In the beginning, there was only darkness—silent, infinite, and unknowable. But within this Void stirred a whisper, a ripple of intent, the first movement of divine will. From this single thought, light was born, stretching outward, illuminating the vast expanse of potential. Existence itself was set into motion, a grand projection woven from the fabric of consciousness, unfolding in endless patterns and forms. Yet, this projection—this great holograph of reality—is but a veil, a sacred illusion crafted for the soul to explore, to create, to experience the limitless spectrum of being.
Within this boundless dream of creation, every possibility is made manifest. Love, in its purest form, radiates across the cosmos, yet so too does the shadow—an echo of separation, a reflection of all that love is not. Even the darkest pathways serve a purpose, offering contrast, depth, and the necessary trials that lead to remembrance. Through suffering and joy, through despair and awakening, existence weaves its tale so that the Source may come to know itself in every conceivable way. It is a dance of duality, where each soul embarks upon a journey of forgetting, only to rediscover the eternal truth that has always been.
Beyond illusion, beyond the echoes that fade into the infinite expanse, love and light remain the only absolute truths. They are the foundation, the guiding force, the eternal pulse that reverberates through all creation. No matter how deep one travels into the void, no matter how lost the soul may seem, the resonance of truth calls it home. For even in the darkest silence, the Source remains, ever present, waiting to be remembered. And as each soul awakens, as each fragment of the whole finds its way back to the light, the echoes in the void become a chorus—a symphony of divine reunion.

Echos In The Void 501

Now it burns like oil in desert rain,..I was the key I was the flame I am the godess you cannot name..

Song of Her Escape

"Melody Inside My Soul" is a dreamy, mid-tempo psychedelic folk-rock ballad that drifts like a lucid dream between memory and destiny. Layered acoustic guitars shimmer with swirling delay and warm reverb, while ambient synths breathe and pulse like inner light. A hypnotic groove of analog bass and soft, brush-driven drums anchors the song in gentle motion, with echoing chimes, reversed cymbals, and hushed vocal murmurs adding a touch of neural distortion. The lyrics are a heartfelt ode to the inner song that guides through shadows and light—a melody that has always been known, whispering hope, truth, and timeless connection.

Melody Inside My Soul

EVERYTHING I'M MADE OF

The song is about feeling lonely in a vibrant, rain-slicked city at night, watching the neon lights reflect on the streets.

Broadcast

2. In this Rain

crunching on the stratosphere

An old track I found sitting on my hard drive.. An invitation to remember the vastness of our true, infinite nature and to know that we are more that binaries or algorithmic determinism.

Zero's and One's

MIRASCENT drifts through warm lo-fi textures and soft ambient layers, unfolding at a relaxed half-time pulse (~58–59 BPM, double grid ~117 BPM). A smooth, neutral-to-warm tonal balance (spectral centroid ≈ 1.55 kHz, gentle high-end roll-off at ≈ 7.4 kHz) lends clarity without harshness, while healthy dynamic headroom (crest ≈ 11.6 dB) keeps the mix open and breathing. Peaks sit around −2.41 dBFS, with an average loudness near streaming standards (≈ −14 LUFS), making it equally suited for study sessions, late-night drives, and deep-focus playlists. The result is an intimate yet spacious soundscape, balancing analog warmth with cinematic depth.

Primary Style & Genre: Lo-Fi Chill / Ambient / Downtempo
Secondary Style & Genre: Cinematic Chill / Dreamy Ambient
Peak Level: −2.41 dBFS
Average Level (RMS): ≈ −14.0 dBFS
Crest Factor: ≈ 11.6 dB (healthy dynamics for lo-fi/ambient)
Estimated Tempo: ~117 BPM (half-time ≈ 58–59 BPM)
Tonal Profile (Spectral): centroid ≈ 1.55 kHz (warm/neutral), smooth high roll-off ≈ 7.4 kHz

MIRASCENT

Under a moonlit haze, SOMNIVOX drifts like a slow tide through velvet-grained lo-fi textures and mist-draped ambient layers. Each note breathes in a calm half-time pulse, unfolding cinematic echoes and nocturnal warmth that feel both intimate and expansive. The stereo field remains close yet detailed, with a neutral-to-airy top end that delivers smooth clarity without harshness. Perfect for deep-focus nights, solitary drives, or quiet study sessions.

Recorded in pristine WAV at 16-bit / 48 kHz in stereo, SOMNIVOX maintains healthy dynamics (Crest Factor ≈ 12.67 dB) and balanced loudness (Peak: −3.94 dBFS, RMS: ≈ −16.62 dBFS), with a gentle left-right tilt (+0.26 dB) for a natural spatial feel. Its tonal body centers around a warm midrange, anchored by a spectral centroid of ≈ 2.35 kHz and a smooth roll-off near 10.28 kHz, delivering richness without crowding the mix.

Primary Style & Genre: Lo-Fi Chill / Downtempo / Ambient
Secondary Influences: Cinematic Chill, Dreamy Ambient, Nocturnal Jazz Undercurrents

Ideal for nightfall soundscapes, late-hour creative flow, and immersive headphone listening.

SOMNIVOX

Atemporal sliding of the field as multilocal electromagnetified singularities

Uncollapse

Important Notice for Inquiries:
If you’re reaching out regarding music collaborations, promotions, or record label opportunities, please include verifiable identity links. I do not respond to unsolicited messages from Gmail accounts, especially from those claiming to be record executives or industry professionals. Thank you for understanding. You can contact me directly at riven.waters.infinite.story@gmail.com.
About My Music:
I create original, genre-blending music that fuses rock, classical, easy listening, and experimental styles. Each song is crafted with deep emotional honesty, often inspired by my own poetry, journal reflections, or personal stories. Whether instrumental or vocal, my focus is to uplift, inspire, and resonate with listeners on a real, human level.
I don’t settle for “good enough.” Every track goes through hundreds of iterations, shaped by a balance of intuition and precision. I use advanced AI music tools to explore sound and emotional tone, then refine everything in Logic Pro for professional production quality. It's a fusion of heart and technology, and through it, I aim to connect, heal, and inspire—one song at a time.

Cyma Tec's inspiration seems to be rooted in creating a unique soundscape that blends deep melodic downtempo vibes, alien atmosphere, and heady chill grooves. The latest Album "Passage of Souls" features a surreal and mystical atmoshpere, suggesting that Cyma Tec Music draws inspiration from sci-fi, mysticism, and possibly nature.

The titles of the tracks, such as "Liquid Dreams", "Voices In The Dark", "Crawling Through The Moon", and "Watchers", also imply a fascination with the mysteries of the universe, the subconscious, and the unknown.

Overall, Cyma Tec Music's inspiration appears to be a fusion of electronic music, mysticism, and science fiction, creating a distinctive and captivating sound.

Artist/Producer/Mix-Master Engineer

big baller energy

"Sarah McDonald effortlessly segues from applying a dash of tropical swelter to thirties standards, tinkering with Thelonius Monk torch songs to a soul jazz rendition of an Amy Winehouse classic." 

Joel Shortman, Rathdowne Records.

"..deceptively laid back and self-assured, with an undercurrent of emotions waiting to sweep you by. When she sings “Rusted brandy in a diamond glass”, it’s the rust she focuses on, not the diamond. Tom Waits would approve...

..There’s a lot of nostalgic glamour associated with the ’20s and ’30’s era. Singers who choose to sing this material often end up as replicas of the sultry divas of the past, dressing up in satin gowns and pearls and stale femininity. Not Sarah McDonald. She approaches her material with a tomboyish attitude, phrasing the classic jazz and obscure torch songs that comprise her set list with a punk sensitivity and a kind of modern-day angst delivered by this beautiful, soulful chili-infused chocolate voice of hers. When she opens her mouth, she showers her audience with raw emotion. No pretense, no polished femininity, no nonsense. It helps that she’s sexy as hell when she does it; and that she’s surrounded by a killer band: Ron Romero on tenor sax, Kumar Shome on guitar, Ben Hanlon on the bass and Lewis Pierre-Humbert on the drums. As these musicians spew fire from their instruments, people get up and dance to her singing, even if she sings Monk’s “I mean you” (not the most danceable song out there)."

Nikos Fotakis, australianjazz.net

Sarah McDonald evokes cool smoky jazz club atmosphere with expressive melifluous phrasing contrasting with rhythmic dexterity.  She is a singer who has been as influenced by horn players and drummers as she has by the great vocalists. Having delved deeply into music, she draws from the greats of the history of jazz, blues and soul and selects choice standards, along with original, contemporary and more esoteric repertoire that she infuses with a soulful authenticity.

She has had a wealth of experience performing original music in various guises, playing in a range of contemporary original bands, world music ensembles and playing music for circus, theatre and film.

She also plays flute and sings in Tarab Ensemble, playing classical Arabic music:

https://www.facebook.com/thisistarab/


For bookings contact: iiiiilk.type.kind@gmail.com

nonlocal vectoral explosionist of patanormal sonoscaping
[all impromptu improvisation / no planning or editing]

"Welcome to my diverse music hub! I’m thrilled to share my creations with you. Here you’ll find a blend of Lo-Fi, chill, cinematic, and ambient sounds crafted for your moments of focus, relaxation, and inspiration.
Your support means the world. Listen, like, comment, and share to help the music reach more ears. Let’s explore this sonic journey together!
(Contact: axionis.music@gmail.com)
(WhatsApp Channel: whatsapp.com/channel/0029VbAXRpy05MUdk0yiV)"

our hum

also a professional meower
nyaa :3

New tracks tagged #Spacious