Pianists Gary Lloyd Noland and Terry Wergeland perform JAMES WEBB SPACE TELESCOPE PHOTO MONTAGE for piano & electronics, Op. 130 by Gary Lloyd Noland. This performance took place at Room 75 Lincoln Hall, Portland State University, Portland Oregon, Decemeber 4th, 2022. This work is dedicated to Belgian pianist Lukas Huisman.
For more information on composer Gary Lloyd Noland, please visit his website at: garynolandcomposer.com

JAMES WEBB SPACE TELESCOPE PHOTO MONTAGE for piano & electronics, Op. 130

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Spotify: https://open.spotify.com/track/1RdO3hnFLTqw8aKdXnNmbh?si=b62c1ef50ab84b78
iTunes: https://music.apple.com/us/album/jwst-single/1733454049
YouTube: https://youtu.be/6ejRfxD7VVw

JWST

@JeroenSearch / @EvodMusic

Bandcamp - https://evodmusic.bandcamp.com
YouTube - https://youtu.be/mBZ9McGBP4k

The vinyl-only underground techno branch of Evod & Oisel, Evod LTD, has welcomed artists like as Oscar Mulero, Jonas Kopp, Kwartz, Zadig, and Marcelus to contribute in the past.

Jeroen Search is a well-known producer from the Netherlands, and has produced music for top labels including Jeff Mills' Axis, Kr!z's Token, Ben Sims' Symbolism, and Len Faki's Figure.

For this DT:Premiere we selected "Primitive Notion" with a cyclical modular riff that expands and contracts throughout. The throbbing bassline adds punch and a steady groove while classic 909 hits have a timeless touch, alll coming together for the right amount of hypnotic pressure.

LABEL: Evod LTD

CAT#: EVODLTD022
ARTIST: Jeroen Search & Evod
TITLE: Space Telescope

FORMAT: Vinyl Only

RELEASED: 11 June 2025

01. Jeroen Search - Perception of Time
02. Jeroen Search - Primitive Notion
03. Evod - Opposite
04. Evod - Linear

Buy @ Bandcamp

DT:Premiere | Jeroen Search - Primitive Notion [Evod LTD]

@MBVLNT

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From 2016-2024, Fellow Traveler served as a relentless pursuit of creative freedom.

Born from a deep appreciation of video game soundtracks, classic rock, EDM, and art as a whole, Fellow Traveler (originally known as Shaman) combined elements of all music genres to create a new sound that is entirely his own.

A highly prolific producer, Fellow Traveler released a total of 100 songs - an average equivalent to one album per year, or one song per month - during his 8 year career. Constantly reinventing himself, out of 100 songs no two sound the same - an unprecedented artistic achievement for a solo artist's discography.

The epic of Fellow Traveler is divided into 3 main chapters:

Nurture - a lush, green soundscape, complimented by gritty guitars, enhanced by simple yet evocative flutes, and highlighted by humming vocals, Nurture represents the transition from boy to man.

Lucid Dreaming - high-speed tempos, deep percussion, light synths, and ghostly vocals are blended to create this soundtrack for the manifestation of dreams into reality.

Virgo - the universally acclaimed magnum opus, a profound expression of human vulnerability and the longing for something more, performed as a piano-led orchestra for an audience of one.

Other critically beloved hit singles include Psilocybin, Skeletons, Nightmode, Sifting Through The Grass, Vapor-Wave, Adrift, and more.

This is Fellow Traveler: the uniquely innovative electronic virtuoso who excelled at his craft against all odds.

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

LABELS: @DEADCERTrecords / @METIERukrec
OWNER: @JackWhoDTxDC

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"Death Techno is a brand, not a genre.

Established in 2010, it encompasses an obsession with Techno.

Providing a quality controlled vessel for discovering new music, artists and labels.

You will hear deep, dark, dub, experimental, industrial, melodic to hypnotic and beyond.

We invite established pioneers to underground talent from around the world to create Exclusive mixes for our ongoing archive."

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