This extensive collection of vehicle recordings contains a full work up from a 2017 Land Rover Discovery Sport HSE, 2.0L. Complete with onboard and external recordings made at different speeds and performing different manoeuvres. Hear the distinctive sound of this Land Rover engine roar into action as its put through its paces in Dirt & Asphalt Vol.3.

This library features 6 channel HD onboard recordings, with 2 microphones placed inside the engine bay, a stereo microphone placed inside the interior and individual microphones placed by each exhaust outlet pipe on the rear of the vehicle. A pro tools session is provided that takes all the effort out of arranging and preparing these recordings for mixing. Just launch the session, add your favourite DSP and render your own mix in minutes.

Visit https://blackedgeaudio.com/sound-library/p/dirt-asphalt-vol-3 for more info.

Dirt And Asphalt Vol.3 Sound Library Trailer

This extensive collection of power tools contains a full set of recordings for featured tools. Each set includes revving, running, idling and working. Complete with close and medium distance microphones, clearly labeled for easy editing and matching to camera perspectives. Trust in your tool… Let the home improvement and zombie dismemberment begin!

Visit https://blackedgeaudio.com/sound-library/power-tools for more info

Power Tools Sound Library Audio Trailer

Noise reduction- Audio Restoration- Presence and voice boosting:
1.The location for the recording was a big studio with a lot of room/reverberation. The delivery needed it to be with quality standards, clear, have presence and no room ambience signal.
2. Studio Reverberation, room. Voice needs presence and boost.
3. Audio signal with room, clipping, some crackle and rustle.
4. Audio from a live conference, needs presence, boost voice. The ambience was recording on other channels so we needed the voice really clean to mix it after with ambiences.
5. Electric noise from recording, annoying high frequencies, hiss and crackle.
Audio Restoration it's an art, you have to know the tools and need to have a good ear to approach each noise specially, otherwise you will end up with audio artifacts or messing up the file.

With tools multiple plugins like NS1, Izotope RX, I check the frequency spectrum of each signal to know what's the best workflow to apply. Depending of the noise, I use plugins like Isolate, de-crackle, clipping, de-reverb, mouth de-click, voice de-noise, etc.
I also use AI cleaning tools for better results when I need so much dialog presence and the raw conditions are really poor.

After having all the audio signal cleaned, you have to keep the chain audio process to remove or boost frequencies generated after the cleaning, check that the overall mix with fxs and music its balanced, etc.

New tracks tagged #Soundeditor