The last Hangers Lp. All songs were recorded in 2018.
Some lyrics are explicit

music by acidzooq
vocals & lyrics by hanger

Mordercy fok

Hangers - Mordercy fok

Teraz

Złowieszczenie

Hangers - Złowieszczenie

Bez Reszty

Hangers - Bez Reszty

Zaniki Pamieci

Hangers - Zaniki Pamieci

Jaźn

Hangers - Jaźn

Tera

Hangers - Tera

Non Amor

Hangers - Non Amor

Ta Chwila

Hangers - Ta Chwila

Zielone chwile

Hangers - Zielone chwile

Hangers - Teraz

La La La

Hangers - La La La

To Ja Teraz

Hangers - To Ja Teraz

231225 - Ambient Spectraphon

Just some happy little spectraphon sounds

231227 - Happy Little Spectraphon Sounds

v1: Metropolix sequence; arbhar into QPAS with Sealegs 
v2: Morphagene into Zagrzeb
v3: Spectraphon into Fumana
- Modulation from Planar2, Batumi, and Spectraphon
v4: Matrix 12 with Valhalla UberMod and SuperMassive

20231231 Everything Is On Hold Until Next Year

Spectraphon test, sequenced by K-Devices TATAT , microtonic drums ...kinda dark

Avo Toast

Ondes Martenot playing Spectraphon Resyntheizer with random classical music as program material. Recorded for Consensus Unreality

Edge Of Empire (G Major)

Composer and Sound Designer Robert Aiki Aubrey Lowe tells Caro C about his preferred sound modules and working methodologies, plus shares details some of the film and TV projects that he has recently been collaborating on.

Chapters
00:00 - Introduction
01:35 - Finding A Musical Voice
04:38 - Choosing Modular Synthesis
10:18 - Avant Garde Artistry
17:14 - Current Modular Setup
23:19 - Other Favourite Modules
28:11 - Composing For TV And Film
34:03 - Combining Hardware And Software

https://www.soundonsound.com/people/robert-aiki-aubrey-lowe-sos-podcast

#morphagene #spectraphon #dxg #optomix #proworkout #arbhar

Robert Aiki Aubrey Lowe Biog
Robert Aiki Aubrey Lowe is an artist, curator and composer based in Brooklyn, New York. Robert is known for his work with modular synthesis combined with voice. Along with analogue video synthesis works, he has had exhibitions of his work at John Michael Kohler Art Center, Museum of Art and Design, Kunsthal Charlottenborg and the Broad.

Over the last several years Robert has collaborated on projects or provided sound in a featured artist capacity for such films as “End of Summer”, “Sicario”, “Arrival”, “Last and First Men” with Johann Johannsson and “It Comes at Night” with Brian McOmber. In recent years Robert has scored “Candyman” for Nia DaCosta, “The Color of Care” and “Power” for Yance Ford, “Master” for Mariama Diallo, “Grasshopper Republic” for Daniel McCabe, docuseries “Telemarketers”, “UNION” for Brett Story and Stephen Maing, “The Man In My Basement” for Nadia Latif, “Life After" for Reid Davenport and “Seeds” for Brittany Shyne. Through collaboration Robert has worked with Tarek Atoui, Ben Russell, Ben Rivers, Rose Lazar, Nicolas Becker, Rashaad Newsome, Jóhann Jóhannsson, Hildur Guđnadóttir, Sabrina Ratté, Philippe Parreno, Evan Calder Williams, Ariel Kalma, Susie Ibarra and YoshimiO, as well as many others.

https://robertaikiaubreylowe.bandcamp.com/

Caro C Biog
Caro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.
URL: http://carocsound.com/
Twitter: @carocsound
Inst: @carocsound
FB: https://www.facebook.com/carocsound/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Electronic Music

Robert Aiki Aubrey Lowe

Robert Aiki Aubrey Lowe | Podcast

TrackWithoutTitle

<b>SOUND ON SOUND is the world's premier music recording technology magazine</b> - available in 5 formats: Paper, Web Sub, Replica, Full Issue PDF download or Tablet/Mobile apps. Based in Cambridge, England; independently-owned and continually published since 1985).&#13;
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Every month our UK and USA editions deliver consistently more pages than any competing title, packed full of in-depth product tests of Recording Systems, Music Software, DAWs, Virtual Instruments, Plug-ins, Synthesizers, Keyboards & Rack Modules, Music Computers, Samplers, Audio Interfaces/Soundcards, Mixing Consoles, Effects & Signal Processors — and not forgetting studio essentials like Microphones and Monitors.&#13;
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Our regular DAW techniques and practical 'how to' Tutorials offer no-nonsense advice for beginners and professionals alike, helping our global readership gain the most from their studio equipment.

Occasional brief musing in electronica, separated by long bouts of procrastination

I'm a lab-rat. gear-head. Composer of sonic explorations. Seeker of tone and frequency. Patcher of modules. Twiddler of knobs. Bender of strings. Programmer of sequences. Lover of all things that oscillate, resonate and reverberate.

My main instrument is a Eurorack Modular synthesizer comprised of approximately 70 modules. My favourites include modules from Frap Tools Instruō, Intellijel, and Xaoc Devices. I use a 16-channel Line converter from nw2s to get modular signals into my DAW.
My main polysynths are an UDO Super6 and a Sequential Prophet Rev2.
Production tools are Bitwig with an Ableton Push 2, with two Universal Audio and Focusrite AD converters; and plugins from GForce/Oberheim, Waldorf, UAD, Valhalla DSP, Plugin Alliance, Eventide, Softube, and Roland.
I also compose with electric guitars and basses, Toontrack Superior Drummer, and various Brazilian samba percussion.

New tracks tagged #Spectraphon