submission for OST Composing Jam #8 hosted by lonerabbit for Itch.IO September 2025

Vaguely this game is kind of a black and white or sepia tone visual novel of a 1940's style neo noir where a wife has sabotaged her husband's yacht to blow up but her guilty conscience keeps having her coming back to the pier like some Lady MacBeth type reaction she doesn't hide it very well but nobody has reason to suspect her except her husband through adventures on the sea survives and at the finale they finally arrest her.

Age & Treachery - Knots Of Deceit

Age & Treachery - Squall's Serenade

Age & Treachery - Footprints In The Fog

Age & Treachery - Back From The Brine

submission for OST Fragments Jam #3 hosted by resident // cryptid for Itch.IO September 2025

Seventeen year-old Eärendil ​(in Sun-Year 520-521) is about ready to do the initial shakedowns of Vingilótë ​to make sure it doesn't fall apart in the middle of the harbor (that would be embarrassing...) but is having second thoughts about this whole savior of the Free Peoples idea. Círdan ​says 'if you want to dip out and run away that's your absolute right. We won't be best pleased but you are a free individual." (Knowing sagely that he will almost certainly change his mind). The young fellow goes out and has a daydream among the surrounding fields slaying bumblebees /various insects. Essentially the same premise as the 1933 poem except in this rationale both it and Eärendillinwë​​ are now about Eärendil ​, just at different stages of life.

main website:
https://exedexes1.com/

itch.io project page
https://exedexes1.itch.io/errantry-just-doesnt-last

Silmarillion Stuff list on SoundCloud:
https://soundcloud.com/doug-stoothoff/sets/silmarillion-stuff

Errantry Just Doesn't Last

Assembly Opcode March submission for Tiny Music Jam #2 hosted by Aurora595 for Itch.IO September 2025

"Assembly Opcode March" x86 opcodes (like how MOV=1011 binary as high/low) for a simple loop, played as binary tones. 

As the basis of my tune i used the x86 assembly code for a simple infinite loop. It performs a futile operation: adding 1 to the EAX register and then immediately subtracting 1, resulting in no net change, before jumping back to repeat indefinitely. Basically it's performative of computer science concepts like wasted cycles, undecidability in halting, or inefficient code in low-level programming history (nodding to early assembly optimization challenges). Decoding the binary tone sequence back to hex opcodes reveals a "pointless eternal march," symbolizing programs that run forever without progress.

loop:

    add eax, 1      ; 83 C0 01  (add 1 to EAX)

    sub eax, 1      ; 83 E8 01  (subtract 1 from EAX)

    jmp loop        ; EB F8     (short jump back to 'loop' label; disp8 = -8)

This is a decent assortment of opcodes: 83 (modR/M for ADD/SUB with immediate)

C0 (modR/M byte for ADD to EAX)

01 (immediate value 1)

E8 (modR/M byte for SUB from EAX)

EB (opcode for short JMP)

F8 (displacement for JMP, -8 in two's complement)

These cover common categories: arithmetic (ADD, SUB), control flow (JMP), and operand encoding (modR/M, immediates). 

The full machine code in hex is: 83 C0 01 83 E8 01 EB F8.

Detailed Melody Notation

Notes are listed in order, grouped by byte for readability (8 tones per group). 

Each tone is a 16th note. Played monophonically on the synth with Step-Recording.
I say that liberally, they -were- 16th notes before compression to 20seconds

Byte 1 (83 hex = 10000011): G4, C4, C4, C4, C4, C4, G4, G4

Byte 2 (C0 hex = 11000000): G4, G4, C4, C4, C4, C4, C4, C4

Byte 3 (01 hex = 00000001): C4, C4, C4, C4, C4, C4, C4, G4

Byte 4 (83 hex = 10000011): G4, C4, C4, C4, C4, C4, G4, G4

Byte 5 (E8 hex = 11101000): G4, G4, G4, C4, G4, C4, C4, C4

Byte 6 (01 hex = 00000001): C4, C4, C4, C4, C4, C4, C4, G4

Byte 7 (EB hex = 11101011): G4, G4, G4, C4, G4, C4, G4, G4

Byte 8 (F8 hex = 11111000): G4, G4, G4, G4, G4, C4, C4, C4

For Pass 2, I replaced C4 with C5 (523 Hz) and G4 with G5 (784 Hz) throughout the same sequence.

Assembly OpCodes March (60sec)

submission for Weekly Note Composing Jam #33 hosted by emscottish for Itch.IO September 2025

Firenewts were fishing in my first MUD area brought over to SlothMUD in August of 2008, Herbalist Isle 1. This is an ambient piece with some wssh noises for the waterfall in the background and one global effect used on MixCraft instead of from the synthesizer cast-over the whole composition for a little more flair.

after manually performing and layering on the Roland FA-08 this got one good global effect from MixCraft 10.6 to give it some fun delay-feel to it

the instruments in the MuseScore PDF are kind of way off from the synthesizer because this one was difficult to model in the more limited instrument selection, on the synth they are all pretty abstract tone choices

River Qix Waterfall

Fair Weather Friend - submission for Snowly's Music Festival Round 2 (Bird Team) for Itch.IO September 2025

This is a multi stage production where I earnestly really did put like 20 additional music sequence tracks above and beyond the Roland FA-08 synth work. In both phases the performances are entirely manual and not quantized. There are some minor tempo and timing fixes and then one global effect was applied in Mixcraft to the entire overall composition.

Fair Weather Friend

Just another day in the life of a humble dictator.
He's down on his luck because he's lost his adherents, then goes on a date, then goes to a party where his traitors absconded to and passes out.
(Maybe the new guy found out how fickle the monkeys were identically....)

Lyrics:

It's going to be a lovely day
I feel it coming to the fore
This Adderall tastes like people need
To get out of my way
In the grocery store

My mood is my decision
And my decisions are generally pretty dark
She was asking for a body count
While on a date with a dictator
And i said i'd write it down
Once i got the figures later

As the weather outside grew stormy
We were discussing the means with regards to the ends
And the general zeitgeist
Billionaire techno-wizard freaks are not your friends
Neither are the normies
But the normies aren't giving masterclasses on the Antichrist

And while she was in Gravesend
Getting a purge of her follicles
She didn't mean to mock
But Disturbing naturally formed alluviums 
Is Almost as diabolical
As someone kicking your xeriscaping rocks
All over the sidewalk

And she said
After taking a breath
Life's daily demands 
Are just now not the same
Remember the early two thousands
When beating demons to death
With your bare hands
Was still a fictional video game

She'd had enough talk of killing
After flicking a piece of ash
She was such a vicious kidder
And then i really had going
A throbbing of my brain
Plus that feeling when
You need cash so bad
You're willing to be the lowest bidder
In an adversary supply chain

Water isn't clear 
But it seems clear because it filtered
What it wasn't clear to 
Which you then didn't evolve to see
What wasn't clear about her
Was that she doesn't kilter
To what would appear to be
What i was involved in
Enough to unequivocally agree

I then went to someone else’s circus 
And all of my fucking monkeys were there
Playing a diabolical form
Of political musical chairs

I'd had far too much of our host's brew
And dozed off as he prattled his parvenu 
Far on into the night
And coming to
I found it hard to believe
The change in his face
With the advent of dawn
His espirit de corps, 
His joie de vivre, 
His coup de grace, 
His deja vu
Were all categorically gone

Not My Monkeys Not My Circus

submission for Weekly Note Composing Jam #35 hosted by emscottish for Itch.IO September 2025

The Frother You Are From Me, The More Ristretto I Get

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

New tracks tagged #Stoothoff