Green Rain

Do you ever stop to ask yourself, "Am I doing the right thing?"

Sometimes I look up into the sky.
Gazing at the stars, wondering where my place is in the universe.
Then I ask.

"Why does it sometimes feel like nobody wants me around?"
"Why does it sometimes feel like nobody cares if I live or die?"
"If nobody else cares, then why should I?"

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[You walk into the white and blue carnival tent. The inside is dark, lit with a calming blue ambiance. The inner side of the tent is a very dark blue lined with golden stars. Besides Kritcoin themselves, the tent is very calm.]

krittcoin💬 Welcome to my HUMBLE abode!! = ]
- this place is... surprisingly peaceful... (aside from your loud voice...)
krittcoin💬 WELL, I OFTEN come here to... calm my nerves...
- ...or to find games to play.
krittcoin💬 PRECISELY!!!! There has to be SOMETHING fun in here, right? RIGHT? RIIIIIIIGHT?! = ]
- ...
krittcoin💬 ...YOU SEEM... rather unsatisfied... = [
- ive said this before, all i wanted was a nice, calming stroll through the woods... nothing you have here could possibly make me feel happy...
krittcoin💬 HMMMMMMMMMMMMMM... I THINK I have an IDEA... LET'S GO on an ADVENTURE!!!! = D
- why would i do that
krittcoin💬 WELL, there's an ARTIFACT hidden DEEP in the FOREST!!! A mystical TREASUUUURE... = O
krittcoin💬 OH, and there's LOTS of FOREST!!! So you can uh... do that sulking thing you like to do. On the way.

.... please?

- i guess a change of scenery would be nice... (why am i agreeing to this...)
krittcoin💬 THAT'S the spirit!!! THIS will be SOOOOOOO much FUN!!! = D

.
.
.
.
.
.
.
.

fun.

this will be... fun.

i hope...

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Deltarune by toby fox
The other puppet by the other puppet on tumblr
The same puppet by @overkill
the same other puppet by @zinc, and @chompz
the sad and lonely puppet by: @t3mp_er @jart-ist



Sycophant's Lullaby [Deltarune: The JOYFUL and SILLY puppet]

"Hay una Máquina" es un experimento sonoro de Martin Phillips que fusiona el pulso hipnótico del Techno con melodías de sintetizador estilo Oriente Medio y una lírica surrealista.

La canción es un mantra electrónico ("nosotros somos máquinas") sobre un ritmo bailable y enérgico. Es una pieza de Electronic Pop Experimental diseñada para la pista de baile y para momentos de alta energía extraña. Una alucinación sónica donde lo orgánico y lo robótico se confunden.

Hay una Máquina

And man opens his mouth

eciohc yzal a sa ti kniht uoy eltit ni melborp ym tup i fi

No talk

natsu

lies in the ruins

More Machine

Dreamy Club

Significant Beat

"Been here Before" is not just a song — it’s an ambush. A kindergarten-level lecture about clickbait, drowned in glitch storms, blast beats, and noise overload. This is satire as sound: childish words twisted into a monstrous, experimental freak-out. If you came here for comfort, you’re in the wrong place.
Obstinator doesn’t whisper — Obstinator smashes your feed with chaos.

Been here before

Silvery Winter

Cool Robot

“WHO PUSHED LUCY?” is a poetic and avant-garde narrative that follows Lucy, a girl suspended between the ordinary world and something far more celestial. She’s introduced against the glow of flickering streetlamps, balancing halos with the fragile defiance of someone who refuses to follow the rules written for the sky. The song sets her on the precipice—both literally and spiritually—as she tiptoes along brittle boundaries, daring the cracks to tell their stories. From the opening lines, Lucy becomes a metaphor of risk, rebellion, and the fine line between faith and personal mythology.

But Lucy is also more than a girl; she is a fallen angel in slow motion, and the song wrestles with the mystery of what truly caused the fall. Was she pushed by pride, gravity, the world around her—or was the fall her own choice all along? The narrative refuses to settle on a single answer, treating blame like smoke that curls, shifts, and never fully holds its shape. The chorus underscores this ambiguity, suggesting that descent isn’t always tragedy—it can be a declaration, a decision, a response to inner heat that can’t be contained. The fall is not just a failure, but a transformation.

The duality of Lucy—as both a human figure navigating streetlight shadows and a winged being negotiating celestial rule—creates the emotional heart of the track. She is caught between wandering and belonging, between the hush of heaven and the pull of gravity, between destiny and rebellion. By the end, the song implies that Lucy’s fall is not something done to her, but something she steps into with consciousness and impossible grace. “WHO PUSHED LUCY?” becomes a meditation on agency, metamorphosis, and the profound truth that sometimes the ground itself is a destination we choose.

WHO PUSHED LUCY?

I developed the soundtrack for Salvador Dali Alive, an immersive experience delving into the mind of the surrealist artist.  This cover of Sing Sing Sing was recorded by myself on drums and Jeremy Diffey on horns and piano. The motion design features an animated photography contact sheet of Philippe Halsman's iconic images of Dali. I developed the camera flash sound design to support the animation, which you can hear in the track.

Salvador Dali Alive - America Chapter - Sing Sing Sing

Simon's Big New Thursday Thing - two hours of improvisation, humour, surrealism, fantastic music and strange noises - presented by Simon Edwards, various characters, and assorted robots.
In this episode, Brian makes some new friends...

Rodney Cromwell - Exercise Class
Pop Hysteria - TMJ Pop
Kiosky - Khto ya
Der menschliche Mottek – Mottek
NOVA MATERIA - Don't Play With Me
Keeley Forsyth – Turning
Of All Living Things - If I'm Honest
Syayvo – Kinets
Pas Musique - Too Civilized
The Speed Of Sound - Mind Palace
Las Nubes - Would Be
Dolores Mondo Stash - Eye In The End
The EXTENDED HEAD - Cut a class
Latex – infectious
CLONE – Immutable
Deary - The Moth
Marc D'leon - Apollo 11
Pavutina - Movchi
Johnnie Carwash – Sunshine
DBR – Secret
Mil ataris por segundo – Charly
German Army - Drank The Poison
Zoom Unit - Icarus Hines
Almanaques - Dormir un poco
Diving Bells – Places
Plexi Stad - Siren Dance
Michal Gutman – Architecture
Moon Diagrams - ... My Promise to You
Cairo Station - Menace

www.facebook.com/SimonsBigNewThur…ingOn6TownsRadio
bandcamp.com/BigSiLooseCanon

Thursday 9-11pm UK – 6 Towns Radio – www.6towns.co.uk/

Simon's Big New Thursday Thing - 27th June 2024

Anbid Zaman is a queer activist and artist whose work rises from a life marked by displacement, resistance, and the insistence on living fully even when the world tries to deny that possibility. Born in Bangladesh and shaped by grassroots queer organizing from a young age, they grew into their voice through community struggle — learning early that courage isn’t an act, but a daily discipline.

Their journey from danger to refuge transformed them without erasing their origins. Living in Germany, Anbid continues to work at the intersections of identity, migration, and liberation, supporting queer people who face violence and navigating the complexities of chosen family, safety, and belonging. Their activism is guided by deep commitments: justice without compromise, solidarity across borders, and an unshakeable belief that marginalised voices should be heard not with pity, but with respect.

These values spill directly into their music. Anbid’s sound blends testimonial storytelling, emotional minimalism, and atmospheric layers shaped by memory — the quiet of hiding, the noise of protest, the ache of leaving, the thrill of surviving. Each track carries the weight of lived experience and the brightness of hope that refuses to die. Their art is not just expression; it is continuation, resistance, and a reminder that stories carry power long before the world acknowledges them.

Impulsado por una visión que va "más allá de la creatividad" convencional, mi trayectoria ha evolucionado desde una búsqueda de nuevas perspectivas hasta la adopción de la máquina como herramienta esencial para la creación de narrativas visuales y la composición musical. He explorado la sinergia entre la intuición humana y la tecnología digital para crear proyectos innovadores que desafían los límites de la expresión artística, tanto en el ámbito visual como sonoro. Mi enfoque se centra en la experimentación audaz y la conceptualización de narrativas audiovisuales impactantes en un mundo en constante cambio.

Hi all ! I make music, some of it weird, some of it beautiful I transcend over different genres, all from odd time signature, violent metal to beautiful smooth orchestrations, Short handed - I make the music I want. DM if there is something on your mind. And check out my stuff.  :)

Gerardo Guzman is a composer of electronic music of the Trance and Synthwave genres

He likes to be inspired to compose grooves with the Mashcine and MPC drum machines as well as the Ableton Live Session Sample Mix. 

The compositions in his songs are layered to generate emotional moments when making the transitions of sounds in the instrumental groups

He likes electronic music because of the groove and because it is a means of artistic expression that cannot be politicized and allows him to give emotional variety to music fans


Gerardo Guzman es compositor de musica electronica de los generos Trance y Synthwave

Le gusta inspirarse para componer los grooves con las cajas de ritmo Mashcine y MPC asi como el Sample Mix de Ableton Live Session. 

Las composiciones en sus canciones las estructura por capas para generar momentos emocionales al hacer las transiciones de sonidos en  los grupos instrumentales

Le gusta la musica electronica por el groove y porque es un medio de expresión artística que no puede ser politizada y permite darle variedad emocional a los fans de la musica

Spotify profile: spoti.fi/2UwdBT0 
Instagram: @gerhardguzman

| Dark ambient/industrial artist - musician. -wandering through sounds and atmospheres-

New tracks tagged #Surrealism