1st single from the soundtrack album: La Controversia de Valladolid.

El Codicilo de Isabel is the score’s most tragic passage. A solitary viola begins with the Gregorian chant Dies Irae, joined gradually by the rest of the ensemble until the double bass shifts the harmony into a fragile major chord: a fleeting moment of light within grief, echoing Queen Isabel’s deathbed scene.

La Controversia de Valladolid

El Codicilo de Isabel

Music for piano and string quartet.

Strings: leos-strings.com brookspearemusic.com

Artwork by Kalle Saarikko: https://www.kallesaarikko.com


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Expressions and Abstractions

Daniele Di Virgilio - Sine me-moria for string quartet (2024)
performed by Vacuum Quartet (live recording)
Gleb Khokhlov, violin
Alexander Malomozhnov, violin
Emil Salaridze, viola
Julia Migunova, cello

The piece musically investigates the different nuances that the ability to bring to mind a memory corroded by time can take on. Sine memoria (from Latin, “without memory”) is a concept that takes on different meanings, it expands to embrace the relationship between being and one's identity, between being and one's survival. In fact, the vanishing or the clouding of an important memory also coincides with the loss of a part of oneself, of something that contributed in the past to forging our identity (sine me, "without me"); from this perspective, the ability to remember becomes an indispensable means for the preservation of our ego (sine moria, "without death").
Sine memoria is therefore metaphorically a struggle for the preservation and survival of a memory, which in the composition is musically represented by the Cavatina of the quartet op. 130 by Beethoven.

In the Preludium the cello (the Ego) is initially alone on stage, while it exposes some thematic elements of the composition; in moments of pause, fragments of the Cavatina played by the off-stage string trio can be heard in the distance, representing the fading memory. Upon entering the scene, the trio preserves the harmonic echo of the Cavatina, until it disappears and merges thematically with the cello: the event has become a memory, merging with the Ego.
From Sine me to Sine moria the Ego undertakes a journey of corrosion and re-appropriation of memory, in which the melodic, harmonic and rhythmic elements of the Cavatina blend with foreign thematic material, musically creating new relationships and new meanings.
The process of definitive reconciliation is completed in the Postludium, where the initial situation is reversed: the harmonies of the memory reverberate and separate from the quartet, which the string trio slowly leads off stage. At this point, among the increasingly rarefied interventions of the cello solo, we hear a last short fragment of the Cavatina, a brief jolt of the enlightened memory.


Sine me-moria for string quartet (2024)

Un tributo a mi escritor favorito, Edgar Allan Poe, específicamente su relato "La mascara de la muerte roja". Está pieza la elaboré usando la teoría de conjuntos, es de naturaleza fragmentaria y tuve la intención de mantener una atmosfera dramática y tensa constante.

La Muerte Roja

A piece befitting a moment of terrible realisation or the contemplation of a dire future. The string quartet provides a full yet restrained sound which rises at the end, maybe fitting a grim revelation.

2b - Ruin

String Quartet n3 written by Andersen Viana and performed by Teachers from the Music School of Federal University of Minas Gerais (2025).
Quarteto de Cordas n3 composto por Andersen Viana e executado pelos professores da Escola de Música da Universidade Federal de Minas Gerais (2025).

STRING QUARTET n3 by Andersen VIANA

I Remember.....

Performers:
Jazzy Robinson- Violin I
Eve Mavy- Violin II
Teran Hall- Viola
Jared Worrell-Cello

Icarus

Music by Elijah Taylor
Performed by the Ellery Quartet

Fool's Quartet: String Quartet No. 1

Short modern classical piece for string quartet. Atonal style with patterns and musical phrases circulating from one instrument to another. 

Nightmare

Composer and electronic musician
Musico compositor y electrónico  
Las piezas acústicas (a excepción de Jazz ¿te extraño?) son instrumentos virtuales. 
https://open.spotify.com/artist/0zldDHmuTyORjK7Za6zJw3

Daniele Di Virgilio is an Italian Berlin-based composer and perpetual researcher. Conceiving composition as a multi-disciplinary and social-oriented expression, his music is inspired by a theatrical imagination and by the interest in psychoanalysis.

Doctor in Music (PhD), Multiartist (Music, Literature, Cinema, Visual Arts). 54 compositional prizes. 437 works composed.                                                
Site: www.youtube.com/@TheAmadeusprod/videos

License my Music:
https://musicvine.com/browse/artist/cedric-vermue

Buy My Album on Bandcamp:
https://pianoandcoffeerecords.bandcamp.com/album/left-upon-us
https://myljarecords.bandcamp.com/album/perpetua

Cedric Vermue is a Dutch composer and a producer of neo-classical music. His work is stylized by a blend of classical styles and instruments, mostly piano and strings, combined with contemporary electronic elements. The music’s aesthetics are strongly based upon the principle of stillness, bringing a quieting calm in a world full of turmoil. Working with various textures and layers combined with intimately recorded acoustic elements, the music becomes a carefully crafted landscape. This welcomes any listener to submerge into a poetic universe of sound. His most recent interests include various analog synths, organ and Gregorian chant.

Born in a small town in the Netherlands, Cedric began playing the piano at the age of 8. When he was 14 he started producing film music on the computer and writing piano compositions. In subsequent years, while studying at Utrecht Conservatory of Music, he began incorporating electronics, strings and ambiences within his music. This exploration culminated into his graduation project, in which he collaborated with six string players and live recordings in the concert hall of the Conservatory. This project was self-released in 2018 as an EP, “Ember”. After graduation he started an intensive studio project, producing two albums, in association with various string players and producer Antal van Nie.

Cedric’s debut album, Left Upon Us, is released in 2019 by Piano & Coffee records. in 2023 he released 'Perpetua' with Mylja records. 

More releases will follow. To stay updated follow me on Instagram

Freelance film and media composer. Multi-instrumentalist graduate of Valence conservatory in film music composition.

Customized music for your film, TV, videogame, museum or live performance project.

Some of my productions are available in streaming. Sérénité have surpassed 1 million streams on streaming platforms. 

For all inquiries: contact@fauquet-musique.fr
Linktree : https://linktr.ee/jeremiefauquet.music

Compositeur indépendant de musique à l'image et multi-instrumentiste, diplômé du conservatoire de Valence en composition de musique à l'image.

Musique sur-mesure pour votre projet audiovisuel, vidéoludique, muséographique, spectacle vivant.

Certaines de mes productions sont disponibles en streaming. Sérénité a dépassé le million d'écoutes sur les plateformes. 

Pour toute demande : contact@fauquet-musique.fr
Linktree : https://linktr.ee/jeremiefauquet.music

New tracks tagged #String Quartet