I made a stop animation short film on YouTube and this is the music to go with the scenes in the video. If you want to watch the 25-minute short film it can be found below;

youtu.be/JThYnAvOyv8?si=tDns0821weaC7KME

The Feel Is Strange

A Bid For Freedom

Weird

Cheers

Captured

Home Dry

Lock & Key

Enjoy this very famous and charming film music of the American composer Angelo Badalamenti played by me! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Badalamenti A. - Main Theme from "Twin Peaks" (Fender Rhodes Synth)

“Venus” is a mystical cinematic piece blending dreamy synths, distorted ambient textures, and sharp guitar harmonies. Inspired by sci-fi atmospheres and spiritual exploration, it offers a surreal and immersive journey through ethereal soundscapes and progressive psychedelia. Ideal for abstract visuals, narrative sci-fi, or experimental film sequences. For licensing or collaboration, feel free to contact me.

Venus – Ethereal Cinematic Psychedelia

Earthly Echoes is a cinematic instrumental rooted in the raw beauty and quiet power of nature — a musical reflection of earth’s presence, unity, and movement.

Featuring full orchestration, layered percussion, choir textures, and winds, this piece blends ambient atmosphere with emotional resonance. Best experienced with headphones — or under open sky.

Thanks for listening. If it resonates with you, feel free to share or drop a comment.

Earthly Echoes

Hi, my name is Gas No Light and Game For Experimentation. I've been making music for over 26 years now and have been and still make all sorts from synthy stuff like Vaporwave/Synthwave and Hauntology and general synthy vibes. I also make club stuff Jungle/Drum and Bass, House and Reggaetón, UK Garage and UK Funky which I enjoy making the most. Also, I like to make gaming music and Experimental music hence my other name but I do like making lots of different genres too.

Realities Delusion is a dynamic artist who creates a mix of genres like rock, metal, lofi, and ambient to inspire listeners to challenge their reality and open their minds. With an ever-evolving sound, their music invites exploration, emotional connection, and self-discovery. Guided by the mantra ‘Feel.Discover.Become.,’ Realities Delusion crafts experiences that celebrate transformation and authenticity.

Carlo Cozzula was born  in Sassari in 1971.
In 1994 he obtained the Experimental Magistral Diploma with the highest grade; in 1996 - under the leading of Hedda Vignanelli Illy – he graduated, with the highest marks, in Organ at the Conservatory of his city and next year, he graduated in Harpsichord at the Conservatory "B. Marcello" of Venice. 
He has studied Choral Music and Choir Conducting and also studied piano at the concert levels since 1985.
He performed on all the instruments as a soloist in chamber ensemble also with vocal soloists, accompanying several polyphonic complexes, among which the "Cantori della Resurrezione" by A. Sanna, with whom, in 2000, he collaborated for a recording of music by G. B. Platti (Bongiovanni Records), and with whom he performed in a concert in July 2003 in the Basilica of the SS. Rosary of Lourdes (France).
He was the main organist at the Monumental Church of S. Maria di Betlem (Sassari) and at the Basilica of S. Gavino (Porto Torres). 
As an organist, in October 1997 he was invited for a tournée in Germany, performing in prestigious places, including Limburg, Wiesbaden, Lorch, Frankfurt, as soloist and chamber musician, in concert seasons including well-known soloists such as W. Stockmeier, R. Haas, M. Pirenne, U. Krupp, W. Rockel, J. Von Erdmann.
He was invited again for the October of 2003 to give a concert at the “Orgelsommer 2003” in St. Josef Church (Frankfurt), achieving great success, playing in a schedule with some of the most famous and acclaimed organists on the world scene, such as J. Parker-Smith, Th. Trotter, H. Vogel, P. Pincemaille, D. Zaretsky, P. Pietiläinen.
In 2007 he was called a part of the Jury of the 1st Art Competition "Il Filo di Arianna", at the Baja Hotel in Cannigione (Sardinia). 
He taught Music Theory and has been pianist accompanist of lyric singing classes at the Civic School of Nuoro, taught in State Schools.
Recently he has edited the Italian translation - in World Premiere - of the essay of 1846 written by the French F. Levacher D'Urclé: "Manual didactic problems in relation to the study of the anatomy of the hand" and also the thesis by M. Punt "The Straube Code-Deciphering the metronome marks in Max Reger's Organ Works".
As a composer, he is the author of music - original and not - dedicates to the international singer Teresa Salgueiro. He is also the author of a series of Concert Transcriptions for organ - even in World Premiere - from the piano and symphonic repertoire, and for pf. from the original organ repertoire, but also from accurate choices concerning the world of jazz, fusion, Brazilian music, French chansons and Soundtracks.
One of the piano transcriptions has already been recently included in a piano recital. These compositions are already available to the international artists such as: Philippe Raskin, Mariangela Vacatello, Irene Veneziano, Simone Pedroni, Igor Roma, Gloria Campaner, Antonio Pompa-Baldi, Alexei Volodin, Roberto Plano, Maurizio Baglini, Andrew Litton, Sandro Russo, Nicholas McCarthy, Ramin Bahrami, Thomas Ospital, Stephen Tharp, Thierry Mechler, Joseph Nolan, Danilo Rea, Enrico Pieranunzi, Carisa Marcelino and Clare Hammond.

New tracks tagged #Soundtrack Music