BTWN.VOID - Fragments of Forever

These songs are not about happiness.
They are about meaning, about daring to exist,
and trusting that even silence can matter.

Nothing Lasts Longer

Freedom Station

A fleeting moment that changes everything. This is a remastered repost of the original 2024 release.

* * *

I saw you in the rain
and the world stands still
Your smile
Your eyes
We were one
in that second
for eternity
for a thousand words
and a thousand dreams

The rain kept falling
soft and clear
We are lost in time
and had everything
But the moment passes
and leaves behind
a dream of you

* * *

Music and Words by FloW., 2024
Generated vocals, shaped by hand. All vocals are synthetically generated. No real voices were used or imitated. The voices serve artistic expression only. 
Cover image: FloW., AI-supported, artist-guided. 
All samples used are royalty-free and/or properly licensed – including material from Logic Pro and Landr.com.

* * *

More about FloW.: www.iamflow.de
Follow me on Instagram: www.instagram.com/tflow0711

That second

Gabriel René Franjou (1996) is an artist, writer, and cultural worker based in Brussels. Writing and performing in French and in English, he studies emotion in organic and digital networks, where links and hyperlinks are creative and critical driving forces.

instagram : https://www.instagram.com/grf.yard/
soundcloud : https://soundcloud.com/gabriel-ren-franjou

Gabriel René Franjou - Era Vulgaris (beta version) live @ GIMIC - 11 September 2025

This song is part of the album “Why me – but why not me too”.
It is not to be seen on its own, but as part of a journey I have to live through since my diagnosis. Each track tells a piece of this path – honest, raw, and unfiltered.

Because it Has to Be Said

Improvisation based on a text - From "Alix Fé Trio - Dance For Me The Symphony"
Alix Fé - vocal, composition
Gianna Lavarini - saxophone
Theo Sennhauser - piano

Qu'est-ce que tu crois là ?

recorded in 2022, collection of my first rap songs
unmixed, unmastered
----------------------------------------------------
Provided to YouTube by Dope Castle Records
MIKO! The Artist · SELF TITLED

MIKO!

℗ 2022 Dope Castle Records, a Division of burntcastlesfallenkings Entertainment

Released on: 08/31/2025

(prod. Chiarelli)
Lyricist, Recording Engineer: Michael T
Recording Engineer: Nash M
Graphic Designer: Michael T

Vivid Picture (prod. Chiarelli)

Excerpt from Present #1 / Beyrouth, side B track 1 "Welcome"

BEYROUTH - WELCOME EXCERPT

BEYROUTH - PAYSAGE MENTAL EXCERPT

BEYROUTH - LE CENTRE VIDE EXCERPT

Captive audience 22 Demo

La crisis de diciembre de 2001 en Argentina, también conocida como el Argentinazo o el Cacerolazo, fue un período de profunda inestabilidad política, económica, social e institucional que tuvo lugar entre el 19 y el 20 de diciembre de 2001, con sus momentos más violentos en Buenos Aires, Rosario y otras grandes ciudades del país.
 Esta crisis se produjo en el marco de una recesión prolongada que comenzó en 1998 y se agravó por la imposición del "Corralito", una medida económica anunciada por el ministro de Economía Domingo Cavallo el 2 de diciembre de 2001, que restringía la extracción de efectivo de los bancos a 250 pesos o dólares por semana.
 Esta medida, diseñada para frenar una corrida bancaria, afectó especialmente a la clase baja y a la clase media no bancarizada, generando un profundo malestar social.

El desencadenante inmediato fue la declaración del estado de sitio por parte del presidente Fernando de la Rúa el 19 de diciembre, tras lo cual se desató una ola de protestas masivas y saqueos en todo el país, con manifestantes que exigían la renuncia de todos los políticos bajo el lema "¡Que se vayan todos!".
 La represión policial durante estos días resultó en la muerte de 39 personas, según el balance más ampliamente aceptado, con cientos de heridos y miles de detenidos.
 El 20 de diciembre a las 19, de la Rúa renunció a la presidencia y abandonó la Casa Rosada en helicóptero, marcando el fin de su gobierno.

VOLVER AL FUTURO

VOLVER AL FUTURO-INVASION VOL1

ELZOMBIFLASH - SAQUEO POLITICO

Thanks to MAGO for giving me the opportunity to do the voice over this beautiful and dreamy track! :)

MAGO's profile: https://soundcloud.com/xmagajnax

MAGO feat. Spacey Panda - Dans Tes Yeux

Ma sirène

Taking 3 parts of my life, Military, Music and Technology, this is my Payload, droppin it.

Droppin' the Payload

Hip hop ter feat. Charles

Between love, loss, and self-forgiveness.

Video out now on YouTube:
https://youtu.be/1FU_eEfI49A

* * *

Your chains still bind me
your silence cuts, it breaks my skin
I seek for freedom and can‘t see 
your fire burns and pulls me in

Wherever I stay, I stay as sinner

I cross the line and feed a hidden flame
your shadow follows where I hide
I whisper love, but not your name
my sins are carved on either side

Wherever I go, I go as sinner

* * *

Music and Words by FloW., 2025
Generated vocals, shaped by hand. All vocals are synthetically generated. No real voices were used or imitated. The voices serve artistic expression only. 
Cover image: FloW.
All samples used are royalty-free and/or properly licensed – including material from Logic Pro and Landr.com.

* * *

More about FloW.: www.iamflow.de
Follow me on Instagram: www.instagram.com/tflow0711

A sinner

Théorie de la Clarté Vivante
Essai sur les quatre forces de la pensée humaine

La Théorie de la Clarté Vivante propose de penser l’intelligence comme un organisme respirant, où rigueur et vitalité s’équilibrent. Dans un monde saturé d’informations et appauvri en sens, la pensée se fragmente, l’émotion se consomme et la profondeur devient suspecte. La Clarté Vivante apparaît comme une boussole pour naviguer dans la complexité sans se perdre, fondée sur quatre forces cardinales : Méthode, Cohérence, Élan, Profondeur. Leur équilibre produit une pensée vivante, capable de durer et de transformer l’action.

I. Le Nord – La Méthode
La méthode n’est pas la froideur de la règle, mais l’art de ne pas se tromper de chemin. Elle structure sans figer, ordonne sans éteindre l’intuition. Elle transforme le chaos en espace de liberté, offrant un cadre à l’imagination et à l’action. Comme la main du musicien avant le premier accord, la méthode prépare la liberté à se déployer. Sans elle, l’intelligence se disperse ou se réduit à du superficiel.

II. L’Est – La Cohérence
La cohérence est fidélité à soi-même dans la complexité. Elle relie les fragments d’expérience, les éclats de pensée et les élans du cœur. Elle ne supprime pas la contradiction, mais l’intègre dans une voix singulière. La cohérence donne à la pensée son timbre, transforme le raisonnement en expression harmonieuse et permet à l’intelligence de se reconnaître dans ses gestes et paroles.

III. Le Sud – L’Élan
L’élan est la chaleur du monde, la force qui pousse la pensée au-delà du connu. Sans élan, il n’y a que gestion du déjà-dit. C’est le désir dans l’intelligence, l’énergie créative qui transforme idées en actions. Livré à lui-même, l’élan s’épuise ou se disperse ; intégré à la méthode et à la profondeur, il devient moteur de création, de décision et d’invention. Il est vital mais demande équilibre et conscience.

IV. L’Ouest – La Profondeur
La profondeur donne poids et gravité à la pensée. Elle consiste à creuser sous les apparences, à écouter le silence sous le bruit, à percevoir l’invisible dans le visible. Elle ne s’enseigne pas : elle se pratique par patience et lucidité. Sans profondeur, une idée brille mais ne dure pas. Elle ancre l’élan et la méthode, empêchant que la créativité se transforme en simple impulsion et que la technique devienne vide.

V. Le Centre – La Clarté Vivante
Au croisement de ces forces naît la Clarté Vivante. Elle n’est ni abstraction rationnelle ni émotion aveugle, mais la respiration commune de rigueur et de vie. Elle transforme la méthode en rythme, la cohérence en voix, l’élan en souffle, la profondeur en silence fertile. Elle n’est pas un état figé mais un équilibre dynamique, reconnaissable dans l’art, le discours, la décision ou le geste quotidien. Elle est conscience du geste : savoir penser et continuer d’aimer.

VI. Portée de la théorie
Cette théorie circule entre philosophie, psychologie et esthétique. Elle propose une éthique du penser et du faire : agir selon la méthode, parler selon la cohérence, créer avec élan et chercher avec profondeur. Elle invite à une lucidité joyeuse où la raison n’étouffe pas la vie et où la sensibilité n’efface pas la rigueur.

Exemple : politique publique
	•	Méthode : décisions fondées sur données fiables et cadres applicables.
	•	Cohérence : actions alignées avec valeurs et objectifs.
	•	Élan : courage d’innover, énergie créative pour transformer les idées en action.
	•	Profondeur : vision à long terme, attention aux conséquences sociales, environnementales et culturelles.
	•	Clarté Vivante : synthèse des quatre forces ; une politique claire inspire confiance, crée du sens et fonde l’action sur la responsabilité durable.


Théorie de la Clarté Vivante

When Me Look Around

Ich schreibe, was ich denke, fühle und erlebe. Schreiben hilft mir, Erinnerungen einzuordnen und ihnen Klarheit zu geben. Wenn Gefühle eine Melodie bekommen, entsteht etwas Wunderbares – eine Botschaft, die direkt ins Herz geht.

Für mich ist es ein Ausgleich, ein Stück Selbsttherapie. Die Texte sind ehrlich und frisch aus dem Herzen. Und wenn ich damit jemanden berühre, der genauso fühlt wie ich, freut es mich umso mehr.

Da ich selbst nicht gut singen kann, nutze ich KI für die Melodie und die Stimme. Ich bin dankbar für diese Möglichkeit, meinen Gefühlen Ausdruck zu verleihen.

Viel Freude beim Hören 🥰

Gruß, Marco Memory

PS: Ehrliche Kommentare sind willkommen – aber bitte keine Angebote, ich kaufe nichts.



I write what I think, feel, and experience. Writing helps me sort out memories and bring them clarity. When feelings find a melody, something wonderful is created – a message that speaks straight to the heart.

For me, it’s a balance, a bit of self-therapy. The lyrics are honest and straight from the heart. And if they touch someone who feels the same way I do, it makes me even happier.

Since I can’t sing well myself, I use AI for the melody and voice. I’m grateful for this opportunity to give my feelings a voice.

Enjoy listening 🥰

Best, Marco Memory

PS: Honest comments are always welcome – but please no offers, I’m not looking to buy anything.

Meet Spacey Panda: a cosmic music producer with a knack for blending experimental beats and interstellar vibes that sound like they were produced on the dark side of the moon. This panda isn’t just about trippy sounds—it’s about mixing IDM with grooves so spacey they could pull you straight into orbit. 
Known for epic music collabs with fellow Earthlings and, rumor has it, a few aliens., Spacey Panda’s tracks are perfect for late-night stargazing, dancing in zero gravity, or just to soundtrack your personal voyage to another galaxy. Buckle up, Earthlings—it’s going to be a spaced-out ride!

I am FloW. - Homemade electronic music. Somewhere between Electro, Wave, and Indie Pop.

FloW. has been with me for over two years. Not a planned-out project, but something that has grown with me over time and continues to grow. 

I create all of my music, using DAWs like Logic, FruityLoops, or GarageBand, along with various virtual synthesizers and samples. The voices in my tracks are generated with basic text-to-speech technology, shaped by hand, and combined with harmonizer effects.

If you happen to like what you hear, I’m simply glad it found its way to you.

To discover great new artists on SoundCloud, check out the people I follow, my playlists, or my Artist Picks on Instagram.

Alix develops her musical identity through a wide range of experiences between instrumental and vocal, orchestral and solo. Inspired by the pop and R'n'B of the 90s and 2000s, she blends them with writing and playing styles from jazz music. Using groove to support her message and seeking out sounds to illustrate it, her approach aims to offer a narrative that reflects our times in poetic form.

Situated in the pulsating center of Brussels' Marolles district, GIMIC is a radio station and a space/bar committed to fostering the lively electronic music culture of the city.

Transmitting sound waves from the heart of Brussels.

Wednesday to Sunday.
2PM-10PM

Visit us at 9 Rue des Renards, 1000 Bruxelles.

For general inquiries and press : info@gimicradio.com

Sit back, relax and listen to architecture. Vinyl records label
Find more: www.didierfaustino.com/records

Nom : John Smith (pseudonyme sobre, presque générique, qui lui donne une aura universelle, comme s’il pouvait être “n’importe qui”).
	•	Style : il compose des morceaux minimalistes et introspectifs, souvent basés sur des boucles de 4 accords. Sa voix est grave, posée, parfois parlée plus que chantée, et toujours mise en avant.
	•	Influences : entre baroque et musique électronique moderne (electro 2025, dub, urbano-pop, drill). Il aime jouer sur le contraste entre des harmonies anciennes (chaconnes, ostinatos, basses graves) et des textures synthétiques actuelles (808, pads, autotune léger).
	•	Ambiance : ses morceaux sont souvent sombres mais lumineux à la fois, poétiques, minimalistes. Ils cherchent la clarté et l’honnêteté, sans surcharge sonore.
	•	Démarche : il expérimente avec l’IA, mais toujours dans une recherche personnelle cohérente : rester hors du marché, développer une œuvre singulière, avec une identité sonore reconnaissable.
	•	Thèmes : mémoire collective (années 80-90, génération X), fragilité de l’acte artistique, rapport au temps, au silence, à l’invisible

I enjoy composing & producing music in my home studio. Having been turn on to music by the like of Iron Maiden, early Black Sabbath, Ozzy, Megadeth & Queen heavy rock/metal was the original direction I took when I sat down to try to compose my first tunes.

Pink Floyd found a way into my life & also a way into my creative thought process and this was a big turning point for me, the Floyd showed me that verse chorus etc was not all that music could be. I soon started playing with sounds & sound fxs, the world of music had just become so much bigger...........& better.

More bands followed, Gong, Marillion, & the absolutely out of this world Ozric Tentacles all reinforcing the verse chorus 4 minute song is not for everyone.

Finally around 2003 I set out to record what would become my first album/EP Stand Alone Together, id come up with a theme surrounding the 1969 moon landing & how a good % of people believe the mission was a hoax & I wanted to try & tell this story using music. With my Floyd & Maiden influences in hand I set out to piece together some demos I had recording over the previous few years.

I managed to find a really good group of musicians & vocalists to work with who helped massively in the final out come of Stand Alone Together.

The album went on to sell well worldwide through my Myspace page & I also managed to gain plenty of radio airplay along with a handful of interviews, for someone like myself this was a great success & I was over the moon with what we had achieved up to this point. 

Due to family & work life music took a back seat up to 2009 when I finally decided to form a live version of AREA 39 & take Stand Alone Together on the road, the live band just like the studio band was full of great musicians & a great vocalist. We managed to perform a good run of UK live dates before I decided it was time for some new music.

It took between 2012 & 2020 for the next album to be composed & recorded but this time I managed to record all guitars, bass & orchestral parts myself bringing in yet again another great vocalist, well actually she was out of this world & I also brought in really great rock drummer.

This time the vibe was very much more a rock/orchestral sound & with tunes about the Titanic & the Dambusters I decided to call the album Adaptations. The full album is now available on soundcloud free to download.

Here we are now in 2025 and some demos that I have been working on for a few months have started to take shape and they are very different from any of my previous work to date.

These tunes take on a more driving sound, using synths mixed with guitars, is it Alternative? Is it pop? Is it Dance? I'm not sure what genre these tunes are; so, I will let the listeners decide.

I am also using these demos to try and find musicians who like what I've started and would maybe like to get involved to help finish them.

Any vocalists, keys/synth players, guitarists who like what im doing please contact me.

Autodidact musician from  France.
Guitar: Fender Telecaster
Bass: Ibanez ATK 200
Clav: Alesis Q49
Drums: Yamaha DTK450
Software: Fruity loops
Feel free to comment or ask collab;)
Stay tuned

CUMBIA CON MUCHO DUB Y OSCURITA , ALGUNAS VECES DUB CON MUCHA DARKS .

a.k.a. Onomatop-Hééé!!
Et aussi : https://www.conte-pas-pour-des-prunes.art/

PX7 Records is the creative home of Jørgen Larsen — a seasoned DJ, beat crafter, and songmaker from Copenhagen, Denmark. Rooted in a lifelong love of rhythm and storytelling, blending analog warmth with digital edge. Expect soulful grooves, textured beats, and melodies that move beneath the surface. It’s music with memory — made by someone who’s been behind the decks, in the crowd, and deep inside the mix.

New tracks tagged #Spoken words