The Vocals/Poetry: L.A. Rabsatt & C. Double34 Music
The Music & Sampling: C. Double34 Music
The Sampled Vocals:
Maurice White of Earth Wind & Fire, Aaron Hall, Daley, La Perla Negra, Lisa Lipps, & Mrs. VIP
The Artwork: The Infamous Strategy

* FAIR USE DISCLAIMER: I do not own copyright for this copyrighted material, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research

Baby, I'm Scared Of You, Part 1 (L.A. Rabsatt & C. Double34 Music, vocals)

Narración del comentario al Evangelio según san Mateo 13, 10-17 para este Jueves, 24 de julio de  2025 escrito por el doctor de la Iglesia, san Cirilo de Jerusalén. Fuente: Evangelio del dia.org

https://evangeliodeldia.org
IMAGE: The Spiritual Journalist | El Periodista Espiritual, 8-8-24

San Cirilo de Jerusalén (313-350), obispo de Jerusalén, doctor de la Iglesia. Catequesis bautismales, nº 18, 6; PG 38 1021

«Dichosos vuestros ojos porque ven y vuestros oídos porque oyen»

Un árbol cortado vuelve a brotar. ¿No lo hará también un hombre que ha perdido su vida? 
Incluso lo que se ha cortado al segarlo se queda en las eras para que lo recojan. ¿Y no se quedará en la era el hombre que ha sido segado en este mundo? 

También los sarmientos de la vid y las ramas de otros árboles, cuando se cortan completamente y se trasplantan, cobran vida y reportan fruto. Y el hombre, por el cual son aquellas cosas, ¿no resurgirá aunque haya ido a parar a la tierra?

Si comparamos distintos trabajos o dificultades ¿qué es más, dar forma desde sus inicios a una estatua que antes no existía o restituírsela a una que la había perdido? 

El Dios que nos hizo de la nada, una vez que ya tuvimos existencia pero luego la perdimos, ¿no podrá de nuevo despertarnos a la vida?  

Si se desea, se siembra trigo o cualquier clase de semilla. Cuando la semilla cae, muere y se pudre: ya no sirve para alimento. Pero lo que se ha podrido brota de ahí como hierba y lo que al caer era pequeño se levanta ahora hermosísimo. Pero el trigo fue credo por causa nuestra, pues el trigo y otras semillas se hicieron no por sí mismos sino para nuestro uso. 

Y si las cosas que fueron hechas para nosotros reviven después de muertas, nosotros, por quien esas cosas se hicieron, ¿no resucitaremos después de muertos?

La Palabra de DIOS y de sus santos en el Periodista Espiritual–
https://elperiodistaespiritual.blogspot.com
https://thespiritualjournalist.blogspot.com

"Un árbol cortado vuelve a brotar. ¿No lo hará también un hombre que ha perdido su vida? "

KMT KI Media 2025 (22.07.2025)
Album Nr. 103 "Glühwein Inferno by KMT" - Style: Volksmusik, Schlager, Techno, modern, mixed Genres | Tracks: 30 (ai generated)
Lyric: Deutsch

Thema: Der Zauber des Après-Ski in verschiedenen, modernen Genres, musikalisch dargeboten.

Track 01: Pistenraupen-Party
Party-Schlager, techno, dance

Track 03: Glühwein-Inferno
Schlager-Punk, punk rock, humorous

Track 05: Skihütten-Ekstase
Eurodance, alpine folk, novelty

Track 07: Après-Ski-Apokalypse
hardstyle, electronic, dance

Track 09: Schneeengel-Shuffle
tech house, electronic

Track 11: Jagertee-Trance
trance, yodeling

Track 13: Ski-Klamauk-Chaossamba
samba, schlager, novelty

Track 15: Eisbar-Ekstase
synthwave, electronic, ambient

Track 17: Schlittenfahrt-Symphonie
orchestral, holiday music, spoken word

Track 19: Snowboard-Beatdown
drum & bass, electronic, experimental

Track 21: Alpen-Aerobic-Attacke
80s synth-pop, novelty, yodeling

Track 23: Hüttengaudi-Hardcore
gabber, experimental electronic, novelty

Track 25: Lawinen-Liebeslied
power ballad, synthpop, rock

Track 27: Schneeballschlacht-Ska
ska-punk, comedy, novelty

Track 29: Bergpanorama-Breakbeat
breakbeat, ambient, experimental electronic

If you would like to use my music commercially, contact me. No financial income may be generated from my music without my permission. For private purposes my music is free if my name is mentioned.

Thank you very much for your time and ear. Enjoy the your journey through my artificially generated music paradise.

© Album cover and music generated with AI by Kurt Michael Treichl

Best Regards,
Kurt Michael Treichl (KMT KI Media) - Austria / Salzburg

Visit me at
https://www.mystic-arts.com
https://www.ai-music.at
https://www.kmt.zone

17 Schlittenfahrt-Symphonie v1

18 Schlittenfahrt-Symphonie v2

A contemplative piece reflecting on God's grace and the stillness of the soul. Recorded in July 2025, this song invites listeners to rest in faith and embrace the message shared by the Spirit of Truth.

Music: Still Mine a song of Grace

This gripping spoken ballad tells the true story of a defining moment from David Burnell’s childhood—a moment when fear had a face, a name, and a daily routine. As a young boy, David was relentlessly bullied, cornered, and humiliated. Day after day, he endured it… until one conversation with his father changed everything.

Told in David’s own voice, The Bully and the Boy is more than a tale of playground justice. It’s a raw and honest reflection on what it means to confront fear—not with the absence of it, but in spite of it. With cinematic pacing and vivid emotional detail, the ballad captures the tension of a school bathroom turned battlefield, the crack of a first punch, and the moment a young boy reclaimed his power.

This story is pulled directly from a chapter in David Burnell’s memoir Built by Fire, where he shares life-altering lessons forged through service, struggle, and faith. Now adapted as a spoken ballad for the Echo Valor podcast series, this piece resonates with anyone who’s ever felt small, cornered, or powerless—and reminds us all that courage is not born… it is chosen.
This is a true story. This is a spark that lit a fire.

One Punch of Courage - Breaking the Grip of Fear in a School Bathroom Podcast

Rode dj mix

The Vocals/Poetry: KlassyPoet
The Music & Sampling: C. Double34 Music
The Sampled Vocals: Eurhythmics, Malcolm Jamal Warner, & Blackstreet
The Artwork: The Infamous Strategy

* FAIR USE DISCLAIMER: I do not own copyright for this copyrighted material, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research

Oceans Deep (KlassyPoet, vocals)

+++on ELECTRONIC RISING by SPOTIFY+++ OUT NOW!

https://hypeddit.com/mlwdze/thewave

EARLY SUPPORT FROM: Miss Monique, B Jones, Dennis Cruz, Gregor Salto, David Tort, Leandro Silva, Linska and many more

Some collaborations are fleeting. @iamMusicP and @MarqueAurel are not. Their creative alliance spans over 15 years, built in backrooms, forged on darkened dancefloors, and sharpened across countless sessions. “The Wave” is the latest result of that trust: a hypnotic, trippy Melodic House weapon, custom-built for late-night clubs and the disoriented beauty of the after hours.

Driving the track is a looping arp line - relentless, pulsing, and almost ritualistic - surrounded by a world of textured synths and shadowy tension. At the center floats Liah Barrett, a Brazilian-born, jazz-trained vocalist now based in the mountains of Tyrol. Her voice doesn’t just sit on the track, it threads through it, precise and haunted, like a memory you’re not sure is yours.

The Wave (Snippet)

The Vocals/Poetry: KlassyPoet
The Music & Sampling: C. Double34 Music
The Sampled Vocals: Lalah Hathaway, Nikki D, & Donny Hathaway
The Artwork: The Infamous Strategy

* FAIR USE DISCLAIMER: I do not own copyright for this copyrighted material, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research

Daddy's Little Princess (KlassyPoet, vocals)

Fold the Day Like Linen Fine is a gentle, reflective ballad — a lullaby not for children, but for the soul of the adult listener. Sung as a tender duet between male and female voices, the song unfolds like a quiet walk through memory and presence, guiding the listener from the stillness of dawn to the peace of nightfall. It speaks to the part of us that longs for calm, meaning, and reconnection — as if whispering to the inner child we all carry.

The piece was inspired during an extended stay in Teddington, a peaceful riverside town in the London Borough of Richmond upon Thames. Known for the River Thames, Bushy Park, and tree-lined footpaths, Teddington offered the emotional and sensory backdrop for the song. Its swans, footbridges, morning mist, and soft evening light shaped the rhythm and imagery of the lyrics.

This is a song of gentle invitations to observe, to breathe, to carry forward the quiet lessons nature offers. Each verse is crafted with balance and clarity, allowing the voices to blend as one: steady, warm, and grounded. It is both a folk song and an adult lullaby, rooted in acoustic storytelling and shaped by the emotional needs of modern life to slow down, to feel seen, and to rise whole again.

The duet carries its message not with urgency, but with quiet compassion. It doesn’t instruct, it simply walks beside the listener. Ideal for slow mornings, reflective evenings, quiet walks, or meditative spaces, this is a piece for those drawn to lyrical folk music or anyone seeking a return to peace.

At heart, this song is a love letter to the quiet corners of Greater London and to the stillness we rediscover when we learn to listen. A musical reminder that peace isn’t something we chase, it’s something we remember.

[LYRICS]

Rise, O soul, before the song
Of robins waking all day long
The river shines in silver light
And waits beneath the edge of night

Go walk where bending grasses lean
And let the hush bring something clean
A quiet truth you’ve always known
May rise and walk with you, alone

Step lightly where the wood beams wide
Across the stream with gentle tide
The roots below still drink and grow
While water hums the things it knows

Rest where the light and shadows fall
And swans drift slow beyond it all
Their peace won’t come if you give chase
It comes with time, and leaves no trace

Let laughter sound like morning bells
From children’s games the moment tells
And if your heart begins to sway,
Then let it lead you on your way

Take in the light on moving leaves
And learn from all a good heart grieves
It doesn’t cling, it doesn’t stay;
It shines, then gently slips away

Let shifting light in branches bare
Remind you love is always there
It comes, then goes, then comes once more
Just like it always did before

Watch how the bird lifts up and flies
With no regret, no need to stay
It takes to sky without a sound
Then leaves no weight upon the ground

See how the grass leans low, then right
It doesn't mind the fall of night
Though wind may press and dusk may call,
It still stands tall through rise and fall

Hear how the breeze begins to slow
As shadows stretch and soften low
Let silence sit, a gentle friend,
That helps you breathe and helps you mend

Sit near the stream that moves with care
And let go what still lingers there
Let stillness speak, let troubles cease;
For even pain will look for peace

See how the stars begin to show
As sky grows dark and time moves slow
So too your soul in quiet space
May shine again with steady grace

Now fold the day like linen fine
With hands that feel the peace is mine
And rise again when morning comes;
A better soul, for all you’ve done

Now carry forward what you’ve known,
The quiet path you made your own.
The quiet path you made your own.


Fold the Day Like Linen Fine – An Adult Lullaby for the Inner Child (Lyrics Below)

Lectura de la segunda carta del apóstol san Pablo a los Corintios 4,7-15 para este Viernes, 25 de julio de 2025, Fiesta de Santiago, Apóstol. Fuente: Evangelio del dia.org

https://evangeliodeldia.org
IMAGE: The Spiritual Journalist | El Periodista Espiritual, 6-16-24

Corintios 4,7-15.
Hermanos:
Nosotros llevamos un tesoro en recipientes de barro, para que se vea bien que este poder extraordinario no procede de nosotros, sino de Dios.
Estamos atribulados por todas partes, pero no abatidos; perplejos, pero no desesperados;
perseguidos, pero no abandonados; derribados, pero no aniquilados.
Siempre y a todas partes, llevamos en nuestro cuerpo los sufrimientos de la muerte de Jesús, para que también la vida de Jesús se manifieste en nuestro cuerpo.
Y así aunque vivimos, estamos siempre enfrentando a la muerte por causa de Jesús, para que también la vida de Jesús se manifieste en nuestra carne mortal.
De esa manera, la muerte hace su obra en nosotros, y en ustedes, la vida.
Pero teniendo ese mismo espíritu de fe, del que dice la Escritura: Creí, y por eso hablé, también nosotros creemos, y por lo tanto, hablamos.
Y nosotros sabemos que aquel que resucitó al Señor Jesús nos resucitará con él y nos reunirá a su lado junto con ustedes.
Todo esto es por ustedes: para que al abundar la gracia, abunde también el número de los que participan en la acción de gracias para gloria de Dios.

La Palabra de DIOS y de sus santos en el Periodista Espiritual–
https://elperiodistaespiritual.blogspot.com

"Nosotros sabemos que aquel que resucitó al Señor Jesús nos resucitará con él"

Narración del comentario al Evangelio según san Mateo 13, 24-30 para este Sábado, 26 de julio de 2025 escrito por san John Henry Newman. Fuente: Evangelio del dia.org

https://evangeliodeldia.org
IMAGE: The Spiritual Journalist | El Periodista Espiritual, 7-6-21

San John Henry Newman (1801-1890), teólogo, fundador del Oratorio en Inglaterra. Sermones predicados en varias ocasiones, n° 9, 2.6

“Dejadlos crecer juntos hasta la cosecha”

Hay escándalos en la Iglesia, cosas censurables y vergonzosas; ningún católico podrá negarlo. 

Tiene siempre que asumir el reproche y la vergüenza de ser la madre de hijos indignos; tiene hijos que son buenos, y otros que son malos... Dios habría podido instituir una Iglesia que fuera pura; pero predijo que la cizaña sembrada por el enemigo, crecería con el trigo hasta la cosecha, en el fin del mundo. 

Afirmó que su Iglesia sería semejante a una red de pescador "que recoge peces de todas clases" y que no se escogen hasta el atardecer (Mt 13,47s).

Yendo más lejos todavía, declaró que los malos y los imperfectos, le importaban más que los buenos.

"Muchos son los llamados, dijo, pero pocos los escogidos" (Mt 22,14), y su apóstol dice "que subsiste un resto, elegido por gracia" (Rm 11,5). 

Existe, pues sin cesar, en la historia y en la vida de los católicos, el juego de hechos ampliamente contradictorios... Pero no nos avergonzamos, ni escondemos el rostro entre las manos, al contrario, levantamos nuestras manos y nuestra cara hacia nuestro Redentor.

"Como los ojos de los esclavos fijos en las manos de sus señores..., así están nuestros ojos en el Señor, Dios nuestro, esperando su misericordia" (Sal. 122,2)... Acudimos a ti, juez justo, porque eres tú el que nos mira. 

No hacemos ningún caso a los hombres, mientras te tenemos, a ti..., mientras tenemos tu presencia en nuestras asambleas, tu testimonio y tu aprobación en nuestros corazones.

La Palabra de DIOS y de sus santos en el Periodista Espiritual–
https://elperiodistaespiritual.blogspot.com

"Hay escándalos en la Iglesia, cosas censurables y vergonzosas"

Weekend Warrior

The Vocals/Poetry: LA Rabsatt & C. Double34 Music
The Music & Sampling: C. Double34 Music
The Sampled Vocals: Nat King Cole, 2pac, The Outlaws, & The Deele
The Additional Music: Return To Forever, The Underdogs, & Jeff Lorber
The Artwork: The Infamous Strategy

* FAIR USE DISCLAIMER: I do not own copyright for this copyrighted material, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research

For So Many Reasons. Part 1 Remixed (LA Rabsatt & C. Double34 Music, vocals)

Robert Beshara: Concept & Vocals
Shaadie Khoury: Concept & Music
Allusion Studios: Production & Mastering

I am now truth (Gibran - Peace XVIII)

The Vocals/Poetry: LA Rabsatt & C. Double34 Music
The Music & Sampling: C. Double34 Music
The Sampled Vocals: Maze featuring Frankie Beverly, Kenny Rogers, & Dolly Parton
The Additional Music: FKJ & Various Artists
The Artwork: The Infamous Strategy

* FAIR USE DISCLAIMER: I do not own copyright for this copyrighted material, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research

We Are Who We Are, Part 1 (LA Rabsatt & C. Double34 Music, vocals)

Cute music about watching out / No master

Missy DEMO

Welcome to my channel!

I create music using artificial intelligence. My tracks are the result of experimental sound research and are intended to bring joy. I'm not interested in commercial success, but rather want to share my music with everyone who enjoys it.

The method of music production is secondary to me – what matters is the impact of the music itself. I hope my music brightens your day!

Without fans, everything is nothing. People who like what you do are all the more valuable. I love making music immensely, if only because I love my songs.

Why do I release them? Because I want to reach people who love this music too—even if AI helped with that, they were born from my feelings and my heart. You hear my innermost being here and are an indispensable part of it.

I sincerely thank all my followers who like my music. You are the best!

Willkommen auf meinem Kanal!

Ich erstelle Musik mit Hilfe von künstlicher Intelligenz.  Meine Stücke sind das Ergebnis experimenteller Klangforschung und sollen Freude bereiten.  Ich bin nicht an kommerziellem Erfolg interessiert, sondern möchte meine Musik mit allen teilen, die sie mögen.

Die Art der Musikproduktion ist dabei für mich zweitrangig – entscheidend ist die Wirkung der Musik selbst. Ich hoffe, meine Musik bereichert euren Tag!

Ohne Fans ist alles nichts. Umso wertvoller sind Menschen, die mögen was du tust. Ich mache unendlich gerne Musik, alleine schon weil ich meine Lieder liebe.

Warum ich sie veröffentliche? Weil ich Menschen erreichen möchten, die ebenso diese Musik lieben - auch wenn die KI dabei mitgeholfen hat, sie wurden aus meinen Gefühlen und meinem Herzen geboren. Ihr hört hier mein innerstes Sein und seid ein unverzichtbarer Teil davon.

Ich bedanke mich herzlich bei allen meinen Followern, die meine Musik mögen. Ihr seid die Besten!

© 2025 Kurt Michael Treichl (KMT KI Media)
Hallein - Salzburg - Austria
Visit me at https://www.ai-music.at or https://www.mystic-arts.com

Just a bird by the sea. Begginer producer.

These messages did not come from me but from the Spirit of Truth stirring in the stillness of early morning (Job 33:14–15).The voice you hear is not the messenger, but the carrier.

Don’t look for a name. Don’t follow a face.

If anything speaks to you here, weigh it in your heart.

This is the Final Cry to those who have an ear to hear. And the message is what matters.

The voice of One Crying: The time of preparation is over and the time of perfection has come. Let all the high places be brought low, all the low places be lifted up and the crooked paths made straight for the Highway of the Lord

I’ve always lived at the crossroads of music and poetry — where feeling becomes form, and melody turns memory into meaning. Whether it’s a lingering jazz note, a well-placed rhyme, or a shift in tempo that tells a deeper story, I’m drawn to that quiet magic where art reflects life with a little more style.

My roots are in classic music — the kind that doesn’t chase the moment but lingers with you long after the last note. Over time, that love expanded into poetry writing and jazz — especially the kind that swings, speaks, and smirks all at once. Jazz, to me, isn’t just a genre; it’s a personality. A conversation. A little tilt of the head and a grin that knows more than it says.

When I set out to create an album, it’s rarely just a collection of songs. I approach it like a personal playlist — one that drifts and flows as if the entire tracklist were one long, uninterrupted piece. Each track leans into the next, shifting mood, pace, or voice, but always carrying the same thread of feeling. I want you to listen the way I do — not as a shuffle of moments, but as a cinematic arc. One breath that lasts an hour.

Lyrically, my work is rooted in lived experience. Sometimes it’s obvious. Other times it’s just the skeleton of a memory, dressed up in wit, irony, or longing. I draw from real-life events, then let the poet in me twist, stretch, or sweeten them to taste. Depending on the tone of the album — playful, romantic, nostalgic, or something in between — I try to keep the emotional truth intact while giving it a fresh coat of creativity. A little humor where it fits. A deeper dive where it hurts.

My newest jazz album continues this tradition — short-lined swing tracks, conversational duets, and tongue-in-cheek storytelling. It’s an homage to late-night alleyway ballads, rooftop serenades, and train station goodbyes — all bound together with a sense of charm and cohesion. Each song is its own little scene, but together they tell a story — one you can revisit with each replay.

Thanks for stopping by my profile. I hope you find something that earns a spot on your repeat-play list — a melody, a lyric, or a moment that feels like it was written just for you.

Deep & Tech  vs.  Funk & Soul
Producer | DJ | Vocalist | Audio engineer

www.iammusicp.com
www.mellow-daze.com

Galactic abstractors
1994 Alexandria, Egypt - 2025 Tucson, Arizona USA 
Full discography @ https://ultramundanes.bandcamp.com/

Cinematic spoken-word reflections on war, service, and the human cost of duty—told with raw honesty and reverence.

Make beats with a message and sample using the fair use act of 1976. Boom Bap Hip Hop is what I vibe to...but I bring all elements of music to the mix. A man of YHWH, God the Father and I give Him the praise and credit for these ideas. Thanks for listening. Peace be with and unto you. Luke 17:21.

I've been writing songs since I was 11 - it's time to make them real! 

Enjoy some introspection on my life, or where it was.

12 EP's in 12 months project starting September! first 2 out now!

Contact us: saintmischiefmusic@gmail.com

Music and vinyl collector.
Painful and pleasant experimental ambient electronic & industrial sounds.

New tracks tagged #Spoken