This liquid riddim is an emotive and enriching auditory experience, inspiring contemplation and fostering a profound connection with the infinite cosmos. It beckons you to surrender to the music and embark on an exploration of existence, finding serenity and awe in each note.

"Whispering Nebulas" is a musical gem that seamlessly fuses the elegance of liquid drum and bass with the cosmic and ethereal essence of nebulous wonders. A creation that transports the listener beyond Earth's confines, allowing them to traverse the marvels of the universe through the powerful magic of music.

Get more music from Danazar
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Facebook: www.facebook.com/profile.php?id=100092553555854
Youtube: www.youtube.com/channel/UCmJT0tk3sk3AM_r7H3wkdEg
Soundcloud: @danazar-edm
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DANAZAR - Whispering Nebulas

An ambiant track with noisy drums and a strange atmosphere. Feels like the submarines are all around. Beware of the underwater mines !

Olivier BRES | Sub Aquatic Submarine

Various riverine sounds from different sections of a catchment area merging into a symphony of moving pebbles and hydraulics which are the main protagonists of this sonic journey. Please enjoy!

Grand Mix (stereo)

Support it: https://www.deejay.de/440_Hz_Deep_Sea_Driving_EP_ELP004_Vinyl__1035672

Label: Ellipse Records
Artist: 440 Hz
Format: 12” Vinyl Coloured & Digital
Cat. Number: ELP004
EP Title: Deep Sea Driving EP
Release Date: Late November
Available on YouTube: https://youtu.be/niBfgNd_Scw

Following Tom Jarmey and Aiden Francis on Houseum sublabel Ellipse Records, French artist 440 Hz steps up next with his ‘Deep Sea Driving’ EP. It’s a psychedelic six-tracker, mellow through subaquatic melodies, though also built for the club with powerful bass, punchy, stripped-back percussion and breakbeat, UKG and acid influences. ‘Mindscape’ kicks the proceedings off with swirling pads, organ keys and crisp grooves before ‘Gazoline’ joins in with its dubbed-out synth hits and elastic womp-like bass.

The gorgeous ‘Soul Mirror’ then enters with 2-step drums, trippy harmonies and echoing vocals, while the title track ‘Deep Sea Driving’ features resonant bubbling synths, minimal four-to-the-floor rhythm and more hypnotic layers of underwater melody. Closing out the release, the dancefloor-oriented ‘Chez Jola’ chugs along with alien sounds, reaching for the stars with rolling percussion and gated effects, with peak-time bouncer ‘SF/S’ finishing via acidic basslines and subtle rave elements.

440 Hz
https://soundcloud.com/440hzrennes
https://www.instagram.com/440_hz_rennes

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440Hz - Chez Jola

440Hz - Chez Jola [Ellipse Records]

Melodic folktronica from the world of subaquatic vulcanos ~

Subaquatic Eruptions

a live set from the center of the sludge world by @trash_panda_qc

2 broadcasts at midnight & 3pm on 12/17/2023

more info @ https://trashpandaqc.xyz

Trash Panda QC Live - 12172023

Subaquatic Exploration

NeuroNomad - Subaquatic Exploration[200bpm](No Master)

Subaquatic Research

Darkage

Subaquatic Life

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

making noise, music sometimes.
violonist, producer, musician & dj.
also as Amati, Buenaguas, Alpha, Nature Genetics
Labels I collaborated with: Novi Orbis (IT/UY) • Legram VG (FR) • Arte Mago (PE).

Born in the South Tyrolean Alps and now living in Tuscany, I decided one day to dive into music production. My sound blends dark, fast psychedelic beats fueled by a mix of love, anger, frustration, and joy.

Hope you enjoy! ;)

Label showcase inquiries: gregoire@houseum.fr

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For any contact, Premiere or host on the channel: houseum.yt@gmail.com

The label does not accept demo.

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As a kid i spent most of my time wandering around in the forest finding imaginary worlds full of friendly little beings. I had friends that lived inside trees and under stones, they where singing in the rippling water and humming under the wet moss. They spoke to me in a language older than words and thru the spell of music i was able to translate their language into songs, rythms and melodies. When i became older i managed to evolve this language with the tools of electronic music composing. I started to collect sounds with my tape recorder and wove them in to the world of ones and zeros to create beats. Together with playful synth melodies, experemental beats and the warm vibrating soundwaves of acoustic instruments i started my journey into the world of electro-organic musicproduction.

DANAZAR is a Colombian producer who refuses to be boxed into any fixed label. His journey began with dubstep and drum & bass, but over the years he has expanded his sonic universe into techno, tech house, and more extreme sounds like hardtechno and acidcore.

He doesn’t commit to any subgenre—each track is a sonic betrayal and a manifesto of creative freedom. His approach is surgical, visceral, and always focused on provoking a raw, authentic rave experience. DANAZAR fuses advanced production techniques with Latin roots and a rebellious stance toward the industry. While some artists stay loyal to a single style, he prefers to cheat on them all and reinvent himself with every release.

Supported by artists like Mha Iri, his music has been featured in international playlists and sets. His sound is in constant mutation, tied together by one thread: futuristic rituals crafted for the body, the dancefloor, and the mind.

First a classically trained percussionist and an instinctive drummer, I'm now a freelance composer. I can't help but permanently move from a classical universe to pop compositions. My main activity for the last few years has been writing stage music. I love committing myself to long terms projects.

New tracks tagged #Subaquatic