Producer: Nicole Din
Cover Art: Zoe Goreham

Inspired by the ideals of Spectromorphology and analogue Horrors such as Local58 and Number Stations, Sound of The Chimes was created by the manipulation and editing of the frequency spectrum of wind chimes. The track also delves into the deep underlying mysteries of the world and the structures of different sounds. The track contains all of the frequencies of the recording and produces an analogue horror effect with an eerie jingle and morse-code sounds underneath.

A big thank you to Zoe for spending an hour of her time creating and editing the cover art.

Sound Of The Chimes

Producer: Nicole Din

Open Insight (2024) is a musical continuation of 'Sound of The Chimes' (2023). Similarly to 'Sound of The Chimes', the track consists of recordings being spliced and edited. This track is made up of sounds such as bird calls; a keyboard tapping; whistling and humming. These recordings were then manipulated by MIDI mapping on Ableton to create spacious and echoing atmospheres. Open Insight is quite abstract in meaning and the meaning can be up to the listener's interpretation.

Open Insight

Bellow (2021) for accordion and electronics. 
Duration 9:25 minutes

Ensemble Holophony Project
Preview Full Score at www.panayiotiskokoras.com/compositions/
Studio edited mix © Panayiotis Kokoras

Bellow [accordion & electronics]

British Composer, Producer and Sound Engineer
Former Orchestral Tuba/Eb Bass performer
ISM Member 2021-2024
Admirer of all things obscure

Panayiotis Kokoras studied composition with Yannis Ioannides, Henri Kergomard, Kosta Varotsi, and classical guitar with Evangelos Asimakopoulos in Athens, Greece. In 1999, he moved to England for postgraduate study at the University of York where he completed his MA and PhD in composition with Tony Myatt. His works have been commissioned by institutes and festivals such as the Fromm Music Foundation (Harvard), IRCAM (France), Guggenheim (New York), MATA (New York), Gaudeamus (Netherlands), ZKM (Germany), IMEB (France), Siemens Musikstiftung (Germany) and have been performed in over 1000 concerts around the world. His compositions have received 98 distinctions and prizes in international competitions and have been selected by juries in more than 350 international calls for scores. He is president of the International Confederation of Electroacoustic Music (ICEIM-ICEM) and a founding member of the Hellenic Electroacoustic Music Composers Association (HELMCA) and from 2004 to 2012 he was a board member and president. Kokoras’ sound compositions develop functional classification and matching sound systems written on what he calls Holophonic Musical Texture. As an educator, Kokoras has taught at the Technological and Educational Institute of Crete, and, the Aristotle University of Thessaloniki (Greece). Currently, he is Regents Professor of Composition at the University of North Texas and director of the Center for Experimental Music and Intermedia (CEMI).

New tracks tagged #Spectromorphology