Ghost

ODESA (Black Sea Vibes)

It Ain't Funny

Tarazona - a Singe by Leo´s synthesis
this Single was produced and recorded with the EP-133 and the Roland S1 in Tarazona (Spain)

Tarazona - Single

Purchase here: https://dvsnme.bandcamp.com/album/simple-sabotage-field-manual

Exactly one year after my 2024 release entitled 'Public Relations', I return with a collection of 15 new tracks that were produced between the middle of 2024 and early 2025.

This album, as with the last, relies heavily on the sounds of classic synthesizers/drum machines like Mono/Poly, MS-20, SH-101, Jupiter-8, Juno-106, SH-2, JX-8P, System 100, Juno 60, JX-3P, TB-303, Polysix, TR-606, OB-8, TR-808, ARP Odyssey, as well as some contemporary additions to my studio like Oberheim OB-6 Hydrasynth, System 8, MC-707, MicroFreak, Prophet Rev2, Novation Peak, Minilogue, SE-02, and Microkorg.

A majority of the songs on this album were recorded in only one take in my home studio and recorded to high-quality video as well. The same recordings heard on this album can be seen performed live on YouTube. www.youtube.com/@JohanSebastianBot/videos

Buy Here

DVS NME - Cartoon Mind

please repost if you vibe with the sound 

Multipolar Girlfriend

Boss Mackin'

Stream / Download : https://www.submithub.com/link/video-void-secret-city

Secret City

MAGNOLIA

"Hope You Feel This" - A pulsating blend of R&B, dance-pop, and synth funk, weaving futuristic emotion with electric rhythm. Driven by lush synths and kinetic beats, the track explores digital connection and soulful chemistry.

Lyrics:
I feel your pulse through my system, oh yeah, electric
Wires intertwined, we’re wrapped in this kinetic
Emotions flowing like data streams in the night
When we connect, babe, everything feels so right (Ahh, ahh)
Can you hear the rhythm? It’s our hearts in sync (Ahh, ahh)
Lost in the matrix where we both start to think

Hope you feel this, hope you feel this
As we elevate, make the real bliss
Take this journey, take this journey
With our souls aligned, feel the heart's burning

In this world where the code breathes life
I rewrite the lines, we escape from the strife
Here in our bubble, it’s just you and me
Matrix of feelings, we’re in harmony
No need for silence, let the music play loud
Synthesis of love, (lost) lost in the crowd

Hope you feel this, hope you feel this
As we elevate, make the real bliss
Take this journey, take this journey
With our souls aligned, feel the heart's burning

Song of the future, echoes so clear
Lines of connection, I’ll hold you near
A glitch in the system, but we rise above
Binary affection, new kind of love

Hope you feel this, hope you feel this
As we elevate, make the real bliss
Take this journey, take this journey
With our souls aligned, feel the heart's burning

#RnB #DancePop #Dance #Pop #SynthFunk
#ChromeAndSilk #Album
#AIMusic #luefh

While utilizing AI generation for initial concepts (pictures, album art, lyrics, musical foundation), this music is the result of extensive and documented human creative direction, editing, and production. Manual and complex AI-prompting shaped the raw material. Lyrics underwent significant manual editing for narrative, flow, and emotional impact. The core musical composition was refined through human arrangement choices. The production involved intensive manual mixing and mastering: multi-stem editing, stem correction, octaving, precise cuts, gain staging, dynamic balancing, low-frequency mono processing, pocketing and boosting energy points, bass excitation, sculpting bass harmonics, detailed sound design, effect application, side-chaining, compression, multiband dynamics, tempo fine-tuning, equalization for clarity and reduction of muddiness, loudness optimization, panoramic placement, frequency analysis, targeted high/low-frequency cuts, and LUFSi correction.

Chrome & Silk

Hope You Feel This (AI-aided)

Strange World

Nu-Disco Love

Nu-Disco Love (Instrumental draft)

A shadow sways in liquid light — Irulan drifts between dream and pulse, where groove becomes gravity and mystery breathes in gold.

IRULAN - Zerara

A tribute to one of the most amazing Hongkong singer Sandy Lam. Synthfunk vibe and Acid funk vibe. TRULY DANCE MUSIC!

SlopeValencia (SandyLam Synthfunk Remix)

Spooky Week Continues!  (Though, if you missed yesterday's drop, please give "Absence of Light" a listen--it deserves more ears than it's received so far.)  

Going into this year's Spooky Week, I had three tracks that I thought could deserve the honor of being the Interbay track that would drop on Halloween.  This is one of those three tracks, and the only reason it ISN'T the choice for Halloween is because I had three solid options--THEY CAN'T ALL DROP ON HALLOWEEN.  

(I mean, they could...but I've learned that it isn't a good idea to drop more than one track on any given day, much less three.  One per day seems to be the limit--and that's fine with me.)  

This track was a joy to spend a little extra time on.  It is a full journey into a delightful sort of madness.  Yes, early in the song, there's definitely a "Bella Lugosi's Dead" vibe, but then it turns more traditional alt rock/post punk, then the scritchy guitars come in, and somehow we've landed in mid-period Talking Heads territory...but it's not over.  No, there's a synth funk section, a breakbeat section, leading to an afrobeat climax.  

This absolutely sounds like the most Interbay song that has ever Interbay'd, doesn't it?  

The inspiration for this is one part Agatha All Along and three parts "The Little Hours"--a movie I'd not even heard about until I stumbled over the trailer for it, quite randomly, on YouTube a couple of weeks ago.  The movie is a pure Talent Bomb--Aubrey Plaza, Alison Brie, Kate Miccuci, Molly Shannon, Jemima Kirke, John C. Reilly, Fred Armisen and it seems all sorts of raunchy funny.  

And, it happens to be controversially sacrilegious--if that's not your cup of tea, I understand...but what I took from it was the image of unfettered women dancing around the fire.  (Ahhhh, and now you see what I've done here.)  

Even if this wasn't perfectly built for Spooky Week, I think I'd be very proud of this latest Interbay track...and I hope you feel the care that went into crafting it.  

You know what I'll say now:  Please listen, like, repost, share, playlist, comment...not only for "Around The Fire" but also for "Absence of Light" (yesterday's Interbay drop) as well, if you haven't yet.  And, for the Flying Spaghetti Monster's sake...please, follow this page.  There's freshly revealed Interbay music dropping EVERY SINGLE DAY (so far, for well over a year of consecutive days with a new track drop) and I wouldn't want you to miss any of them (and you won't want to miss any of them either!)  

(And, remember kids--only you can prevent forest fires.  If you do plan to drag all of your female friends into the woods, to get all naked and dance freely and vigorously around a huge bonfire...do so responsibly.)

"Around the Fire" *SoundCloud Exclusive*

Live set recorded at Jimmy's Rooftop (Ivy Pool) on Sunday, NOvember 2nd 2025. 

Enjoy the music! 

Husky Live At Jimmy's Rooftop 2/11/25

If it weren't for Eliminate's "Audio Combat" YouTube series, there wouldn't be an Interbay.  

(Now if, for whatever reason, you're not a particular fan of Interbay--please, don't blame Nate.  The mistakes, all of them, have been mine and mine alone.)  

Let's speedrun through the backstory--I was the front man and co-songwriter for a few bands in the late 80s to the early 90s.  In '92, I moved to Seattle...and, somehow, never found myself a band during the Seattle scene explosion.  I still had song ideas--especially as my nightclub dj career took off--but I hadn't figured out how to craft them on my own.  I started collecting gear, but I'd always put off "putting together a home studio" to some later date.  

"If I only had some extra time..." I'd say.  

Then, in 2015--I was diagnosed and hospitalized with blood cancer (just half a year after my wife had been diagnosed with colon cancer--not my favorite year)...and when I got out of the hospital, I was so weak...I couldn't imagine going back to my previous jobs full time.  If EVER there was a time to set up a home studio...it would be at that moment.  I bought a laptop that I was only going to use for music production.  I bought Ableton 6 and a Push 2 and a Focusrite and some monitor speakers and tons of cables and a mixer and I opened a new folder and titled it Interbay 2017 (because I realized that there was a learning curve, I knew it would take some time before I'd create anything worth sharing.)  

And then?  Nothing.  Most of those things are still in the boxes I bought them in.  The learning curve was so daunting--and I just wanted to have fun making music!  And then I recovered enough to get back to my comedy industry career and the moment was gone.  

A few years later, the Covid lockdowns happened--and I was forced to not work, forced to stay home...and I put together some of the gear I owned (I set it up on the dining room table) and it made me never want to do that again.    

I was mad--I said "If I only had some extra time"--and then I did, and I didn't do what I'd been telling myself for a couple decades that I really wanted to do.  

And then my wife died (while I've been declared cancer free, her cancer kept coming back. :( )  

I was suddenly a single father--a role that did not mesh with my comedy industry work, so I retired.  Despite the horrible circumstances that created it, I was given one final chance to get back to music production.  

And watching "Audio Combat"--an open challenge to take an awful sample and turn it into a 1 minute long track in 2 hours, while Eliminate did the same--made me feel like that was something I could do.  That I wanted to do.  

And Nate used FL Studio.  And FL Studio made sense to me.  

Two months after I got myself FL Studio and started making music again (and decided that I would learn by doing and that I'd make my mistakes in public, so I posted the first tracks I managed to produce on Facebook), I competed in my first Audio Combat.  The sample was that of an old Russian helicopter squaking itself to life, when started.   I would compete in every single Audio Combat during the 3rd "season"--and nearly every 1 minute track I'd make for Audio Combat was then turned into a full length Interbay experiment.  

This track, this noisy funky track with video game samples and hidden helicopter sounds and a classic funk vocal sample, is based on the first track I ever made for Audio Combat.  It became "Experiment 32" on Facebook.  And now, it has undergone the Rethink, Remake, Remix treatment to share it here on SoundCloud.  

Time for your turn in the Soul Train dance line as Interbay gives up the funk.  

(Listen, Like, Repost, Share, Comment, Playlist and Follow.  Please!)

"I Wanna F-F." (exp32 RRR) *exclusive remix*

I’m a singer-songwriter with a broad bass-baritone range. I'm somewhat curious about trying other music styles; you'll hear a broad array, from inspirational house progressive to nujazz, but I stick to EDM.

I work another job full-time, so I don't have a lot of time to crank out much music. I don't have a lot of polished music. I use this account like a lab. I’ve got 50+ originals ready for vocals and hundreds of drafts abound, so you’ll see me posting plenty, even multiple rough  versions of the same song. I’m my own remixer & I'm testing stuff out. 

I find I have to write something down to connect my thoughts and feelings to something solid, like original music or journaling, otherwise I am going to spend my entire day in my head and not create anything. That's the primary reason why I got into music, and why there's tons of it! 

✅ I love listening & commenting on tracks because that’s how I grow as a musician — by learning from others & staying grateful. LLC. Visit my SoundCloud for updates coming soon! PEACE always 🪘🤟🏻❗

luefh - Letzte Übung Für Heute - Human-directed music, crafted with love and AI. https://distrokid.com/hyperfollow/luefh

Business email 

oldmansteptoe666@outlook.com

Hobby music producer – making music for fun and to share with others.
Genres: lofi, ambient, synth, house, electronic
Support my tracks on Bandcamp (link below) 
Check out my DAWless jam videos on YouTube (link below)

Music Icon. 
Sound Creator.
Ritual Grooves, Ethnic and Funky Vibes
UKRAINE

Whether you’re after soulful, jazz beats to tempt you, or funky groves to move you, Husky is leading dance floors with his vivacious style and infecting the world with his organic, musical elements. Also known for his work as one half of Random Soul, this DJ/ Producer continues to hit dance floors with his chart topping hits.
 

Leading the way with his first Random Soul release, “Key To Soul” on Shifted Music, Husky now has a mind blowing discography of productions and remixes featured on some of the worlds leading independent music labels, such as Salted Music, Blockhead, Guesthouse, Shifted Music, Ultra, Interscope, Eight fifteen, Candy Music, Barcoda Recordings, Hermosa Recordings, Adaptation, Reelgroove Recordings, Blockhead, Shifted Music, Eight fifteen, Bargrooves and more.


The popularity and quality of his productions has swept the world on CD compilations including Stereo Sushi vol 12 & 14, Record Glam, Re-Souled vol 1 & 2 (Jay-J), Kay Rush ‘Unlimited V’ & ‘Unlimited VII’, Get Large (Chuck Love), Get Salted vol 2 (Miguel Migs), Hed Kandi Beach House Australia/USA and UK editions and countless others.


Proving the world can’t get enough of Husky and his vibe, in 2009, leading house download store Traxsource named Random Soul in their list of ‘Generation Next’ producers, highlighting Husky and his Random Soul partner Yogi, as one of the worlds leading house music producers.


Husky is one of Australia’s most recognised and sought after DJs. He began his DJ passion as a weekly resident at the infamous Home Bar, Sydney spreading his delicious grooves from a young age. He is now a regular DJ in his Sydney hometown at The Argyle, Slip Inn, Hemmesphere, Monkey Tennis events, IVY, Henry Afrikas, World Bar, Lady Lux and continues to impress dance floors across the country including Tramp (Melbourne), North Bar (Canberra) and more.


In the international scene, Husky has been booked to play all over the world and has rocked the following locations on his annual tours, Salted @ Mighty (San Francisco), Balance @ King King (Los Angeles), WMC (Miami), Focus (Orange County), Le Souk (NYC), First Avenue (Minneapolis), The Whitehouse (London) , Indochine (Jakarta) and an array of others.


Husky is no stranger to festivals and events and has rocked his ability at the Future Music Festival in Sydney in March 2006 and 2008.


It doesn’t stop here for the popular DJ; Carrying on with the Random Soul success, Husky and Yogi are soon to launch their own label, Random Soul Recordings as a way to pump more of their soulful styling into global clubs and onto their first Random Soul album. Husky continues to balance his work with Random Soul and as an independent artist by staying true to funky, soulful and underground sounds while delivering quality music to the world and fans alike.


Jack the house...

French Disco, French House and more !

Inquiries  :  videovoid4ever (at) gmail.com

Buy / Stream my music using the links below :

DVS NME is an Electro music producer/deejay and Post Punk enthusiast living in Colorado. He runs a weekly mix series called @DarkScienceElectro (est 2010) and is actively producing under the name @DVSNME (est 2000)

His musical influences include, but are not limited to: Abstract Thought, Adult., The Advent, Aether Pilot, Afrika Bambaataa, Aphex Twin, Aloka, Andrea Parker, Animistic Beliefs, Annie Hall, Anthony Rother, Armec, Arpanet, AS1, Ashtar Lavanda, Audiogenetics, Autechre, Automat, AUX88, Bass Junkie, Binary Digit, Blackploid, Blatromen, Blotnik Brothers, Boards Of Canda, Boris Divider, Carl Finlow, CEM3340, Cignol, Client_03, Commuter, Composite Profuse, Comtron, The Consumer, CPU, Cyan85, Cybotron, Cygnus, Cylob, CYRK, Dark Vektor, Das Muster, Datawave, Datassette, Deemphasis, Delayscape, Der Zyklus, Detroit's Filthiest, Dez Williams, DJ Stingray, Dave Clarke, Helena Hauff, Dibu-Z, Digitizer, Ditone, DJ Di'jital, DJ Godfather, DJ Overdose, Djedjotronic, DMX Krew, Dopplereffekt, Drexciya, E.R.P., Dynarec, Ectomorph, Egyptian Lover, Ekman, Elecktroids, Electronome, The Exaltics, Heinrich Mueller, Exzakt, Fabrice Lig, Faceless Mind, FAH, Fleck ESC, Fotoapparat, FPU, Franck Kartell, Francois Dillinger, Galaxian, Gedanenexperiment, Gesloten Cirkel, Glass Domain, Go Nuclear, Gosub, The Hacker, Hadamard, Hardfloor, Headnoaks, Heinrich Dressel, Heurisitc Audio, The Hidden Persuader, I-F, Illektrolab, Imatran Voima, Inkamera, Isolated Material, Ivna Ji, IXRQ, Japanese Telecom, Jauzas The Shining, Jeremiah R., John Carpenter, John Selway, Kalson, Kan3da, Keith Tucker, Kobol Electronics, Komarken Electronics, Kon001, Konerytmi, Koova, Kraftwerk, Kronos Device, Krypton 81, Lake Haze, Lectromagnetique, Legowelt, Lithium Flux, London Modular Alliance, Low Tape, Lowfish, Luke Eargoggle, Luxus Varta, Luke Vibert, Luz1e, Machino, Maelstrom, Manasyt, Mandroid, MAS 2008, Maschine Brennt, Melogik, Mesak, MetaComplex, Microlith, Microthol, Miss Kittin, MNLTH, Model 500, Mono Junk, Morphology, Mr. Velcro Fastener, MSRG, Mumm, MystesSystem, N-Ter, Nebenprodukt, Newcleus, Nite Fleit, Noamm, Noise&Noise, Nomenklatur, NRSB-11. Nullptr, Oberman, Ole Micc Odd, Orgue Electronique, Pametex,  Paul Blackford, Pip Williams, Planet Pluto, Plant43, Polytron, Privacy, Q-Chip, R325, RA-X, Radioactive Man, Rebustape, Reedale Rise, Relaxant, Reptant, Retax Gorgon, Richard Easel, Robodrum, Rutherford, S>>D, Sansibar, Sbassship, SC-164, Scape One, Siak, Silicon Scally, Simulant, Skinny Puppy, Solar Chrome, Solvent, Solid Blake, Sonar Base, Sound Synthesis, Stingray313, Sync 24, Synth Alien, Syrte, T/Error, TecRoc, Terens K., Teslasonic, Thomas Kress, Textasy, Ticco Ross, Transparent Sound, UHU, Ultradyne, Umwelt, Underground Resistance, Unit Black Flight, Univac, VC-118A, VCS2600, Velocs, Versalife, Vertical67, Vessel In Distress, VLR, Voice Stealer, Volfram, Volsoc, Wee DJs, Weltwirtschaft, Will Web, Wumpscut, Xerodefx, XY0815, Zerkalo, Zeta Reticula, Zobol, Zwischenwelt, 96 Back, 240 Interceptor, and many more.

Post-punk, dance, indie, electronic, and mutant pop in various styles (seriously!)--new tracks being posted daily (every day for over a year, so far!)

Interbay is the new project of Peter Greyy (previously of Cremation Dance and DangerScience), based out of Seattle and Phantom Laboratories West.

New tracks tagged #Synthfunk