Thou hast delivered me from the strivings of the people; and thou hast made me the head of the heathen: a people whom I have not known shall serve me.

As soon as they hear of me, they shall obey me: the strangers shall submit themselves unto me.

The strangers shall fade away, and be afraid out of their close places.

The Lord liveth; and blessed be my rock; and let the God of my salvation be exalted.

It is God that avengeth me, and subdueth the people under me.

He delivereth me from mine enemies: yea, thou liftest me up above those that rise up against me: thou hast delivered me from the violent man.

Therefore will I give thanks unto thee, O Lord, among the heathen, and sing praises unto thy name.

Great deliverance giveth he to his king; and sheweth mercy to his anointed, to David, and to his seed for evermore.





Psalm 18:43-50
King James Bible

דרך הרצון

and to his seed for evermore.

This song was recorded by Harry McClintock in 1928. It is featured in the movie "O Brother Where Art Thou?"

Big Rock Candy Mountain

all over like an hairy garment

By faith Isaac blessed Jacob and Esau concerning things to come.

From A band called Frick.,
 "We made a few posts on Reddit asking random musicians if they'd like to participate in covering a song by a band they've never heard of before called Frick. We encouraged them all to do it in any style they wanted to, the weirder the better, and make it their own. These are the results!"

but it's actually other people playing our songs

Spot the Difference - a Frick. cover

[Intro: Instrumental]
...
...
...
...

[Verse 1]
"Whisky. I. Got You...
Ice. Drip. Pour You...
Crackle. Diamonds. Glass smooth...
Swwwiirrlll. Clickin'. SALUTE..."

[Chorus]
"Whisky. You're what calms...  
The drank that warms...  
Up. I throw you back...  
Rockin' Crown, The Jack."

[Verse 2]  
"Bonfire. Friends. Circlin'...
Whiskey. You're all. Talkin'...
Joy. Old New. Memoriessss...
Cracklin'. Wood, BBQ Smmokinnn'."

[Chorus]  
"Whisky. You're what calms...
The drank that warms...
Up. I throw you back...
Rockin' Crown, The Jack."

[Bridge]
*Auto-tune effect*
"Golden glow, flames in the dark...
We toastin’ again, we leave our mark...
Chilled and strong, the glass in hand...
Whisky night, this is where we stand..."

[Outro]  
"Pour you back… let the night roll slow...
Glass in hand… the whisky flow..."

Whiskey Tales - GoolZan

Live recording of a simple song with a powerful message. 

Get Up Son (Live)

Step on the Throttle and Oh My Lord on The Dixie Bee Line by Uncle Dave Macon sung by Tom Aufrance - The old time song The Dixie Bee Line by Uncle Dave Macon (1926). Originally titled "On the Dixie Bee Line (In That Henry Ford of Mine)" this humorous song celebrates the iconic Ford automobile, reflecting the impact of the car during its time. The song is a lively and humorous piece, showcasing Macon's unique style and storytelling ability, and Tom delivers the song in appropo style. 

Lyrics to The Dixie Bee Line
by Uncle Dave Macon
as performed by Tom Aufrance, vocals and guitar
with Mary Kay Aufrance, vocal harmony and accordion

Well Some folks says that a Ford won't run,
Just let me tell you what Henry done.
We left Louisville about half past one,
And it pulled into Nashville 
at the settin' of the sun.

On the Dixie, on the Dixie Bee Line,
I'm going to rise and
shine, going to stay out the time,
Rise and shine, gwine to stay out the time,
When I ride in that Henry of mine.

Well Henry Ford went to Muscle Shoals
To bring to the people of the South pure gold.
Well Let him have it, but, "Oh, my Lord,
We'll all ride to Heaven in a Henry Ford." 

On the Dixie, on the Dixie Bee Line,
We're going to rise and shine, 
going to stay out the time,
Rise and shine, going to stay out the time,
When I ride in that Henry of mine.

Well That old Buick, certainly treated me mean,
She took all my money for to buy gasoline,
She may be warm, but I don't know,
But the Buick won't come where the Henry will go. 

On the Dixie, on the Dixie Bee Line,
I'm going to rise and shine, 
going to stay out the time,
Rise and shine, gwine to stay out the time,
When I ride in that Henry of mine.

I went to the mountain for to get some booze,
The Henry Ford car is the one I’d choose,
The officer got right on me, I'd say,
But I held her wide open and I made my getaway.

On the Dixie, on the Dixie Bee Line,
I'm going to rise and shine
going to stay out the time,
Rise and shine, gwine to stay out the time,
When I ride in that Henry of mine.

Well Everybody knows the Henry Ford car,
Everybody knows they’re the best they are,
You wanna take a ride, just get in a Ford,
And step on the throttle and "Oh, my Lord!"

On the Dixie, on the Dixie Bee Line,
I'm going to rise and shine, going to stay out the time,
Rise and shine, gwine to stay out the time,
When I ride in that Henry of mine.

About the Dixie Bee Line song:

Uncle Dave Macon's song, known as The Henry Ford Car, On the Dixie Bee Line, and also In That Henry Ford of Mine, humorously celebrates the Ford automobile and its impact during its time. It's a lively tribute to Henry Ford's cars, including with a car chase. The story goes that Henry Ford personally gifted Uncle Dave Macon a car for this song. 

About Uncle Dave Macon:

Uncle Dave Macon was known for his unique style and storytelling ability, and this song is a great example of his charm and humor. Uncle Dave Macon, born David Harrison Macon in 1870, was a legendary American musician and entertainer. Known as "The Dixie Dewdrop," he was a banjo virtuoso, singer, songwriter, and comedian. Macon became the first major star of the Grand Ole Opry in the 1920s and is celebrated as a pioneer of early country music. His lively performances, unique style, and humor bridged 19th-century folk traditions with the emerging music industry of the 20th century.

About Tom Aufrance:

Tom Aufrance is a talented musician who performs alongside Mary Kay Aufrance. Together, they create a unique blend of acoustic music, including Americana, Celtic, folk tunes and original music. They are known for their engaging performances at festivals, fairs, and other events, often incorporating humor and storytelling into their acts. Tom's musical journey has taken him through various styles and collaborations, showcasing his versatility and passion for music.

https://www.Aufrance.com/music/ View the video: https://www.youtube.com/watch?v=wF3TkGpSJlc

The Dixie Bee Line

The Dixie Bee Line (The Henry Ford Car)

Carolina Parakeet

In the In Between \\ villain's story was captured fully in the moment, this track breathes ‘90s nostalgia with raw energy and honest storytelling. Sara Khula’s resonator guitar riffs flow freely as Natalie Rae channels lyrics and melodies live, weaving a gritty and soulful tale from the shadows.



In the In Between

"Hate Me" by Blue October is a song about addiction, depression, and the damage it can cause to relationships. The song expresses feelings of guilt and the belief that people would be better off just hating you and moving on.
------
LYRICS:
------
I had to block out 
thoughts of you
so I don't lose my head
They crawl in like a cockroach
leaving babies in my bed

Dropping little reels of tape
to remind me that I'm alone
Playing movies in my head
that make a porno feel like home

There's a burning in my pride
a nervous bleeding in my brain
An ounce of peace is all I want for you
Will you never call again?

And will you never say
that you love me
just to put it in my face
And will you never try to reach me
it is I that wanted space

Hate me today
Hate me tomorrow
Hate me
for all the things
I didn't do for you

Hate me in ways
yeah, ways hard to swallow
Hate me so you can finally see
what's good for you

I'm sober now
for 3 whole months
It's one accomplishment
that you helped me with

The one thing
that always tore us apart

Is the one thing
I won't touch again

In my sick way
I want to thank you
for holding my head up late at night

While I was busy
waging wars on myself
you were trying to stop the fight

You never doubted
my warped opinions
on things like suicidal hate

You made me compliment myself
when it was way too hard to take

So I'll drive so far away
that I'll never cross your mind
And do whatever it takes
in your heart
to leave me behind

Hate me today
Hate me tomorrow
Hate me
for all the things
I didn't do for you

Hate me in ways
yeah, ways hard to swallow
Hate me so you can finally see
what's good for you

And with a sad heart
I say bye to you
and wave
Kicking shadows on the street
for every mistake
that I have made

And like a baby boy
I never was a man
Until I saw your blue eyes cry
and I held your face in my hand

And then I fell down yelling
"Make it go away!"

Just make her smile come back
and shine
just like it used to be
And then she whispered
"How can you do this to me?"

Hate me today
Hate me tomorrow
Hate me
for all the things
I didn't do for you

Hate me in ways
yeah, ways hard to swallow
Hate me so you can finally see
what's good for you

---------------




HATE ME TODAY

“It’s What We Don’t Say” is a vintage acoustic country-blues duet that captures the haunting intimacy of unspoken love. Set in A minor at 74 BPM, this slow-burning ballad features delicate fingerpicked guitar, upright bass, and brushed snare, layered with cinematic ambient pads and vinyl crackle warmth.
Inspired by the emotional chemistry of Scarlett O'Connor and Gunnar Scott from the Nashville TV show, the vocals intertwine in a fragile, poetic dance—angelic female voice meets smoky high tenor male, trading verses and harmonizing with whispered restraint. There are no background vocals—just the raw tension between two lovers holding onto yesterday.
Perfect for fans of acoustic Americana, cinematic country, Southern folk, and emotionally driven duets, this song explores themes of love, longing, emotional distance, and the power of silence.

What We Don't Say

Sanders

When the Day is Done

And brought them out, and said, Sirs, what must I do to be saved?
And they said, Believe on the Lord Jesus Christ, and thou shalt be saved, and thy house.

I produce music to bring love and joy to the world. I aspire to enhance your emotions through the power of words and music.

Love,
G.Z

South Carolina-based Jen Manske Fenske began writing indie folk songs in 2024 fashioned from her rejected poems that didn't make it into the competitive literary magazine landscape. Taking a "lemons to lemonade" posture, Fenske's songs – and the stories behind them – started garnering views on YouTube with nearly 50,000 to date. Her three singles have been played on Gutsy Radio, and “Carolina Parakeet” was added to Pandora’s Fresh Cuts editorial playlist.

A novelist and poet, Fenske has received grant support from the South Carolina Arts Commission and the Metropolitan Arts Council.

Hey, I’m Lori DeAnn—a songwriter and vocalist from Fort Worth, Texas. I started writing songs during a time of big personal change, when I realized that the poetry I’d been writing for years was really just music waiting to happen. That’s when everything clicked, and I found my voice again—literally and creatively.

I don’t play an instrument, but I do sing, and I’ve always had a strong feel for how music works—how rhythm, layers, and emotion come together to tell a story. I’m inspired by all kinds of sounds: country, blues, 80s rock, pop—basically anything with a great beat and something real to say.

My songs are all about emotion—falling in love, falling apart, finding yourself again, and working through grief. Music has always helped me say the things I couldn’t quite put into words, and I hope my songs do that for someone else too. Whether it’s a stripped-down vocal or a track full of gospel harmonies and grit, I’m all about truth, healing, and connection.

A mutant neurodivergent creative that doesn't record as much as she should for as much as she does.   .   .   and apparently talks about herself in the 3rd person... lol

Enjoy a musical adventure of your choice with us, from Adult Contemporary Swing Jazz and Singer-Songwriter originals to our early days Renaissance, Choral, Celtic and Vintage Folk music.

Some noisy rock, spacey ambient, a little electronic, various covers. Always created with TLC.

Follow me on ig: @BuddyDJLee
Spotify: 
https://open.spotify.com/artist/5UnVRFfr8EjeouikskfPvj?si=3nDZhttRSueJFC42O-8kdQ
https://open.spotify.com/artist/0Z4OLk7KlFqUILWA0OLOA9?si=1-48XhP0T62z_5AkrkWXTA
Youtube:
https://youtube.com/channel/UCg3W4pCm3itYdLjzoEUGGKQ?si=GTUq846Nz3TmWzCi
https://youtube.com/channel/UCtfEcjks0C50357Zlp7JzGg?si=yJLjgAPD3YMI0E4f
Apple Music: 
https://music.apple.com/us/artist/hunsgraber/1775093874
https://music.apple.com/us/artist/buddydjlee/1775093825

SINCERE IMPOSTER is an intimate collection of artists exploring a curious mixture of New Wave, Dance, EDM, Folk Rock, Metal, Art Pop, Electro, Dreamwave, and Experimental World Pop. Collectively, this is known as QUIRKPOP — music that pushes the creative limits of traditional pop.

Expect an unpredictable journey through sound, emotion, and humor, where genres collide and pop bends in strange new ways. Each song is conceived, composed, and performed with total sincerity, whether it’s built from voices, instruments, software, or hybrid experimentation. The focus is on the music itself: if it resonates, it resonates. No explanation required.

SINCERE IMPOSTER is curated by two musicians, both living within the same body, sharing a singular existence. They identify as Danielle & Dave. They are both psychologically and musically confused, yet extremely and unapologetically sincere.

Influences range from Weird Al and Nathan Fielder to David Lynch, Rosalia, Monatik, Atarashii Gakko!, Rammstein, T-Pain, and T-Swift. 

Danielle & Dave’s favorite inventions include the vacuum and the peach pitter. Their father is simply known as Vessel… who may be an entity or a god.


New tracks tagged #Southern Folk