A sci-fi epic inspired by the fear of the unknown and the silence before the storm. With cinematic scope and orchestral flourishes, Wishmaster delivers a chilling prophecy from the stars.

Time is running out

The Day The Earth Stood Still

"Och… Ein Weltraummusical" – Die Demos zum intergalaktischen Musical

Willkommen auf Och, dem unauffälligsten Mond der Galaxis – direkt neben dem auffällig benannten Planeten Uhlalah. Hier soll Priscilla eigentlich den selbstdarstellerischen Alwis heiraten. Dumm nur, dass keiner von beiden so richtig Lust drauf hat. Doch als Alwis plötzlich entführt wird, begibt sich Priscilla – trotz allem fest entschlossen – auf eine schräge Rettungsmission durch den Kosmos. Liebe? Vielleicht. Drama? Auf jeden Fall. Explosionen? Nicht ausgeschlossen.

Der Soundtrack bietet alles, was ein Weltraummusical braucht: große Popsongs, rockige Turbulenzen, klassische Anklänge und das eine oder andere musikalische Augenzwinkern in Richtung berühmter Broadway-Größen und Sinfoniegiganten. Manche Zitate sind so gut versteckt, sie sind nur mit einem großen Teleskop zu finden, andere sind offensichtlich wie ein magehrianischer Bandscheiben-Wurm.

Dies ist keine Live-Aufnahme und auch kein Cast-Album – es handelt sich um Studio-Demos.

Also: Raumanzug an, Intercom aufdrehen – und ab nach Och!

© 2025 Timo Schmied – Alle Rechte vorbehalten

11 Priscillas Gute-Nacht-Geschichte – Underscore

16 Das Universum ist gerettet - wieder einmal

13A Hochzeitstanz

01B Uah-tapa-eya-tapa

15 Eigenfrequenz vom Stalagmit

13B Hochzeitsbegleitmusik

14D Der Stalagmit fährt noch höher

13C Die Hochzeit wird gecrasht

12 All-Witz (Alwis Reprise)

℘ཞ ཞ℘ཞ ཞ℘ཞ ཞ℘ཞ ཞ℘ཞ ཞ℘ཞ ཞ℘ཞ ཞ℘ཞ ཞ℘ཞ ཞ℘ཞ ཞ℘ཞ ཞ℘ཞ

LE CREATEUR

Beyond the Stars is an epic synthwave journey into deep space — blending retro analog synths, pulsing bass, and cinematic atmospheres. Written with space exploration and action RPGs in mind, the track combines driving rhythms with expansive soundscapes, perfect for evoking discovery, adventure, and the vast unknown.

🎵 Part of my Beyond the Stars library music album (25 tracks of electronic/sci-fi inspired music).
🎮 Designed for use in video games, trailers, and cinematic underscore.
📡 ISRC: USCGJ2549635

Beyond the Stars

bandcamp

Who Are You? layers pulsing synth arpeggios, deep bass, and shimmering pads to create an atmosphere of mystery and discovery. Written in a retro-futuristic synthwave style, the track balances tension and wonder — perfect for space exploration, dialogue-driven moments in an RPG, or cinematic sequences where identity and purpose are questioned.

🎵 Part of my Beyond the Stars library music album (25 tracks of electronic/sci-fi inspired music).
🎮 Designed for use in video games, trailers, and atmospheric underscore.
📡 ISRC: USCGJ2549636

Who Are You?

Encore un PTMS de soirée,

Vous avez encore laissé Pire Transitions Meilleurs Sons saturer votre espace sonore. Un moment si vous n'apprenez pas... vous nous aidez pas non plus à nous remettre en question.

Merci encore à tout l'monde, et surtout à Lisa(s), Tim, Matthias pour leur temps. Les autres, peut mieux faire, à la réflexion. On s'est bien marré avec des hihi et des haha.

Live at INTERGÄYACTIK

SoundCloud Description – “The Year of Reckoning” by Dean R. Chandler

“The sky split open like a whispered tale…”

The Year of Reckoning is a cinematic electro-rock epic set at the edge of humanity’s survival. Inspired by ancient-astronaut mythology and modern spiritual crisis, it imagines a moment when our creators return — not to destroy us, but to demand change.

Haunting synths and orchestral tones collide with apocalyptic choirs as Dean R. Chandler channels the sound of awakening — part prophecy, part prayer. The song captures a single ultimatum: one year to heal the planet, one year to remember who we truly are.

This is not a love song. It’s a warning set to music.
The countdown has begun. ⏳


THE YEAR OF RECKONING

[Verse]
The sky split open like a whispered tale
Ships of light
A celestial veil
They came with eyes like mirrored seas
Echoes of stars
Ancient pleas

[Prechorus]
In their voices
A warning rang
A hymn of fire
A world to hang

[Chorus]
One year to mend the broken thread
One year to wake the sleeping dead
Change your heart
Let shadows fade
Or watch the light itself decay

[Verse 2]
Their hands of silver traced the air
Maps of futures laid threadbare
A storm of truth
A cosmic scream
They spoke of time
A fragile dream

[Prechorus]
In their gaze
The galaxies wept
The weight of worlds in silence kept

[Chorus]
One year to mend the broken thread
One year to wake the sleeping dead
Change your heart
Let shadows fade
Or watch the light itself decay

[Instrumental]

[Chorus]
One year to mend the broken thread
One year to wake the sleeping dead
Change your heart
Let shadows fade
Or watch the light itself decay

[Outro]
One year to mend the broken thread
One year to wake the sleeping dead
Change your heart
Let shadows fade
Or watch the light itself decay

The Year of Reckoning

“Between Heaven and the Void” by Dean R. Chandler is a cinematic fusion of orchestral grandeur and electronic pulse — a journey through light and shadow, faith and fear. The track opens with brooding strings and a deep, pulsing synth heartbeat, slowly unfolding into vast brass swells and thunderous percussion. Intimate piano passages whisper the verses, contrasting the explosive choruses where symphony and celestial choirs collide.

As the song ascends, layers of taiko drums, ethereal female chants, and soaring strings evoke a sense of divine conflict — the struggle between salvation and surrender. It concludes in a sweeping, transcendent finale, leaving the listener suspended between the heavens above and the infinite void below.

This is the sound of the soul searching for its place among the stars.

“Between Heaven and the Void” is a song about what it feels like to be suspended between hope and uncertainty — that strange, quiet place where you’re searching for meaning but the universe isn’t giving you a straight answer.

At the heart of the song is the image of a broken satellite drifting through space.
That satellite represents a person who’s still sending out signals, still reaching for connection, still searching for something bigger — even after life has knocked them around.

The “heaven” in the song is the world of light, purpose, and faith.
The “void” is the darkness, the doubt, the fear that nothing is really out there.

The song moves between those two emotional states:
	•	The verses explore ancient spiritual questions — the kind we all ask when life pushes us to our limits.
	•	The chorus admits the truth: sometimes we’re lost, floating between who we were and who we’re trying to become.
	•	The bridge, with its huge orchestral lift, is that moment where the universe suddenly feels alive — like it’s humming back at you, even if you can’t understand the message.

In the end, the song isn’t about choosing heaven or the void.
It’s about being brave enough to drift through that in-between space — to keep reaching, keep listening, and keep hoping — even when the answers aren’t clear.

It’s a song for anyone who’s ever felt caught between faith and fear, light and darkness, past and future… and still kept going.

BETWEEN HEAVEN AND THE VOID

[Verse]
Flickering stars like ancient prayers
Whispering secrets to the endless air
Silent temples carved in time
Stand on the edge of the divine

[Chorus]
Between heaven and the void I drift
A broken satellite
A lonely gift
Wings of light
Shadows collide
I’m lost in the pull of the great divide

[Verse 2]
Cosmic winds hum hymns of old
A tapestry of dust and gold
I reach for halos
They slip away
Chasing the dawn of another day

[Prechorus]
Is it faith or fear that calls my name
A sacred fire or a fleeting flame

[Chorus]
Between heaven and the void I drift
A broken satellite
A lonely gift
Wings of light
Shadows collide
I’m lost in the pull of the great divide

[Bridge]
Galaxies bloom
They sing and they fall
I hear the echoes of a voice in it all
A choir of stars
A silence so loud
Am I rising or fading into the cloud

[Prechorus]
Is it faith or fear that calls my name
A sacred fire or a fleeting flame

[Chorus]
Between heaven and the void I drift
A broken satellite
A lonely gift
Wings of light
Shadows collide
I’m lost in the pull of the great divide

[Outro]
Between heaven and the void I drift
A broken satellite
A lonely gift
Wings of light
Shadows collide
I’m lost in the pull of the great divide

Between Heaven and the Void

[Verse 1]
Blinding smoke curls through the desert sky
Ships crash like thunder, the horizon awry
A den of rogues, coins, coins and shadows trade
Fingers flash phasers, the deal is a blade

[Pre-Chorus]
Faulty parts in trembling hands
Chaos erupt across the sands

[Chorus]
Through dust and fire, we claim what’s ours
Racing storms, our hearts like stars 
Desert winds and pirates die
The Autophage awaits, their wisdom hides

[Verse 2]
Metal bodies hum beneath the sun
Ancient minds and circuits run
Crystals glow, engines awake
Secrets of Atlantid, the path they make

[Pre-Chorus]
Silent knowledge, alien grace
Power flows through this sacred place

[Chorus]
Through dust and fire, we claim what’s ours
Racing storms, our hearts, our hearts like stars
Desert winds and pirate die
The Autophage awaits, their wisdom hides

[Bridge]
Whispered voices call from time
Atlantid’s echo, vast, sublime
Hands on the hyperdrive, we ignite
Ship reborn beneath the burning light

[Chorus-Final]
We rise from smoke, engines hum anew
Desert storms fade, the sky turns blue
Parts acquired, the journey resumes
Autophage whispers guide through dunes
And in the wind, a goddess speaks
Starwind calls us to the peaks

Sands of Atlantid

[Verse 1]
Endless worlds spin before my eyes 
Moments birth and die in Atlas’s sighs
Light and shadow fracture, split, collide
I feel the weight of time, nowhere to hide 

[Pre-Chorus]
Infinite loops, yet one pulse remains 
A dying god calling through the chains 

[Chorus]
I stand, I see, I rage, I kneel 
I feel time split and twist beneath my gaze
Through chaos wrought, creation bleeds 
Atlas whispers, shows the seeds 

“16 — 16 — 16 — 16” 

[Verse 2]
Every spark a universe, born and gone
Seconds to centuries, all in one dawn 
Purpose flickers in a failing mind 
Seeking the answer I may never find 

[Pre-Chorus]
The weight of all that could exist
In dying hands, the starwind kissed 

[Chorus]
I stand, I see, I rage, I kneel 
I feel time split and twist beneath my gaze 
Through chaos wrought, creation bleeds 
Atlas whispers, shows the seeds 

“16 — 16 — 16 — 16” 

[Bridge]
Voices fracture, timelines bend 
I reach but cannot comprehend
“Find the pattern. Complete the loop.”
iterations live, universes die 

[Chorus]
I stand, I see, I rage, I kneel 
I feel time split and twist beneath my gaze
Through chaos wrought, creation bleeds 
Atlas whispers, shows the seeds 

“16 — 16 — 16 — 16” 

[Outro]
Worlds collapse, the light distorts 
Atlas fades, the cycle aborts
I linger in awe, in anger, in doubt 
The last cycle ends… the echoes shout 

“16 — 16 — 16 — 16”

16 16 16 16

About

https://www.instagram.com/reel/DRMpYn3DaExz7nilHD0_DMTQvKzAScuXxLZdVw0/?igsh=OHV3anV6MTZzaTR0

I’m Dean R. Chandler — a London based songwriter, recording artist, and storyteller. My music is rooted in a lifelong search for meaning, weaving together themes of love, loss, faith, alien contact, and humanity’s future.

My upcoming double concept album Human Odyssey (set for release in January 2027) is the culmination of decades of writing and reflection. It’s a narrative journey that begins with a search for God and ends with an encounter with extraterrestrial intelligence — exploring not only what it means to be human, but also where we might be heading as a species. Musically, it draws inspiration from the epic storytelling of Jeff Wayne’s War of the Worlds, the synth-driven edge of Gary Numan, and the emotional depth of artists like Tori Amos and Chris de Burgh.

I previously released Time Machine – Reflecting Shattered Dreams (2014) and continue to revisit my archive of songs written across 35 years, reimagining them with today’s tools and sounds. Some pieces remain intimate and acoustic, while others expand into dark rock, industrial, or orchestral landscapes — but all are connected by a focus on emotional honesty and cinematic storytelling.

Beyond music, I’m fascinated by the intersection of creativity and technology. I’ve been experimenting with AI-driven composition and production to bring old demos to life and to spark entirely new works. For me, these tools are not replacements for human artistry but extensions of it — ways of unlocking stories and emotions that otherwise might have remained hidden.

At its heart, my work is about connection: to the past, to the future, and to the unseen mysteries of existence. Music, for me, isn’t just entertainment — it’s a chronicle of transformation, a conversation between spirit, science, and sound.

https://www.linkedin.com/in/dean-r-chandler-b19715382/
www.deanrchandler.co.uk

Hey, I’m Timo — a radio producer, music editor, and voice actor working in a German radio station network. Beyond that, I compose, produce, and arrange music across a variety of genres, with a focus on film, television, and musical theatre.

Recent projects include the German-language modern mass “Broadway to Heaven” for female choir and piano, and the medium-sized musical “Och… Ein Weltraummusical” (“Well… A Space Musical”). My scores are crafted to be both playable and enjoyable to listen to.

I'm a media composer with a passion for telling stories through sound. Specialising in music for film, television, games, and digital media, I create immersive scores that elevate narrative, deepen emotion, and bring visuals to life. Whether it's a sweeping orchestral theme, a subtle ambient texture, or a hybrid of electronic and acoustic elements, my work is always grounded in storytelling and emotional impact.

With a background in both classical composition and contemporary music production, I blend traditional techniques with modern tools to deliver bespoke music that aligns with each project's unique vision. I’ve worked on everything from independent short films and documentaries to interactive media and YouTube content, adapting my style to suit diverse genres and formats.
My studio setup includes industry-standard sample libraries and virtual instruments, allowing me to produce broadcast-quality music remotely and efficiently. I also collaborate with live performers where possible to add authenticity and depth to my scores.
Above all, I believe that great media music should serve the story first—enhancing, not overpowering. I'm always open to new creative collaborations, so feel free to get in touch if you're looking for music that moves, drives, or inspires.

I am currently working on an epic space odyssey inspired by the video game No Man's Sky.

New tracks tagged #SpaceOpera