interactive installation based on feedback

16 Presets

"Recyclophonitecture" is an ambitious exploration of spatial sound that aims to push the boundaries of modern composition. At its core, the composition revolves around the concept of recycling melodies, where themes are deconstructed and reassembled throughout the piece, creating a continuous evolution of sound.

The work begins with a classical string quartet, only to transform into a fully realized electronic orchestra. This transition highlights an innovative approach to blending acoustic and digital elements, merging traditional instrumentation with futuristic electronic textures.

Thematically, "Recyclophonitecture" delves into the idea of visualizing space through sound creating a sound architecture. The use of layered soundscapes allows the listener to experience a three-dimensional sense of space, with each note building an auditory architecture that expands and contracts in real time. This fusion of music and spatial design offers a unique listening experience, emphasizing the dynamic relationship between sound, time, and perception.

Ultimately, the piece serves as a compelling statement on how sound can shape our experience of space, offering a fresh perspective on both musical structure and sensory engagement.

Recyclophonitecture (for strings and electronic orchestra) - Lazaros MAVROMATIDIS

Metaphorical transformations of extramusical contents and models are a constant in my compositional work. I constantly seek the intermedial friction associated with these transformations. Thus, for example, elements ofarchitecture, language or psychoacoustics are key issues in my work.

Alongside conceptual questions, however, there is always a clear commitment to the sensual in music –to all that can be experienced by hearing, performing or showing-. 

I currently live and work in Bern as a performer/percussionist, composer, percussion and music teacher and sound and light technician.

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