BUY: https://bit.ly/41LJwSN

#producers, #musician, #mountains #kontakt, #library, #music, #sample #loop, #drumkit, #samplepack, #guitar, #instruments, #future, #nativeinstruments, #KontaktLibraries, #SamplePacks, #MusicProduction, #AudioLoops, #VirtualInstruments, #SoundDesign, #FLStudioSamples, #MusicProducers, #SoundKits, #DAWTools, #KontaktScriptEditor, #CustomLibraries, #LoopCreation, #PresetBanks, #VSTPlugins, #BeatMakingTools, #RoyaltyFreeSamples, #MusicProducerLife, #StudioGear, #ProductionEssentials,

DML - Mountains - A Minor (135 Bpm)

2024, MAY
я не веду счет сколько сменил колес
двигаюсь один подай мне руку рост
давно сменил язык 
не чувствую уродств
расскажи про металл мне расскажи кто из него

провода тянутся вверх 
планета зеленеет окей
я переплавил чип на space tour номер 3
боюсь увидеть новые кошмары головы

внутри полуночного мрака я смотрю словно в скрижали
давай поговорим по душам
когда смеркнется пожар
на французских крышах
я не хочу с тобой
тут бороться 
давай просто вдвоем увидим космос

fire

In this episode of Poducer, we reconnect with Chef Boyarbeatz for a high-energy, insightful convo about the ups and downs of the touring life, creative evolution, and the state of underground bass music. Chef reflects on how he got his start, switching from house parties and hip-hop sets to becoming a Red Rocks performer, even with a snowstorm pushing back his debut.

We dive into the making of his collab with Combine, his love for drum & bass, and how he’s balancing day jobs, teaching, and planning his first full-length album. Along the way, we talk about production schools like Icon Collective, festival crowds, the challenges facing smaller promoters, and what sustainability really looks like for working artists.

Links:
Follow Chef Boyarbeatz: https://linktr.ee/chef_boyarbeatz?fbclid=PAZXh0bgNhZW0CMTEAAadGarjE0L4iJB65-XO3Vn3vpcGgA3bcKhIIj6URu5LfAWdSOvWxlVSd-bv5yQ_aem_DXAHULsOatsAmRSgrzRb_Qfbclid=PAZXh0bgNhZW0CMTEAAafH5idBx2plutYrgSsUYRVijqffWdQwZ7qes3e-MysA3w8yFiZ32dD_MMjHZw_aem_v1O_cz5-kPKsnfyG9TMnsQ
Follow Poducer: https://linktr.ee/poducerpodcast

Watch Video

NSW x Poducer EP 4: Chef Boyarbeatz — Balancing Touring, Teaching & Creating

Electronic / Funk / Experimental 130 BPM
“Romp” is a high-energy, genre-blurring track built on tight percussion, textured synth layers, and a sense of sonic adventure.

Created on Soundtrap 05/16/2025
10 Stems

Romp

🔮 Embark on a spiritual journey with “Spheres (Original Mix)” by The New Of The Tower—a melancholic, mystical ambient-electronic odyssey. Featuring layered Gregorian chants, tribal percussion, soft ethnic vocals, and lush pads at 70-80 BPM, this track evokes inner introspection and sacred mystery. 🌿✨ Composed & produced by Francisco Javier de la Torre Moreno. All Rights Reserved. 🚫 Unauthorized use prohibited.

Official video: https://youtu.be/4RvHMEJ20_w

🔔 Don’t forget to:
❤️ LIKE if the vibe resonates!
👇 SUBSCRIBE for more releases.
📢 TURN ON NOTIFICATIONS 🔔 to stay updated on new drops.
💬 COMMENT your favorite moment in the track below!

💥 Why You'll Love This Track:
👉 A MUST-ADD to your 2025 playlist 🎶
👉 Perfect for Viral Reels & Stories 📱
👉 Share with friends

🔗 Connect with Me :
👉 YouTube : www.youtube.com/channel/UC220nGnHhqUIJBAHK9dAURA
👉 Spotify : open.spotify.com/artist/2KIQuMc8R…NRqQ&dl_branch=1
👉 Twitter : twitter.com/TheNewOfTheTow1
👉 SoundCloud : @the-new-of-the-tower

🌌 Spheres (Original Mix) – Melancholic Mystical Ambient Journey

Statics

Experimental EDM / Glitch Hop / Futuristic Bass 61 BPM - A minor

Unleash the chaos of genius with "I'm A Genius" — a mind-bending blend of glitchy rhythms, unpredictable drops, and futuristic synthscapes. Designed to ignite creative edits, brainy dance moves, or anything brilliantly weird. Whether you're building tech, coding in style, or just vibing like a mastermind, this track speaks your frequency. Drop the beat, not the IQ. 💡💥

Use this sound if your brain moves faster than the beat.

I'm A Genius

Experimental EDM / Darkwave / Ambient Glitch
"You exist—but you cannot see yourself."
Loss of identity, Corrupted Perception, Rejection of Reality

No Reflection

🇩🇪 German Version:

Ein Track über das Wiedererwachen einer verlorenen Seele.
„Wiedergeburt“ markiert den Neuanfang von Tamashi Tensei, dem virtuellen Avatar des Künstlers Jörg Schmitz.
Zwischen Lo-Fi, Trap und spiritueller Tiefe erzählt dieser Song vom inneren Feuer, dem Ruf aus der Dunkelheit und dem Aufstieg durch Kunst, Klang und geistig-elektronische Inspiration.
Jede Zeile ist selbst geschrieben. Jeder Beat ein Ritual.
Dies ist kein Comeback –
Dies ist eine Transformation.
--------------------

🇬🇧 English Version:

A track about the reawakening of a lost soul.
“Rebirth” marks the new beginning of Tamashi Tensei, the virtual avatar of artist Jörg Schmitz.
Blending Lo-Fi, Trap, and spiritual depth, this song tells of an inner fire, a call from the darkness, and a rise through art, sound, and spirit-electronic inspiration.
Every line is self-written. Every beat a ritual.
This is not a comeback –
This is a transformation.
--------------------

🇯🇵 Japanese Version（日本語バージョン）:

失われた魂の再覚醒を描いたトラック。
『再誕（さいたん）』は、アーティスト ヨルク・シュミッツのバーチャルアバター、タマシ転生の新たな始まりを示します。
Lo-Fi、トラップ、そしてスピリチュアルな深みを織り交ぜながら、この曲は内なる炎、闇からの呼び声、そして芸術・音・精神と電子のインスピレーションによる覚醒の物語を紡ぎます。
すべての歌詞は自作。一つひとつのビートが儀式。
これはカムバックではない──
これは変容です。

Wiedergeburt

"La Flèche tombée du ciel" – Un manifeste sonore, une plainte nationale.

Le 15 avril 2019, un symbole millénaire de la France s’effondrait sous les yeux du monde.
La flèche de Notre-Dame, dressée vers le ciel comme un cri d’espérance, est tombée dans les flammes. Avec elle, c’est une part de notre histoire, de notre identité et de notre âme qui s’est consumée.

Cette œuvre sonore n’est pas un simple hommage — c’est une dénonciation.
Un cri contre la négligence, contre l’oubli, contre le sacrifice du patrimoine sur l’autel de l’indifférence et de l’impuissance politique.
Où était la vigilance ? Où étaient les moyens ? Où était l’État ?
Cette musique raconte la colère sourde des Français, ce feu intérieur qui continue de brûler au-delà des cendres.
Écoute. Ressens. Rappelle-toi.
Notre-Dame est plus qu’une cathédrale. Elle est le cœur battant d’un peuple.

La flèche tombée du ciel

In this episode of Poducer, we sit down with Chicago-based house producer, DJ, and attorney Arum — a rising voice in the underground scene known for his soulful, groove-forward productions, community organizing, and fiercely human-centered approach to music.

He shares how early influences like Crystal Castles and Death from Above shaped his love for experimental rhythms, and why he now champions house music with emotion, texture, and intention.

Arum breaks down his creative process, his views on algorithm-driven promotion, and how he uses marketing tools like Meta ads with intention — all while avoiding the industry’s pressure to chase empty numbers. We also dive into his legal background, discussing music contracts, AI concerns, and why empowering artists with knowledge is at the core of his mission.

Plus, we talk about Beyond Ecstasy Vol. 2, the multi-genre event he’s curating at Book Club Chicago on August 2, featuring names like Backpack, Dante Drives, Yannaa Lynette, and more — a night that blends house, hip-hop, experimental electronics, and rave history into one vibrant community gathering.


🎟️ Beyond Ecstasy Vol. 2 Tickets: https://bookclubchi.com/event/beyond_____ecstasy-2-ft-backpack-beatz-more/bookclub/?direct=true
🎧 Listen to Arum: https://linktr.ee/iswearimarum
📲 Follow Arum: https://instagram.com/iswearimarum
🎙️ Follow Poducer: https://linktr.ee/poducerpodcast

The Podcast for Producers

Arum: Indie Marketing, Artist Advocacy, Attorney, .beyond_____(ECSTASY)

This is my personal rescore of the “cryo chamber” scene from Alien: Earth.
While the original soundtrack by Jeff Russo takes a bold, front-and-center approach, I wanted to explore a different sonic direction — one that leans into subtle synth pads, atmospheric textures, and a slow-burning sense of unease.
The goal was to create an ominous, ambient mood that lets the visuals breathe while adding an undercurrent of tension. This is not an attempt to “fix” the scene, but rather to reimagine it through a different musical lens.
Headphones are recommended for full immersion.

Cryo Chamber

Tamashi Tensei – die Wiedergeburt der Seele in Klang
Tamashi Tensei ist der musikalische Avatar des Künstlers Jörg Schmitz, mit dem er seine eigenen Grenzen erweitert und seine innere Welt ins Außen überträgt.
Er verbindet atmosphärische Beats, tiefe Basslines und emotionale Melodien zu einem einzigartigen Sound zwischen Lo-Fi, Trap und experimenteller Elektronik. Seine Tracks sind mehr als nur Musik – sie sind Reisen durch innere Welten, inspiriert von persönlichen Erfahrungen, spirituellen Fragen und einer Leidenschaft für grenzenlose Kreativität.
Jedes Stück erzählt eine Geschichte: von Momenten der Dunkelheit bis zu Augenblicken voller Licht. Mit einem Gespür für Details und einer Vorliebe für emotionale Tiefe erschafft Tamashi Tensei Klanglandschaften, die zum Nachdenken, Träumen und Fühlen einladen.

Versatile In The Multi-Dimensional Digital Landscape Of Sound

🎵 AREDIUS – Une passion musicale engagée et sincère 🎵

Bienvenue sur la page officielle SoundCloud d’ "AREDIUS", artiste indépendant à l’identité affirmée.
"AREDIUS" est également une marque déposée auprès de l’INPI, tout comme "Arédius Art Production".
Mon nom de domaine officiel est : www.aredius.fr
Pour me contacter : contact@aredius.fr

🎼 À découvrir en priorité : la playlist "CRÉATION CHANSONS ORIGINALES"
Chaque chanson y est une expression libre, souvent inspirée de notre époque. Vous y entendrez mes convictions, mes interrogations, mes coups de gueule ou de tendresse… toujours portés par une volonté sincère de faire réfléchir, sourire ou ressentir.
🎭 Certaines paroles peuvent jouer volontairement sur le second degré.

🎧 Tous les titres sont également disponibles à l’écoute sur les principales plateformes musicales en ligne.

🎙️ Un parcours entre scène et création
Chorale jazz, technique de scène, festivals, théâtre, animation musicale… Mon chemin est tissé d’expériences humaines et artistiques qui nourrissent chaque note, chaque mot.

📀 Affilié SACEM – Respect des droits d’auteur
Certaines œuvres originales sont protégées par la SACEM. D’autres sont partagées sous licence Creative Commons, dans un esprit d’ouverture et de transmission.

🙏 Merci de votre écoute
Abonnez-vous pour soutenir cette aventure indépendante, découvrir les prochaines chansons, et rejoindre ceux qui aiment mêler musique, émotion… et liberté de ton.

The Podcast for Producers



Watch on YouTube:
https://www.youtube.com/channel/UCijzViDaoVljjDXyEPTIwyQ?sub_confirmation=1

Art by: www.henryfeldman.com

Hi all ! I make music, some of it weird, some of it beautiful I transcend over different genres, all from odd time signature, violent metal to beautiful smooth orchestrations, Short handed - I make the music I want. DM if there is something on your mind. And check out my stuff.  :)

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.

New tracks tagged #SoundDesign,