Tilia

(MAKINA) Tilia

Nuevo temon de makina genteee espero que os mole

Orbits

(MAKINA) Orbits

Enjoy this beautiful, dreaming Piano Piece of Enrique Granados, played by me! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Granados E. - "Berceuse" from "Escenas Románticas" (piano)

Cast of Characters:
E Ruizzo-- @ruizzoidman21centurions --Manuel-- composition, lyrics, Squier Stratocaster electric guitar, vocals, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- piano, accordion, and horn
TexMex Shaman– @texmex-shaman –Stephen– Jose Ramirez nylon stringed flamenco style guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision Bass bass

This song began all the way back when Manuel was 16 and found love that summer with a girl named Carmen. He remembered her, though, and wrote this song about her all these years later. The title of the song means "Your name has the song," and the lyrics spell out the girl's charms using the letters of her name. Check out the lyrics and the translation below. 
  Using that inspiration, Manuel came up with the song structure and the vocal melodies to a rudimentary drum track with his electric guitar. He then asked Josh if the group would be interested in taking it on. Josh, never being one to refuse a challenging piece of music, and always on the lookout for interesting musicians with whom to collaborate, accepted his kind offer and created a project for the rest of the Eclectic Collecitve to join. He started the whole thing off by adding his bass, to which Ken added his innovative drums, to which Josh redid his bass, as is the typical process in the EC.
  Next up was JJ, who you'd think he'd grown up with Spanish music the way he added the horns, accordion, and piano. Then Stephen stepped in and added his psychedelic and intricate acoustic guitar to the stew. 
  It was all done, except for the mix at this point. Manuel did the honors, and did it very expertly. Stephen mastered it to give it more volume and dynamism, too, as he always does. 
  This was the first, but we hope not the last, time the EC has collaborated with Manuel, although we're all fans of the incredible music on his page. He was a true delight to work with, giving honest, encouraging feedback and helping us shape his song to meet his vision. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by E Ruizzo:

TU NOMBRE TIENE LA CANCIÓN  /  YOUR NAME HAS THE SONG

Qué es una lágrima en el desierto?  /  What is a tear in the desert?
Cae sin ruido, se evapora y se olvida.  /  It falls without noise, evaporates and is forgotten.
No tiene tiempo de brillar, su vida  /  It has no time to shine, its life
es corta y su camino tan incierto…  /  is short and its path so uncertain...

Ce del calor del desierto y su sol,  /  ‘C’ for the heat of the desert and its sun,
a del adiós por el que lloré tanto;  /  ‘a’ for the farewell for which I cried so much;
erre del río que forma mi llanto;  /  ‘r’ for the river formed by my crying;
eme de miedo, de magia y de amor.  /  ‘m’ for fear, for magic and for love.

E de esperanza, de espacio rosado,  /  ‘E’ for hope, for pink space,
de espina clavada, de suelta emoción;  /  for stuck thorn, for loose emotion;
ene de noche de un tiempo pasado.  /  ‘n’ for night of a past time.

Carmen, tu nombre tiene la canción  /  Carmen, your name has the song
de todo aquello que has significado:  /  of all that you have meant:
Carmen de luz, de sonrisa y de adiós.  /  Carmen of light, of smile and of goodbye.

Tu Nombre Tiene La Canción (Eclectic Collective with E Ruizzo)

r3nac1do - rabbit (ft. MM, R4SH & UTV)

(TRANCE) El Armagedon

Love to Madrid

Beat by: HA$HBOI BEATS
Produced by: Ikali Tenshi x HA$BOI BEATS
Singer: Ikali Tenshi
Song Writing: Ikali Tenshi
Day of creation: 21/03/2025


This song is made by ikali tenshi, do not apropiate this song for yourself. You can use it for your videos and streaming platforms. NON PROFIT USE ONLY.

YA NO SÉ | Ikali Tenshi

PRODUCED BY GAYBOI BARTI
WRITTEN BY GAYBOI BARTI

$AY LESS

"Bula" is a vibrant reggae fusion track that blends Hindi, Spanish, and Fijian influences, creating an uplifting and infectious groove. The song celebrates life, music, and positive energy, with warm melodies, rhythmic guitar strums, and a laid-back yet danceable beat.

The chorus, featuring the word Bula (Fijian for "Life" or "Cheers"), sets the tone for a carefree and joyful experience, encouraging people to dance, smile, and embrace the moment. The verses, sung in Hindi, paint a picture of relaxation and happiness, while Spanish phrases in the hook add a global flair, making it a truly multicultural anthem.

Bula Bula

“En tus ojos” blends romantic rap, Colombian reggaetón, and blissful indie pop into a nostalgic, emotionally-charged soundscape. With dreamy vocals, poetic lyrics, and a soft urban rhythm, this track dives into the magic of falling in love through someone's eyes — and the bittersweet chaos that comes with it. A sentimental, colorful journey through passion, distance, and connection.

Let yourself drift into this galaxy of emotion.

En tus ojos

Hit Buy for free download!!!!

Socials:

https://www.instagram.com/oretnac_

https://open.spotify.com/intl-es/artist/6mGTjKTZUnwlfoTLLiAeJS?si=XTTUYiYDSDaLQwfo7taQDg

Cover Art By: 
https://www.instagram.com/harvr3d

Laura Gibert - Poseida (Oretnac Remix)

A seductive dance between Spanish guitar and violin—bold, raw, and full of fire.  This piece pulses with Mediterranean heat and Sundance energy. Passionate, uplifting, and alive with rhythm.

La Gitana

DJ NHRY, hailing from the vibrant city of Auckland, New Zealand, and originally from the picturesque Fiji Islands, is making waves in the music scene with his eclectic sound and dynamic performances. Combining the rich cultural influences of his Fijian heritage with the urban energy of Auckland, DJ NHRY crafts unique musical experiences that resonate with a diverse audience.

With a passion for music that spans multiple genres, DJ NHRY's sets are a blend of rhythmic beats and melodic harmonies, creating an atmosphere that is both electrifying and soulful. His journey from the tropical landscapes of Fiji to the bustling streets of Auckland has infused his music with a distinct flavor, setting him apart in the competitive world of DJing.

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Sound Branding Architect: I don’t sell music—I engineer emotional sound identities that convert listeners into customers.

Sound Hacking System™
I engineer audio that rewires consumer brains to crave your brand.

How it works:

 1. Neural Sound Mapping
 Identify subconscious sound patterns that trigger compulsive engagement in YOUR audience.

 2. Algorithm-Engineered Audio

 - Custom Spotify/YouTube channels optimized for addiction (not just retention)

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 3. Biometric Performance Tracking
 Measure how each frequency impacts:

 - Purchase intent (via eye-tracking & pulse response)

 - Brand recall (EEG-tested)

Unlike traditional sonic branding:
My system doesn’t just sound good – it reprograms emotional pathways to associate your brand with visceral need.

* (Recent case study: MGYM brand achieved 2,7% cart abandonment reduction by implementing dopamine-triggering checkout sounds.)

*NEW ACCOUNT* The old one was deleted cause strikes

el.rusolokooo@gmail.com

🇪🇸➡️🇳🇴

All my tracks are on spotify youtube instagram apple etc

Bakala rusitano español-noruego y santanderino-alicantino hago musica to guapa

El Rusitano ORIGINAL©

how do you picture the devil?
@rabb1tcon3jo on all socials.

Carlo Cozzula was born  in Sassari in 1971.
In 1994 he obtained the Experimental Magistral Diploma with the highest grade; in 1996 - under the leading of Hedda Vignanelli Illy – he graduated, with the highest marks, in Organ at the Conservatory of his city and next year, he graduated in Harpsichord at the Conservatory "B. Marcello" of Venice. 
He has studied Choral Music and Choir Conducting and also studied piano at the concert levels since 1985.
He performed on all the instruments as a soloist in chamber ensemble also with vocal soloists, accompanying several polyphonic complexes, among which the "Cantori della Resurrezione" by A. Sanna, with whom, in 2000, he collaborated for a recording of music by G. B. Platti (Bongiovanni Records), and with whom he performed in a concert in July 2003 in the Basilica of the SS. Rosary of Lourdes (France).
He was the main organist at the Monumental Church of S. Maria di Betlem (Sassari) and at the Basilica of S. Gavino (Porto Torres). 
As an organist, in October 1997 he was invited for a tournée in Germany, performing in prestigious places, including Limburg, Wiesbaden, Lorch, Frankfurt, as soloist and chamber musician, in concert seasons including well-known soloists such as W. Stockmeier, R. Haas, M. Pirenne, U. Krupp, W. Rockel, J. Von Erdmann.
He was invited again for the October of 2003 to give a concert at the “Orgelsommer 2003” in St. Josef Church (Frankfurt), achieving great success, playing in a schedule with some of the most famous and acclaimed organists on the world scene, such as J. Parker-Smith, Th. Trotter, H. Vogel, P. Pincemaille, D. Zaretsky, P. Pietiläinen.
In 2007 he was called a part of the Jury of the 1st Art Competition "Il Filo di Arianna", at the Baja Hotel in Cannigione (Sardinia). 
He taught Music Theory and has been pianist accompanist of lyric singing classes at the Civic School of Nuoro, taught in State Schools.
Recently he has edited the Italian translation - in World Premiere - of the essay of 1846 written by the French F. Levacher D'Urclé: "Manual didactic problems in relation to the study of the anatomy of the hand" and also the thesis by M. Punt "The Straube Code-Deciphering the metronome marks in Max Reger's Organ Works".
As a composer, he is the author of music - original and not - dedicates to the international singer Teresa Salgueiro. He is also the author of a series of Concert Transcriptions for organ - even in World Premiere - from the piano and symphonic repertoire, and for pf. from the original organ repertoire, but also from accurate choices concerning the world of jazz, fusion, Brazilian music, French chansons and Soundtracks.
One of the piano transcriptions has already been recently included in a piano recital. These compositions are already available to the international artists such as: Philippe Raskin, Mariangela Vacatello, Irene Veneziano, Simone Pedroni, Igor Roma, Gloria Campaner, Antonio Pompa-Baldi, Alexei Volodin, Roberto Plano, Maurizio Baglini, Andrew Litton, Sandro Russo, Nicholas McCarthy, Ramin Bahrami, Thomas Ospital, Stephen Tharp, Thierry Mechler, Joseph Nolan, Danilo Rea, Enrico Pieranunzi, Carisa Marcelino and Clare Hammond.

2024 is all about making whatever I feel like! 

Kaii Dreams is a multi-genre producer and songwriter from Toronto, Canada.

New tracks tagged #Spanish Music