Rendərd

SOLDADOS / 
Poesía de Oliver Kozlov

vos te diste cuenta
que hay algo
injusto
en lo interno
del sufrimiento?

en que el mundo
siga teniendo
cosas hermosas
y adentro tengamos
tantas cosas
horribles…

que el dolor
invada con una
violencia
absurda
como la de cualquier guerra

y uno como un testigo mudo
atado de manos

teniendo que
presenciar
como se desangran
los recuerdos
como se inmolan
las imágenes

los monumentos 
y altares
que construimos
vuelan
por el aire…

y uno no puede hacer nada

y lo unico que te queda

metido en el fondo de la nariz
es el olor a las cenizas
el olor a lo quemado

que invade
las flores
que invade
los perfumes finos
invade hasta las panaderías

invade todo lo que no está
dentro de uno

la impotencia
que genera
ver a las demás
personas
disfrutar de todo
y no entender

¿por qué a ellos
no les duele?
¿no vieron
todo el desastre?
¿no vieron
los heridos
las camillas?

¿no huelen
toda 
esta
destrucción?

hay algo injusto
en lo interno
del dolor

en que nada sea
suficiente
para transmitir
ese abandono
ni la poesia
ni la musica
ni las lagrimas

no saber como
explicar
ese ambiente vacío
que hay que arrancar
de cero
que hay que volver
a decorar todo
de una forma
diferente a la anterior
para no repetir
los mismos
errores

para que no se llenen
de problemas
los rincones
para que los silencios
no se acumulen
en la mesa
del living

para cocinar algo
y volver a sentir
un aroma lindo

pero después
cuando terminan las obras

cuando se ven 
as ruinas
con otros ojos
cuando la mesa
está acomodada
cuando las panaderías
los perfumes y las flores
vuelven a hacernos
felices

cuando los heridos
vuelven con su familia
recordamos
que hay otras oportunidades
y que si hay nuevas batallas
somos
mejores soldados.

SOLDADOS

Can a vintage computer voice program be used to "sing" a song? I don't know, but I set my mind to finding out, and this track is the result. 

Normally I avoid overwhelming listener's subwoofers with [EXCESSIVE SUBS], but for this track to "work" properly it just has to be. Why? Because I want your face to vibrate when you listen on speakers, and your brain to vibrate on headphones! So, if you want to play it in a club or on a  system with massive low-end, you might need to use a low-shelf or high pass filter.

If you listen hard, and have a bit of synesthesia, the ending fadeout tastes like metal. 

Vintage Computer Voice Synthesis - Bouncing Synth - Electronica Ironica

[Ver. 23_BAKED_03]

The World You Change

Viator - Place To Stay (Original Mix)
Viator - Baby (Sub_mission Remix)
Viator, Silentium - Novus Dies (Original Mix)
CELO - Analog Dreams (Original Mix)
ICONS - You Don_t Know (Original Mix)_1
SIMMER - U & I (Original Mix)
Seventhrun - Dancing On The Fire (Original Mix)
DANEY - Fake News (Original Mix)
Lexed - Talk 2 Much (Original Mix)
10XX - XOR (Original Mix)_1
Fourward - Sound Of The Underground (Original Mix)
Flowidus - Berlin Sex Club (Original Mix)
Fourward - Ascension (Original Mix)
Fourward - Countdown (Instrumental Mix)
Fourward - Countdown Feat. Kyza (Original Mix)
Alix Perez, Foreign Beggars - Dark Days (Fourward Remix)_2
Friction, Fourward - Battlescars Ft. Jakes (Alix Perez Remix)
Friction, Jakes, Fourward - Battle Scars (Alix Perez Remix)
Mefjus - Far Too Close (Original Mix)
Mila Falls, Freaks & Geeks - Savage (Original Mix)
Fourward, Linguistics - The Storm (Original Mix)
Fourward - Yung Bongo (Original Mix)
Fourward - Wake Up The Kids (Original Mix)
Fourward - Take Me Where I Wanna Go (Original Mix)
Fourward - Science Fiction (Original Mix)
Fourward - I Wanna Know (Original Mix)
Fourward - Show Me Love (Original Mix)

Autumn Set 2024

PEAK FiCTioN! (ft. MÜGEN)//FREAKSHoW! (SNiPPET) (prod. Michael Uzowuru)

The Rejected

Bonestike

Follow Fixions:
https://fixions.bandcamp.com/


▲ Follow ENDERS ▲
▶ @EndersMusic
▶ Official Website: www.endersmusic.net
▶ Youtube: www.youtube.com/enders
▶ Facebook: www.facebook.com/EndersMusic
▶ Instagram: www.instagram.com/endersmusic
▶ Bandcamp: enders.bandcamp.com

Track contains samples from the Shamash Murder Signals and other Elite: Dangerous sounds and effects: https://www.youtube.com/watch?v=_lDWlJCeLUc

Fixions - Terrorwave (ENDERS ReBoot)

3) kabelsalat

1) you go

2) my planet is lost

6) anthologie des wahnsinns

4) sinus love hurts

5) feverdream #450

Off the Hi? Days of Sunshine and Seashells 6 song EP https://open.spotify.com/album/0hXFK3lO6qXltq7W3MJlfN
https://music.apple.com/gb/album/days-of-sunshine-and-seashells-ep/1841042880

Orbiting

She like stvrgvz3r boy 
Do you still think about me 
I write yo name 
Across my heart 
My dear heavenly King 

Tolda her baby ima God 
And nothing less of it 
The only time I double back 
Unless stvrgvz3r left something 

Yea I got love for you 
But you cant be my boo 
your not my Tiger Lilly 
Baby I apologize 
Sorry thats the truth 

Party in the starforge 
STVRGVZ3R 
Im the StarLord 

Ballin ona star court 
Right b4 I go on my star tours 

You can be my consort 
Just dont drain me 
For my God source 

Gotta thing for me 
I gotta thing for you 
But you not the only one 
Trynna be my main boo 

You not my tiger lily 
You just a Jezebela 
Your not my Aphrodite 
your not my cinderella 

Baby why you stalking 
Why you try to summon me (summon me) 
Im too 
Busy grinding 
Focused on my money spree (money spree) 
I dont wanna cuddle 
Nah thats what them suckas do (no) 
Even tho my love can be quiet comfortable 
Stuck in yo ways 
Girl you in the way (way) 
Not lusting for you (you)
Im searching for bae (bae 

Yea im searching for bae (searching for bae) 
Yea im searching for bae (searching for Bae) 
Yea im searching for bae (searching for bae) 
Yea im searching for bae 

And while ya having a hard time 
Realize girl you not my starlight 

You not my tiger lily 
You just a Jezebela 
Your not my Aphrodite 
your not my cinderella

Just a Jezebela (Lil Wayne's Hot Revolver Remix)  By STVRGVZ3R

Im like oh 
I think this girl my type 
I think she mighty fine 
I wouldnt mind 
To kno her 

I think this girl divine 
A 10 Shes a dime 
Her love has me high 
High in the sky 

 She baddie yea 
Yea She a baddie yea 
Long hair dread head 
Dancing witta phatty yea 

She a baddie yea 
Yea she a baddie yea 
Moment I make contact 
With her then im outta here 

She my star queen yea 
Ima her star king yea 
Travel across the cosmos 
Counting all this star cream yea 

I feel her frequency 
Ertime we dream share 
Ima bad boy 
Baby you can be my mean girl 

Hml baby 
When ya ready baby 
I aint rushing baby 
Ik I keep you blushing baby 

So take this loving baby 
Even tho its rugged baby 
But im da stvrgvz3r 
You know I be hustling crazy 

I think this girl my type 
I think she mighty fine 
I wouldnt mind 
To kno her 

I think this girl divine 
A 10 Shes a dime 
Her love has me high 
High in the sky

High In The Sky  By STVRGVZ3R

Composer and Media Producer from Kent, Ohio, USA.  Has released works as Xyst, Sonoxia, and JeffRay for Hypaethral Productions, Pearls Before Swine, and Mesa Publishing. Now focused on creating mostly instrumental music for video, tv, games and motion picture scores. 

Although the thumbnails are created using Dall-E or Stable Diffusion, NO AI WAS USED TO CREATE ANY MUSICAL COMPONENTS. 
_______________________________
There are far too many people to thank, but I'm going to try: 

FIRST AND FOREMOST: 
Image-Line's FL Studio DAW
https://www.image-line.com/
https://soundcloud.com/fl-studio

I cannot begin to express how much this software helped me find my musical voice. (Image-line has not paid me anything for my endorsement.) Buy it once and get lifetime unlimited upgrades. I've used it since 1999 and since then, they've introduced dozens of new synths and effects I received for free. It just keeps on giving. I absolutely love FL Studio because of it's step sequencer core, beautiful interfaces, ease of use, robust help, versatility and incredible sound quality. 

_______________________________
I'll be cycling through a list of FAVORITE SOUNDCLOUD ARTISTS here. So many incredible musicians worth mentioning...

Entheogenic Psychonaught (Josh Clary) 
https://soundcloud.com/josh-clary-1

Thrillmonkey
https://soundcloud.com/thrillmonkey

FlexHead
https://soundcloud.com/flexheadfunk

Seiso Sanshu
https://soundcloud.com/sanshu-seiso

AnandaTuk
https://soundcloud.com/user-11396379

Ni!
https://soundcloud.com/ni-ni-shrubbery

Earnest Woodall
https://soundcloud.com/user-235089528

Werner
https://soundcloud.com/wejfi

Frans Beelaard
https://soundcloud.com/user-936947521

Fabiano Matiolla
https://soundcloud.com/fabianomatiolla

Shaddenhook
https://soundcloud.com/schaddenhook
_______________________________
If you follow me and haven't heard from me recently, send a message. There is so much great music out here, it sometimes take a while to get back and listen to the wonderful stuff you are all making.

Official Enders music (@ENDERSmusic) Remix/ReBoot account

May the passion and life of the creator and their creations all live on through the lovers of sound and art.
Art is not a soulless machine and you can't take it with you, so fuck up the mix before life is lost.

Das Sound-Performance Trio „Sneila“ vom Planeten „Kakek 22“ besteht aus Mario Scialdone, Unfassbarer Materie und Eva Talesia Maspoli. Sie begegneten sich auf der hinteren Milchstrasse.
Gemeinsam kreiren und tauchen sie in das kosmisches Chaos vom rythmischem Noise, Alltagsgeräuschen und fremdartigen Syntesiser Sounds. Daraus schälen sich Geschichten die vom Sterben, vom sich Auflösen und dem Schmerz, aber auch vom Leben, der Liebe und der explosiven Energie erzählen heraus. 
SPACEPUNK (Tragic Punkschlagermetal, we are so bad in love that it hurts).

Bookings: sne.ila.22kakek@gmail.com (funerals, art spaces, rituals, concerts, lullaby stories)

From Australia living in the UK.
Play in the band Hi? in Brighton, UK
Older bands in Brisbane have been ....
The Cal Crilly Collective 2020 til now, just recorded an album back there in September 2024
TASR from 2018 to 2022
Helical Sun from 2010 to 2014
Alien Virus from 1988 to 2011 the recordings are here on Reverbnation
Star Sludge from 2005 to 2010
Escape from Toytown from 1995 to 2004
Acid World from 1991 to 1995
Queer from 1992 to 1994
Act from 1985 to 1988
Mr Bastard from 1995 to late 90's.

              PEAK
[your imaginary friend]
         1996-9999
 𝕊𝕡𝕒𝕔𝕖ℙ𝕦𝕟𝕜𝕎𝕒𝕤𝕥𝕖𝕝𝕒𝕟𝕕
            FiCTioN!

VBS- VEIL BREAKING STVRGVZ3R 

I do not make Mainstream Music.
I do not make Underground Music.
I make Hollow Earth Music — Agarthic Grigori.
This is frequency warfare.
Primordial Melodies.
Godspark Activation.
No likes.
No charts.
No safe zones.
Only WarChants.
Only Ascensions.

Terraform. Metamorph. Weaponize Sound.
— STVRGVZ3R

Bass-driven electronic project blending techno, progressive, and future acid. Known for immersive soundscapes and heavy low-end, Kik Science delivers transmissions built for the floor and the circuit.

Each release and set channels atmosphere ∴ intensity ∴ precision — shaping the underground frequency.

Label: Sub Sync Records (@subsyncrecords)
Affiliates: G-Mafia Records (São Paulo) ⌖ Mustache Crew (Brazil) ⌖ Galactic Bamboo
SSR HQ: @subsyncrecords
Axis: YYC ⇌ BER

◉ Our story continues…

The breach settled behind them.

Not closed —

waiting.

Neon stepped forward.

The ground shimmered like metal dust suspended in air.

“It’s reacting,” she said.

“To us?”

Thorne knelt.

The particles shifted, forming thin lines —

shapes —

geometry.

A language.

Not written.

Assembled.

“These aren’t symbols,” Thorne whispered.

“They’re instructions.”

The Coranthium hovered low, humming, as though reading what neither of them could.

Dust spiraled upward.

A low-frequency pulse rippled out — deeper, heavier, like pressure rising from below.

Neon staggered.

“That sound—”

“It’s not sound,” Thorne said.

“It’s depth.”

The dust shifted again.

The shapes locked.

A cipher completed.

Then —

everything went still.

A voice formed inside the silence:

“Depth is a direction. Not below — within.”

Neon’s pulse aligned.

Something old and unseen moved beneath the surface.

“Thorne…”

“I know,” he said.

“We’re not reading it.

It’s reading us.”

The dust fractured —

not falling, not scattering —

rearranging with purpose.

One final line emerged:

“Awaken the charge.”

The Coranthium brightened.

A new pulse hit them —

clean, heavy, unignorable.

The ground trembled.

Something huge, dormant, mechanical —

turned.

—

New tracks tagged #SpacePunk