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Third Edition of Recollections by Rezo Glonti

During the Soviet era, art often had to align with propaganda, seemingly fostering a symbiotic relationship between the state and its people. Consequently, in the realm of “Social Realism,” most forms of artistic experimentation were strongly discouraged and even punishable. With few exceptions, 20th-century Georgian classical/chamber music remained quite conservative; however, when faced with dysfunctional cultural phenomena, there will always be gaps in societal walls through which oppressed cultures can carry their historical heritage and unique paradigms.


In 2018, Glonti started collecting LPs of Soviet-era Georgian composers at Tbilisi’s “Dry Bridge” flea market.The records mostly consisted of classical and chamber music released on Melodiya, the singular, state owned record label of the USSR. It was through this process that the idea of Recollection was born, as Glonti aimed to create an album that would utilize samples from his growing collection.


The artwork by Dmytro Nikolaienko of Day Night reflects the generic qualities of Soviet-era cover art.

@auxfield

vinyl / digital

Rezo Glonti - Recollections V - VI

Released on 11/26/2024
Cover Art: Landscape With Figures Passing By A Cottage And A Pond Cornelis Snellinck (Dutch, 1605-1669)

Youtube (CODES IN THE DESCRIPTION!): https://www.youtube.com/watch?v=37VctocKOqI



BANDCAMP

The Walls Are Now Cold and Mossy

The Skies Darkened and the Clouds Dampened

They Say the River Took Her Away

The Moonlight Reflectes of the Cobbles...

Old Tales Say She Is Still There

Tamagotchis 3 - 7_17_24, 4.42 AM Prod By AloTheMagi

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I make this music myself, with real hands and real synths, and tapes.

Each project is to be considered it's own musical entity, they just happen to be made by the same person.
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Established in 2017, the Intergalactic Research Institute for Sound has been an outlet for artistic and experimental endeavors that go beyond electronic music.
Evocative soundscapes from Georgia were the first communication from the Institute. It has since released music from Ukrainian artist Stanislav Tolkachev, acclaimed duo Air Liquide, or Georgian producer Michailo.
Michailo notably worked on his EP in prison, sending files to the label through intermediaries. He was released early, shortly after his record came out.
These days, it is also the home of STAUB’s unknown artists and of the cello robots that keep company with Schloss Mirabell.
With its blurring aesthetics, the Institute travels from clubs to museums and always pushes its exploration further.

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