Original air date ~ 29th May 2025.

We talk to Sydney's dreamgaze beauties Bridge Dog about this week's 2SER Feature Album, the ace "Auto Fictions".

Stream the full program https://2ser.com/episodes/static-800pm-29th-may-2025/

2SER-FM's "Static" playlist for Thursday 29th May was as follows ...

FORTH WANDERERS "7 Months" (Sub Pop)
STEREOLAB "Vermona F Transistor" (Duophonic UHF Disks/Warp)
U.S. GIRLS "Like James Said" (4AD/Remote Control)
LINDSTRØM "Sirius Syntoms" (Feedelity)
THESE NEW PURITANS "Crooked Wing" (Domino)
COOL SOUNDS "Pretty Often" (Blossom Rot)
BRIDGE DOG "New View" (Omiya)
REGULAR SPREAD "Short Film" (Private Chocolate)
WET LEG "CPR" (Domino)
DOUBLE VIRGO "due dilettante" (YEAR0001)
WINTER "Just Like A Flower" (Winspear)
SPARKS "Don't Dog It" (Transgressive)
SAINT ETIENNE "Glad" (Heavenly/[PIAS])
SPORTS TEAM "Boys These Days" (Bright Antenna/Distiller)
GUY BLACKMAN "You're More Than Welcome" (Chapter Music)
ROBERT FORSTER "Good To Cry" (Universal)
TEENAGER "A.A." (etcetc)
BLACK LIPS "Wild One" (Fire)
THE SOPHS "Sweat" (Rough Trade/Remote Control)
STEREOLAB "Flashes From Everywhere" (Duophonic UHF Disks/Warp)
PULP "Got To Have Love" (Rough Trade/Remote Control)

"Static" can be heard on 2SER (107.3FM) on Thursdays between 8pm and 10pm.
Or stream live online at www.2ser.com
Past episodes can be streamed on-demand at https://2ser.com/episode-archive-page/?show=static

Bridge Dog ~ Interviewed on 2SER's Static

A prophetic street sermon in poetic form.
This isn't just music — it's a final warning.
🔥 Based on Christian eschatology, this track explores the rapture, hell, and eternal separation from God.
🎙️ Written and performed by BlackLatino — this is the last message before the sky breaks.
📖 Inspired by 1 Thessalonians 4:16-17, Matthew 25:46, and 2 Thessalonians 1:9.

"I don't want claps. I want convictions. I want souls to wake up." 

👉 “If the Rapture happened today, would you be ready?”
👉 “Is Hell real? Play this track then decide.”

 lyrics

https://docs.google.com/document/d/1MaGsFSPTvWtxe1QXOijee5cPZ07mLB6gbPlibSBaHdM/edit?usp=sharing

This Will Happen Walk Through Rapture

Narración del comentario al Evangelio según san Juan  para este Jueves, 29 de mayo de 2025 escrito por santa Teresa Benedicta de la Cruz. Fuente: Evangelio del dia.org

https://evangeliodeldia.org

Santa Teresa Benedicta de la Cruz. Edith Stein, (1891-1942), carmelita descalza, mártir, copatrona de Europa. Escritos espirituales, Ejercicios 26/02/1937, (Obras completas V; bajo la dirección de J. Urkiza y Fco. J. Sancho; Madrid-Burgos-Vitoria 2004, pag. 846-847, rev.)

«...Vosotros estaréis tristes, pero vuestra tristeza se convertirá en gozo.»

El Salvador dice a los discípulos que él se va por un tiempo, que ellos se entristecerán y que el mundo se alegrará. 

Pero esto es bueno para ellos. Su apego humano a la persona de Jesús era demasiado grande, Él tenía que separarse de ellos para que pudieran recibir interiormente su Espíritu. 

Así, también, es bueno para nosotros, si se nos quita el consuelo humano, el apoyo por medio de un representante humano, y hasta si se nos quitan siempre consuelos es para que recibamos acciones espirituales más profundas. 

Podemos entristecernos de la ausencia del Señor y de que el «modicum» se nos haga largo, pero debemos estar seguros de que Él no nos deja solos.

La Palabra de DIOS y de sus santos en el Periodista Espiritual–
https://elperiodistaespiritual.blogspot.com
https://thespiritualjournalist.blogspot.com

"Su apego humano a la persona de Jesús era demasiado grande"

Made to music by udio ai.

[Verse 1]
The clock strikes loud, but time stands still
Days drift like shadows, over the hill
Memories fade like whispers in the night
And the things I held close, now just out of sight
A heart once full now feels so hollow
Echoes of laughter, now just sorrow to follow
It's a moment lost, a breath taken away
As I face the silence of another day

[Verse 2]
The hands on the clock, they no longer turn
Lessons of love in the harshest burn
I wander alone through the echoes of time
Each tick like a heartbeat, fading the rhyme
A melody played for those who can hear
Filling the void with sorrow and fear
In the stillness I find, there's beauty in pain
Counting the moments as life drifts like rain

[Bridge]
So I stand in the twilight, the dusk of it all
Listening close for the whispering call
The clock may have stopped, but my heart knows the song
And through the silence, I’ll carry along

[Chorus]
Time's just a ghost, floating lost in the air
While the music plays softly, weaving despair
The melody lingers, sweet but so brief
In the hush of remembrance, I grieve for belief

Time is over

The Vocals/Poetry: L.A. Rabsatt & C. Double34 Music
The Music & Sampling: C. Double34 Music
The Sampled Vocals:
Harvey Mason, Danity Kane, H.E.R., Janet Jackson, & Poetic Prettywings
The Artwork: The Infamous Strategy

* FAIR USE DISCLAIMER: I do not own copyright for this copyrighted material, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research

Damage Control (L.A. Rabsatt & C. Double34 Music, vocals)

The Vocals/Poetry: L.A. Rabsatt & C. Double34 Music
The Music & Sampling: C. Double34 Music
The Sampled Vocals: Daley
The Artwork: The Infamous Strategy

* FAIR USE DISCLAIMER: I do not own copyright for this copyrighted material, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research

Alone Together, Part 1 (L.A. Rabsatt & C. Double34 Music, vocals)

The Vocals/Poetry: L.A. Rabsatt & C. Double34 Music
The Music & Sampling: C. Double34 Music
The Sampled Vocals: Johnny Gill, Shalamar, Elvis Presley, & Vin Diesel
The Additional Music: Larry Smith
The Artwork: The Infamous Strategy

* FAIR USE DISCLAIMER: I do not own copyright for this copyrighted material, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research

Fairweather Friend Part 1 (L.A. Rabsatt & C. Double34 Music, vocals)

2008 Audio to accompany the reworked highlights video for my HOLIDAY2007-8 travel blog, Picton to Akaroa, South Island

2008 Audio of reworked highlights video, Picton to Akaroa

This is that deep inhale before vengeance breathes fire.
A cinematic track wrapped in thunderous drums and gospel refrains. Samuel delivers poetic rage and raw reflection in “Breathe Before the War,” fusing scripture, street pain, and spiritual warfare into a street sermon.
For the fighters. For the betrayed. For the ones who breathe before they strike.

“Breathe Before the War” Inspired by "In The Air Tonight"

A dramatic and genre-blending new age song that combines opera and death metal, thematically centered on the Sack of Thessalonica in 904 CE by Saracen raiders. Gregorian-style chants form an undercurrent as orchestral strings swell softly. The tempo accelerates as distorted guitar feedback creeps in, hinting at the coming chaos. 

The song explodes into blast beats, down-tuned guitars representing the dual perspectives of the Byzantine defenders and Saracen attackers. Opera vocals, not in harmony but clashing—a soprano screaming above the growls in anguish.

Sack of Thessalonica

love life , fun with friends & family, IT guy, motor homer, music man, armchair sportsman, gadget geek ;)

Music producer, armchair AI artist and deathbed songs provider pushing the boundaries of sound by blending human creativity with machine intelligence. Based in Canada, Rachel uses cutting-edge AI tools to generate melodies, harmonies, and soundscapes, which is then sculpt into immersive electronic compositions. OWW work explores the intersection of technology and emotion, often training custom AI models on personal sound libraries to create music that feels both familiar and otherworldly. Rachel releases have garnered attention for their innovation, appearing in digital art exhibitions and on experimental music platforms.

“I ain’t scared of change — I write with pain, and now I write with AI too.” Grown bars. Real talk. Strategy. Soul.

We not just making music. we building a blueprint for every OG who still got heat in the heart and truth to spit.

“This ain't no AI gimmick — this is a partnership. I lived it. I wrote it. AI helped me turn scars into scripts.”

*SourceLine Mediai + AI*
ChatGPT	Organize , rewrite verses
AI Beat Makers (e.g., Soundful, Beatoven)	Generate instrumental ideas
Voice-to-Text + AI	Record real convos, flip into bars
AI Mastering (e.g., LANDR) Polish studio time

Audience Reactions:
Gen X & 40+ listeners: “This is real. He’s still spitting truth, but smarter.”

Younger fans: “Wait, he wrote this with AI? That’s wild — and it’s still fire?”

Media/podcasts/blogs: “OG rapper uses AI to create grown-man classic — without sounding fake.”



You ask BlackLatino who he is?

He’ll tell you with the full weight of generations behind him: BlackLatino. Not a label — a lived condition.

The systems saw a Black man. The culture raised him Latino. The science? It told the same story in percentages.

49.5% African — not just bloodline, but frontline. The part of him that walks with ancestral rhythm, strategizes with freedom fighters’ math, and never forgets that chains came off but the battle stayed on.

24.7% Indigenous American — the first roots, buried but never dead. The drumbeat of resistance, the land he walks on without apology.

25.8% European — the contradiction in his veins. The colonizer’s legacy he never asked for, but decoded anyway.

This isn’t some neat family tree. It’s a damn forest fire with history tucked inside every leaf.

BlackLatino isn’t a stage name. It’s a scar name. It’s what they called him when they couldn’t box him in — too Black for the Puerto Ricans, too Latino for the system, too smart for the stereotype.

So he embraced the tension. Lived in it. Analyzed it.

He’s been pulled over for being brown, passed over for being bold, and pushed out for being better. And through it all, he kept records — on people, on policies, on pain. His memory got timestamps. His struggle got folders. His legacy got proof.

This book ain’t a pity party. It’s not some inspirational fluff piece.

It’s a war manual. It’s documentation of what happens when a father refuses to disappear. When an analyst of injustice stops filing motions and starts filing chapters.

Samuel writes because he must. For his daughters. For the Blacklisted Dads. For every man they tried to erase who said: “Nah. I ain’t done.”

And guess what?

He’s not.

Make beats with a message and sample using the fair use act of 1976. Boom Bap Hip Hop is what I vibe to...but I bring all elements of music to the mix. A man of YHWH, God the Father and I give Him the praise and credit for these ideas. Thanks for listening. Peace be with and unto you. Luke 17:21.

Static is a weekly new music program on Sydney public radio station 2SER-FM, which debuted in 1992.
For over 30 years, hosts Berko and Mick have been at the forefront of championing new bands and music trends, with up-to-the-second fresh releases from around the world.
Each week's show blends everything from alternative pop to underground rock, eclectic electronica, post-everything and much more.
Every week Berko speaks in-depth to an artist on the show ... these are those interviews.
Stream full programs at www.2ser.com/static

New tracks tagged #Spoken