"Serotonin Boost" is an electrifying fusion of glitch hop energy, created by @s4strangers, @ClosedLoopMusic, and @mr_bobbish_music. Featuring phat wubby basslines and blazing-hot guitar riffs courtesy of @acramusic (Leon Trout). The track grooves with funky, swung-out drum beats that hit with precision, creating a hypnotic pulse that keeps the body moving.

Layered over this sonic landscape are chopped-up vocal samples from a 1960s military press release about UFOs, adding an eerie, conspiratorial edge to the vibe. Expertly mixed and mastered by Drake Thompson (@Maangomusic), the sound design is crisp, dynamic, and undeniably immersive.
Artwork By DayDreemer Studio

Perfect for fans of glitch hop, funky electronic grooves, and deep bass explorations, "Serotonin Boost" is a high-energy trip through space and time, where funk meets the unexplained. 🚀👽

If These Beats Could Talk

Serotonin Boost

Serotonin 4 Strangers x Closed Loop - Serotonin Boost (ft. Aaron Cram)

LUA RÁPIDA - Ultra Slowed

LUA RÁPIDA - Sped up

LUA RÁPIDA

LUA RÁPIDA - Slowed

Download / Stream : https://www.submithub.com/link/spes-invicta-rest-1

Rest

Terreror

Coolest Freaks is a playful leftfield groove – retro vibes meet glitchy edges.
This release includes two versions:
🅰️ The main track – full of bounce, funk and weird charm.
🅱️ Rough Glitch Version – a rawer, more experimental take.

Made for headphones and late-night rides through analog space.
Enjoy the freaky transmission.

Coolest Freaks A-Side

for marranzano, electric guitar, bass guitar, percussion, synth, sampler

t_stop

polyester

Tracklist:
Ricardo Miranda - Urbanism 
Rufus ft Chaka Khan - Once You Get Started (Funky Soul Purrfection Version)
The J.B.'s - Pass The Peas (Pecoe 2016 Flip)
Nu Era - A Third Of The 3rd 
Laura Ingalls - Party Down 
Fouk - See You on the Other Side 
Certain Ratio - Shack Up (work mix)
Admin - Sweet Sugar
Pecoe - The Change 
Kleeer - Tonight's The Night (Good Time) (Joey Negro Tonight It's Partytime Remix) 
Firefly - Love Is Gonna Be On Your Side 
Soulpersona & Carl Hudson - Magic Bullet Theme 
Million Dollar Disco - Down To Me 
Sunbear - I Heard the Voice of Music Say

DisQaChaqaFanQa

Step into the sonic circle and let the ritual begin.
This ain’t your average mix—this is a funk-fueled séance. ⚡️

Summoning the spirits of deep basslines, enchanted grooves, and hypnotic rhythms, The Bass Witch Project Vol. 1 is a spellbinding journey through the funky underworld. Expect possessed percussions, voodoo vamp bass riffs, and grooves so nasty they might hex your hips into permanent motion.

Perfect for midnight drives, warehouse rituals, or candlelit boogie sessions in the astral realm.

🧙‍♂️ Let the groove take hold. You’ve been warned…

The Bass Witch Project vol 1

Circa 2003. Tube Top Runner. From our record - Internal Espionage. It's super lofi. Recorded in my apartment of the time, on a tascam porta 414. Micah is playing my kids drum set, with one sm 58 as an overhead. He was using some 1/4 inch dowell's, cut to about a foot in length. conventional sticks were just too loud for our environment. Supe lucky my neighbor downstairs put up with it even at that level. Rorac is playing a Peavey guitar, through a small yamaha powered monitor. Pretty cool thing from that time. Have to find what it is later. I'm playing a lefty squire P bass (only one model available at the time and I loved it), maybe just through a really shitty head, through some Bose bookshelf speakers, or some larger ones I found at a garage sale. It's lofi for sure. Not totally improv, but we would get together and jam out ideas a couple or few times and move on. Call it car chase, magnum PI, space funk.  #scottballardmusic #therealscottballard #musicwithroracjohnson #musicwithmicahyoung #lofimusic #lofi

Tube Top Runner (super lofi demo)

Circa 2003. Clone Killer. From our record - Internal Espionage. This one featrures Tim Pratt and Myself. We were both going through the music production program at American River College, at the time. Recorded at Studio B - which was a Soundcraft Goast, to a gold face Fostex ADAT, at the time. Monitors were some Tannoy's and something else. Overhead or heads were AKG 414's, for sure. I used them whenever I could. The snare is a 57 and the kick is probably an RE20, inside the drum almost at the beater. School is really the only place I'd ever done this. It seems like there are better, easier techniques and mics, these days. Butit did sound good. The only thing not provided by ARC, was Tim's Bass. Because this was for school, I'd drawn up a big plan with a timeline. I would be playing most of the stuff and Tim tracking. I'm playing drums, trumpets and ARP Odyssey. We found that thing in storage. Seemingly forgotten. Tim is playing Bass and a Korg X1 for the spacey sounds. Yes, I did tune and I guess Tim did as well. My issue was embouchure, because I didn't practice. But the ideas are still there. Call it car chase, magnum PI, space funk.  In case you are familiar with the ARC program and how it has changed. This is some time ago, when Merlyn V. and Eric Chun, were there. #scottballardmusic #therealscottballard #musicwithtimmpratt #lofimusic #lofi

Clone Killer (super lofi demo)

Balthaazar - Me Ne Frego

Independent music collective & label. Artist owned. Collaboratively driven. Based in North East USA. Established in 2019.

isrcollectiveofficial@gmail.com 

If you are interested in working with us, becoming part of our collective, or submitting music email us.

2nd account of @drako16

mostly post drafts

@pr0d.drako

🎛️ Beats, Loops & Textures. Between Funk, Trip-Hop, Boom Bap & Electronic Vibes.
🔹 SP-404 MKII | Logic Pro | Vinyl Dust
🔹 Deep Cuts
🔹 Sound Experiments & Organic Grooves

Maximus Grooves emerged from the heart of LA’s underground scene in the early ’90s, where his deep love for electronic music first took root. As one of the movement’s early promoters, he helped shape the city's rave culture from its inception, staying connected through every beat of its evolution.

Rooted in House and Techno, Maximus is more than just a DJ—he’s a sonic architect. A lifelong vinyl collector and selector, his sets are hypnotic, groove-laden journeys that fuse the raw energy of the past with the pulse of the future. From gritty warehouse floors to massive festival stages like Off The Grid, Nocturnal Wonderland, and EDC 2020, his timeless sound continues to resonate.

As the visionary behind Tribal Underworld Music, Maximus blends blues, reggae dub, disco, funk, house, and techno into immersive soundscapes—each one a story, each one a vibe. His mission is simple: spread MUSIC & LOVE, honor the underground, and keep pushing boundaries.

Tune in. Turn it up. Join the journey.

weekly songs kinda ( changed my artist name; formerly evxlutionrace )


Kyo<3

discord: @ilykrush ( hmu for commissions )

A migrant, performance artist, songwriter, singer, curator, activist, and deejay who navigates life, death, joy, and sorrow through writing, singing, producing, and mixing sound and rhythm.

They believe in the h(e)aven and power of music as a transformative, borderless, cross- and inter-genre force. 

With all respect, they approach to mixing is guided by rhythm, harmony, intention, intuition, and desire; after all rhythm and sound together are constructive, connective, instinctive, and of course unpredictable. 

Well known for their genre-fluid DJ sets which, in their words, “welcome everyone to dance together.” In 2023, they were invited to London to perform in the Barbican’s Pit Theatre for Transpose BURN: Pit Party. Since October 2024, they are based in London and trying to stand still.

1/3 of XSM Recordings
e-mail: brsbku@gmail.com

Welcome to my unique world of production and sound.  This page contains mostly singer songwriter material, but also includes tracks from some of my other projects and field recordings.  I would consider myself a songwriter/ producer more than anything.  Making music and field recording are a big part of my life.  I use it to vent, process and have fun.  It's a hobby though.  If I had to depend on it for work, I think it would suck the life right out of it.  The only pressure on me now is me.  So, I pour my heart and soul into these tracks whether it be a sad love song or scathing noise, it's all music to me.

A powerful mix of electronic and classical music. Music from an alternate reality where the Baroque era never ended. 

Follow me  : https://linktr.ee/spesinvicta

Contact me : spesinvicta@protonmail.com

#Rococopunk #Cyberpunk #Gothicpunk #Synthwave #Midtempo  #Nudisco #DarkDisco

New tracks tagged #SpaceFunk