‘Hexagonal’ was written for saxophone quartet (soprano, alto, tenor, and baritone). The piece
takes a playful approach to working with various patterns of six, inspired by some of the most
common and beautiful patterns found in nature. The beehive, and the snowflake, for example,
and of course many flowers and leaves are all based on the hexagon shape. Transposing some of these visual ideas into musical phrases, and exploring some of the colour and textural variations in musical language, this piece is very much about enjoying the simplest pleasures that the natural world has to offer.

'Hexagonal' received its premiere (as an acoustic work) with the Cobalt Saxophone Quartet, at
the DiMenna Center for Classical Music, New York, NY, USA, on November 16th, 2024.  The electroacoustic backing track was created in spring 2025.  The track takes its material from only two sound sources: a commuter train, along with some springtime birdsong— an interesting blend of the urban and natural elements of the soundscape in Vancouver, Canada.

Sheet music for this piece is available through the Canadian Music Centre:

cmccanada.org/shop/80689/

Hexagonal-Electroacoustic

'Storge' is an electroacoustic work, taking its name from the Greek word meaning “familial love”— the natural, instinctual bonds of affection that family members feel for one another. The piece incorporates two short quotes (both spoken in German language): one taken from a text by author Maureen Hawkins, and the other a short Biblical quote from 1 Corinthians 13:4. Weaving a soundscape around these spoken words, is a diaphanous melody played on the piano, accompanied by various other familiar, gentle, soothing sounds, including rain on pavement, springtime birdsong, a distant church bell tolling, a saxophone, and a baby laughing.

'Storge' was commissioned by early music ensemble La Petite Écurie, and premiered on May 18th, 2025, at Schloss Schwetzingen, Germany, as part of the Schwetzinger Festspiele.

Storge

Original Song
by Phil Dutton & Les Corlett

Lyrics

I've watched the fallen,
Begin to rise.
I searched for truth,
Hidden in their lies.
But where does it get me?
Does anybody know?
They've salted the earth,
So nothing ever grows.

I'm wistfully dreaming,
Of days that tasted sweet.
Innocence illuminated,
Every time she'd speak.
She had a way of telling stories,
That kept us warm there in the dark.
She always had a good one,
That would always cause a spark.
A flame of pure imagination,
We sing of love and loss.
At any cost.

SNAGGLETOOTH

APRIL

A bright, cheery, energetic and happy music track with catchy and exciting melodies that bring hope and positive emotions to the listener. Featuring ukulele, glockenspiel, piano, acoustic guitars, percussion, bass guitar and drums. Family, good friends and good times!

For licensing, contact
https://www.Shockwave-Sound.com
https://www.LynnePublishing.com


Buy/License

Shockwave-Sound - Lucky

This first melody I wrote a long time ago and I just remembered it recently and started to improvise with it and have some fun. The second half came was made up in the moment. Enjoy listening!

Piano Improvisation 1

Atmospheric synths and keys build to be filled out with strings and sparse drums.
100 BPM.

Springtime

Spring time and the end of Winter. There is an old saying;
-never cast a clout till may is out
Not sure what this means, but don't start wearing your shorts or short skirts until it really is warm enough, you may end up looking silly at best (or a dickhead at worst)

Deadhead

simple organ chords, with a recording taken while on a walk at Belmont Park in Warwick, RI. beware of small kitty meows. 

belmont park

Healing and relaxing acoustic (main) guitar melody recorded live with background and ambience via the wonderful world outside :) more to be added to this track...stay tuned!  

this beautiful life 🎵(just the guitar) °❀⋆.ೃ࿔*:･

Bright and uplifting French pop ballad.

[Couplet 1]  
Les jours s’habillent de lumière  
Chaque sourire trace l’univers  
Les nuages passent sans s’attarder  
Le vent fredonne pour m’accompagner  

[Pré-refrain]  
Dans chaque instant, je peux sentir  
Un peu de nous, un peu d’avenir  
Et même si le temps file trop vite  
Je garde l’élan de nos éclats de rires  

[Refrain]  
Évident… comme un rayon sur la peau  
Présent… comme l’eau qui suit le ruisseau  
Quand le ciel s’ouvre et danse avec la vie  
Moi, je choisis l’infini  

[Couplet 2]  
Les fleurs s’invitent au bord des routes  
Et mes pas mènent là où tout s’écoute  
Un parfum d’herbe et de promesses  
Se glisse en moi comme une caresse  

[Pré-refrain]  
Dans chaque instant, je peux sentir  
Un peu de nous, un peu d’avenir  
Et même si le temps file trop vite  
Je garde l’élan de nos éclats de rires  

[Refrain]  
Évident… comme un rayon sur la peau  
Présent… comme l’eau qui suit le ruisseau  
Quand le ciel s’ouvre et danse avec la vie  
Moi, je choisis l’infini  

[Pont]  
Et si demain vient bousculer nos plans  
Je garderai l’ardeur des beaux instants  
Un éclat, une lumière  
Pour avancer légère  

[Refrain final]  
Évident… comme un rayon sur la peau  
Présent… comme l’eau qui suit le ruisseau  
Quand le ciel s’ouvre et danse avec la vie  
Moi, je choisis l’infini  

Je Choisis L'Infini

Je choisis l'infini

Christian Feras Kaddoura, studied theatre and media studies at the Ruhr University Bochum. During his studies, he initially worked as a journalist and editor for :bsz and also for the platform KritikGestalten, for which he also worked as a musician.
After leaving school, he worked as a lyricist and bassist for the band "I Am Jerry" (Warner Music Germany), with whom he played at music festivals such as Rock am Ring, Hurricane, the Zeltfestival Ruhr and Bochum Total, toured Germany and also performed on TV programmes such as Circus Halligalli. As a performance artist and director, he developed and performed his own works Überbrückungszeit #1 - Alltag auf Shuffle-Modus and Überbrückungszeit #2 - Das Leben eines Künstlers, Überbrückungszeit #3 - Regieassistent, at the ehrenfeldstudios in Cologne, at Tor 5, a former venue for scenic research at Ruhr-Universität Bochum and in Zeitmaul-Theatre..
He has been an assistant director at Schauspielhaus Bochum since 2021 (previously also as an intern, production assistant and assistant director at Schauspiel Dortmund).
As an assistant director, he has already worked with directors such as Johan Simons, Selen Kara, Saara Turunen, and more.
"The Dumb Waiter" by Harold Pinter is was first work as a director at Schauspielhaus Bochum, and "Überbrückungszeit - Die Leiden des jungen Feras" is his second work, in which he took part as director, writer, performer, musician and set designer.

just a green little fairy, transmuting the sounds of the forest, making music and magic ｡𖦹°꩜.ೃ࿔

Lynne Publishing is a music label representing a library of high-quality, carefully developed and curated production music, available to license for use in your own media.We develop our own music with contracted professional composers, both young and exciting talents and experienced film- and TV composers.

All our music is available for easy licensing for use in media creations, such as videos, films, games, TV, online, social media, corporate use, etc. To obtain a Master Synchronization license for any of music, contact us via www.LynnePublishing.com

All links now active... 🎵 Original Music from Wirral, UK | Phil Dutton & Les Corlett AKA The DC Sound Project

The DC Sound Project. Eight albums deep and still going strong. It usually starts with a good old-fashioned jam session, then somehow ends in a coffee-fuelled recording marathon. We write songs about love, politics, heartbreak, and those occasional “what the hell is wrong with the world?” moments, all brewed fresh on the Wirral. Press play… it’s music therapy with better side effects!

We’re an independent duo creating everything from raw folk ballads to gritty blues-rock. Every video is carefully crafted with free footage and, sometimes, AI-generated visuals to tell the story behind the song.

💿 Albums: 
Snaggletooth (2025)
Addiction (2025)
Black Ice (2024)
Yellin’ at the Clouds (2024)
The Puppeteers (2024)
Burning Bridges (2023)
Rattlesnake (2023)
Melancholy Blue (2023)

🎶 Listen: SoundCloud • Spotify • Apple Music • Amazon • Facebook • Instagram • Twitch

Thanks for joining us on this journey, it’s all about the love of music! 🎶✨

Elizabeth Knudson is an internationally award-winning composer of orchestral, chamber, vocal & electroacoustic music, and an Associate Composer of the Canadian Music Centre.  

For a more detailed bio: http://www.elizabethknudson.ca/bio/
To request purchase/rental/loan of sheet music, please visit the Canadian Music Centre website: https://cmccanada.org/composer/elizabeth-knudson/

I make no claims about the sounds I make, this is merely  my experiences , my reality, my propaganda , all put to a soundtrack .

I am not a musician and can’t sing. I have the instruments and a voice and I choose to use it all as I see fit. I know my limitations. I am just an observer, a scientist.

I do not seek to learn an art but create an atmosphere. Make the rules up as you go along; half of life is fucking up, the other half is dealing with it.

I do not want any compromise or dilution.
This is pure.

https://podcasts.apple.com/us/podcast/reality-propaganda/id1715120031

Chants rituels, ballades folk, textures ambient, jazz intime, rock cathartique… en Mhàraé, français, anglais et gaélique. 

Ritual songs, folk ballads, ambient textures, intimate jazz, cathartic rock… in Mhàraé, French, English and Gaelic.

New tracks tagged #Springtime