun