Subway's echoes

Memories of Amsterdam

Under the Lake to the Northern Neighborhoods: music for commuters

hi we are back we stopef uplouding for like 2 weeks we r back we missed u bye


furry art song

Point of Sound (POS): Estas saliendo del metro Allende un domingo en la mañana...

Grabación en campo de la salida del metro Allende y la calle de Motolinia en el centro de la Ciudad de México. Registrado el domingo 19 de octubre de 2025 a las 10h, con una Tascam Portacapture X6

POS: Metro Allende + Motolinia

2hot Erect (Instrumental) [UST]

This soundtrack was created in collaboration with fellow musician notyookee for a game jam. One of the challenges of the jam was to incorporate as many well-known jingles as possible. We included ten popular jingles from various media. Can you name all ten of them in the comments below?

Check out notyookee on Twitch
https://www.twitch.tv/notyookee    

You can play the game here:
https://deansatine.itch.io/obesidean 

Five-Dolla Footlong

EmoYe - JARED (Ye AI Cover)

Dissocieties is a short compilation mixed by Dystopian Societies with some of their selected tracks, presenting to you volume 1 The Subway

Dissocieties es una breve compilación mezclada por Dystopian Societies con algunos de sus tracks selectos, les presento el volumen 1 The Subway

Dissocieties Vol. 1 The Subway

Underground Lullaby is an immersive Post-Rock narrative from Point of Basalt, inviting listeners on an intimate journey deep within the city's heart – a testament to the powerful force of inner travels.

The track opens by drawing you into an authentic and dense subway soundscape, which gradually evolves into a comforting, containing envelope. This sanctuary allows the external world to fade, enabling the internal landscape to unfold.

This is the story of finding peace and the pure joy of being alive, cradled within the rhythmic embrace of the metro. An immobile journey where the mind travels farthest, emerging lighter, clearer, ready to face the surface for new challenges.

Produced, Mixed & Mastered by Point of Basalt.

Clarity from Chaos.

Underground Lullaby

Urban Nights (Nightowl Version)

MY PHONE

ALWAYZ ON GRIND

Hello! I’m really into most Genres, and I’m also a big fan of FNF (Friday Night Funkin’) and FNAF (Five Nights at Freddy’s). Fan of a bunch of other games, though, too.

INDEPENDENT UNDERGROUND RECORD LABEL ARTIST OF HANDSDIRTY ENTERTAINMENT LOCATED IN WASHINGTON DC BEING BORN AND RAISED IN THE DC CITY WHERE GO GO WAS NATURALLY THE THING AND SOUND OF THE CITY BUT WIT DC RAP ARTIST SUCH AS WALE TABI BONNEY DC SCORPIO STINKY DINK AND TONY BLUNT RIP FAT RODNEY HIP HOP TOOK ITS ROOTS IN THE SCENE AND DMV ARTIST FROM ALL DC MD AND VA AREA BEGAN TO EMERGE DA R.O.B. BORN ONE OF 7 KIDS AND THE YOUNGEST AND ONLY BOY HE WAS DESTINED TO BE THE NEXT WAVE OF MCS!!!

i am an experimental artist. Follow me now.







the more you know 🤔🤔

Welcome to the soundcloud page of vaselsongs. Listen to my new songs that I have created. Enjoy listening 🥳

*****

Willkommen auf der Soundcloud Seite von vaselsongs. Höre hier meine neuen Songs, die ich erstellt habe. Seit vielen Jahren schreibe ich meine eigene Musik, mit den technischen Möglichkeiten die mir zur Verfügung stehen. Viel Spaß beim anhören 🥳

Born in the late 70's, I spent my formative years on an island in the Indian Ocean, a melting pot where social and cultural hybridity wasn't just a concept, but the very rhythm of daily life. It was there, in this landscape of contrasts—between the stability of volcanoes and the infinite movement of the ocean—that the foundations of my sonic universe were laid.

From a young age, my first musical education was atmospheric and expansive. Raised on the sonic odysseys of Pink Floyd and the majestic organs of Procol Harum, I developed a deep affinity for the keyboard sounds of the 60s and 70s. This quest for texture found a powerful echo in the monumental synth pads of Jean-Michel Jarre, particularly on an album like Revolutions (1988), which taught me how sound alone can tell a story and build a world. My musical journey began with classical piano, helping me develop a harmonic ear before I turned to the bass, discovering the power of rhythmic foundation.

But an island is also a place of isolation, fertile ground for the fury of adolescence. My discovery of certain music then was brutal and redeeming: the theatrical rock of Alice Cooper, the cathartic heaviness of Obituary, and above all, the shockwave from Seattle. Nirvana's album Nevermind, released in 1991, wasn't just an influence; it became the soundtrack to my high school years, a flash of raw lucidity. It was during this period, as a passionate self-learner, that I picked up the guitar and drums, seeking to replicate and claim that visceral energy for myself.

From this great divide—between the progressive frescoes of my childhood and the raw-nerved dissonance of my adolescence—a central question was born for me: how do opposites coexist? It was in post-rock that I found my ideal refuge. This inherently hybrid genre doesn't force me to choose between the path of sound design, the ethereal keyboard pads in the vein of Pink Floyd, and the raw energy of punk rock. On the contrary, it offers a canvas where these extremes can meet, dialogue, and fuse. This is where hybridity ("métissage") finds its full musical meaning for me, becoming the cornerstone of my approach.

Passionate about the richness and resilience of the human spirit, I place this fusion of opposites at the heart of my music. This is where my project's name, Point of Basalt, reveals its deep meaning. Hybridity, like identity, rests on a fragile, almost unstable equilibrium. The greatest lesson, for me, comes from volcanoes: in the midst of the liquid, chaotic, and unpredictable element, they create platforms of stability. From molten fury, basalt is born—a new, solid, and fertile land that has shaped life for millennia.

My music, Point of Basalt, is that new land. It's a post-rock and ambient exploration where ethereal, reverb-drenched guitars represent the liquid element of memory and emotion. Synth pads lay down an infinite horizon. But from this drift, solid structures always emerge in my work: a propulsive bassline, a relentless crescendo, or a martial rhythm that anchors the chaos. Each track I create is a journey toward that "Point of Basalt": a moment of clarity and peace found not in spite of the whirlwind, but thanks to it. It is the sound map of my mosaic soul, where noise and silence no longer oppose. 
Clarity from chaos...

Daniël Majoor, also the producer behind the Alio Forte project,  has been involved with electronic music since childhood. 

Daniël doesn't see himself as a musician, but rather as someone who "paints" with sound. Just as a painter mixes his colours, Daniel continually experiments with new sounds until he has found the right atmosphere.

For the record: Daniel has no desire to promote himself through an organization or agency to gain more listeners or fans. If you send  a message with this intention, you'll go straight into the archives, and you will be reported as a spammer.

I'm a song writter and musician, I love rock, heavy, pop, punk...Melody is the centrer of my songs. I record alone all instruments in my studio.
Hope you enjoy the trip. Have a good time.

Auteur compositeur progressant dans un univers résolument rock...
parfois pop, parfois power, parfois strong ou heavy mais toujours mélodique.
Je compose et enregistre seul intégralement les titres dans mon home studio.
Je place la mélodie est au centre de ma production.
Enjoy...
https://www.facebook.com/JED-ROCK-102839908129687/

New tracks tagged #Subway