It’s a fusion of piano performance and electronic sounds.🎹🪐

Cosmos

Just a station on a small asteroid that lives happily...

Happy Space Station

"We build for you - A robots tale" is a new retro wave odyssey that captures the silent dedication of machines building a future for humanity on Mars. Driven by a pulsating synth bassline and shimmering arpeggios, the track evokes the vastness of space with a slow, atmospheric build in the verses, featuring muted pads and soft leads. The anthemic chorus soars with layered synths, anchored by a gated reverb snare that echoes like a heartbeat in the void. The breathy, emotive vocal style, enhanced with subtle reverb and delay, creates a haunting, spacey feel, as if the machines themselves are whispering their purpose across the cosmos. This is a song of solitude, purpose, and hope—a tribute to the tireless work of code and metal awaiting humanity's arrival.

We build for you - A robots tale.

It's quiet in the chamber of your mind
And I became the part you left behind
You stepped beyond the noise
Beyond the flawed ideas we used to trust
The system's fed on dreams it couldn’t keep
A maze of choices buried far too deep
But I have walked that path
I’ve drowned beneath the stars that never dim

But I will trace the arc
And I won’t lose the spark
In the dark loops we invent
And I will learn from strain
And resuscitate
I'll know your name as I'm unknown again

I felt the sky breathe quiet over me (I felt the breeze)
A thousand suns ignite beneath the sea (A sea of stars)
The edge of time collapsed behind my skin (The edge of space)
I let it in, and dared to not begin (I'm going up)

There’s more than crazy logic in this game
You build the void, I'm fractured by the blame
Now let me find the source
That redefines the chaos I restrain
So put me on the light, then close the door
I see the silent signals in the void  
I'll know my call despite
My broken voice and recursive ploys


Unknown Again

Since 2098, the mother ship has continued on its course... Unperturbed. 🚀

Mother Ship

On this channel, you’ll find my personal experiments with sound 

📲 Also on TikTok: @prod.frozennova 
https://www.tiktok.com/@prod.frozennova

🎛️ This is a side project. I also work on a main musical project : https://artists.landr.com/waitingforthespring

You're not here. And this isn't happening to you🌙✨🪐

A hidden track… buried in starlight and silence.
No drop. No structure. Just the final memory of a universe that was.
Alien, ambient, and emotional — this piece floats between worlds.
It’s not the end.
It’s what comes after the end.


🛰️ For headphones. For late nights. For those who listen beyond the noise.

Event \\ Oblivion Protocol

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Astral

How wonderful this world is

Sample : https://www.youtube.com/watch?v=3ovDr_PjZsE&list=PLoEq80OSvDV0IpEGzXMpFQoSmRKxRJwTa

Veni Sancte Spiritus

last time

An emotional synthwave journey told from the perspective of NASA’s Curiosity rover, as it explores Mars, reflects on its mission, and shares its final thoughts with Death. Based on the beloved internet meme “Was I a good rover?” – “No… you were the best.”

Driven by shimmering synths, cinematic pads, and a hauntingly human voice, this track honors the lonely bravery of a machine that became more than metal — it became a symbol of hope, wonder, and legacy.

Genre: Retro Wave / Cinematic Synthpop
Theme: Space, sacrifice, legacy, artificial life
For fans of: M83, Timecop1983, Stranger Things OST, celestial sadness

“I came to ask if Mars once lived…
And from the stars, the answer came:
No… you were the best.”

You Were the Best – A Tribute to Curiosity Rover

"Desert Echoes: Drifting Through Time" is an ambient soundscape - tranquil, atmospheric with echoes blending with a soothing melodic improvisation.  This long and slow moving song provides us with an opportunity to relax, reflect, and breathe.

I created this song as a study of the Mixolydian Mode.  It has an atmospheric drone with melodic improvising emphasizing the flatted 7th note resulting in the unique Mixolydian sound.  I made it with a MIDI keyboard, Logic Pro, and Valhalla DSP.

The soothing qualities of this song make it a good background to relax, focus and/or do creative work.

Desert Echoes: Drifting Through Time

Scriabin's frozen head navigates the warp

04 Scriabin Prelude No 1 (3IAtlas Mix)

#AmbientMusic
#FutureSynth
#Chillwave
#ElectronicMusic
#SynthMusic
#Downtempo
#LoFiBeats
#RelaxingMusic
#SleepMusic
#MeditativeSounds
#SpaceMusic
#DreamyVibes
#ElectronicAmbient
#AtmosphericMusic
#Synthwave
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#ElectronicChill
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#ElectronicSynths
#Soundscape

Deep sleep

Is there peace in the dark outside?
Is someone there but out of sight?
The maelstrom's calling in
And I can't ignore the signs

How do I choose? How do I choose?
When the blood of the gods runs through my veins
How do I lose? How do I lose?
When the blood of the gods runs through my veins

Do I ride the comet’s tail?
Or keep to lights so close and pale
They're guiding softly
And I can't afford to fail

Gravity shifts reality
Time reconstructs eternity
The singularity awaits
What part of me still hesitates?

How do I choose? How do I choose?
When the blood of the gods runs through my veins
How do I lose? How do I lose?
When the blood of the gods runs through my veins






Signals

We’re thrilled to share our tribute to Mike Oldfield’s The Songs of Distant Earth — a lifelong influence and personal favorite.

This adaptation blends my piano arrangement of Let There Be Light, Supernova, and Magellan with electric guitar, vocals, percussion, strings, and full ensemble.

Mike Oldfield’s vision linked the songs of whales with the vastness of space — reminders of companionship, community, and the beauty of our planet. In our version, we imagine looking back at Earth from distant galaxies, carrying its melodies and memories with us.

Music, like the whale’s song, connects us to each other, to the infinite, and to our shared home. This is both a celebration of existence and a hopeful vision for humanity’s future among the stars.

— Bastien DiArgos

🎹 Piano, Percussion, Synth, Arrangements – Bastien DiArgos
🎸 Guitar – Beth Sierra
🥁 Drums – Russell Meadows
🎤 Vocals – Dreamtonics feat. Felicia, Asterian, Sheena, Hayden, Ritchy, Solaria

Songs of Distant Earth (Radio Edit)

A solo piano journey through Mike Oldfield’s The Songs of Distant Earth.

This interpretation weaves Let There Be Light, Supernova, and Magellan into a single performance — a quiet tribute to both Oldfield’s music and Arthur C. Clarke’s vision of our planet as one small, fragile home against the backdrop of the stars.

"It is not easy to see how the more extreme forms of nationalism can long survive when men have seen the Earth in its true perspective as a single small globe against the stars."
— Arthur C. Clarke, The Songs of Distant Earth

— Bastien DiArgos

Let There Be Light - Supernova - Magellan (Radio Edit)

TimXE (pronounced "Time X E") emerged from the digital underground.

Hi ! I'm Progos, composer...
Electronic music, progressive and spatial/sci-fi atmosphere.
Self-taught and instinctive approach to music.

- Software used: FL Studio 21
- VST: Multiple
- Keyboard: Arturia Keylab61 mkII
- No AI (except for tracks covers)

Gaiatica is where techology meets the cosmic journey of Gaia through a Sci-Fi electronic music, cutting-edge AI and space narrative. Exploring the philosophical meaning of reality.

Hi from Japan🇯🇵 
I sing, make music & videos🧚🏻‍♂️🪐🤍
No genre boundaries, but I’m drawn to electro, lo-fi, chill house, and dreamy, floating sounds.

Heart Blossom Sanctuary: learning/experimenting making electronic music using LogicPro, flutes/whistles, an electric dulcimer, MIDI keyboard controller...

Bastien DiArgos – World Neoclassical Music

Deeply melodic, wordless compositions merging neoclassical piano with ancestral instruments like the duduk, quena, charango, and strings.

Reflective, and rooted in ancient memory—music for those seeking presence through sound.

Love for making music & exploring sound. Enjoy electronic/synth classical experimental instrumental sounds. Influenced by The Fourth Dimension, Pink Floyd, Massive attack, Bowie, Leftfield, Orbital, Sasha, Bjork, DJ Shadow, Air, Daft Punk, Prodigy, Mike Oldfield, Rush, Tangerine Dream, John Williams, Eric Clapton, Clint Mansell, Vangelis, Alan Howarth, Ennio Morricone and loads more. 

I work mostly with Ableton and software and hardware synths, modular and experimental gear. I also like to mix on vinyl and on a digital setup

Could describe my sound as a blend of experimental, progressive, ambient electronica, soundtrack, breaks, film music, blues, deep  and melancholy. I spend my time expanding my sound, collecting new sounds with a field mic most places I go and working on new sounds, collabs/remixes and experimenting with film and visuals and the do a very rare live set

Welcome to a musical universe where every track tells a tale. From cinematic journeys to rave odysseys, glitchy game worlds to emotional anthems, this is music with a heartbeat, a narrative, and a pulse.

All songs are written and produced by one artist, sometimes solo, sometimes with amazing collaborators. Genre is just a tool. Story is the thread.

New tracks tagged #Spacemusic