Mixagem feita por sTarik das músicas "Patricinha" de MC Pedrinho e Ecologyk com o remix de Xinddy "Harder, Better, Faster, Stronger" de Daft Punk.

Imagem gerada por Deep AI.

Patricinha (Ecologyk, MC Pedrinho) + Harder, Better, Faster, Stronger (Xinddy Remix) - Mix by sTarik

Check out our debut DJ set for VIC Your Shot 2025!

Nasty Fruitz @ YourShot VIC 2025 Alize Stage

A playful experiment born from late night sessions and a year of jazz house obsession.
This track blends hard techno grooves with melodic, guitar, touches of (psy)trance, and a free-spirited energy that doesn’t take itself too seriously.
It’s raw, fun, and a bit weird.

Red Wine Into Water

Dennis, Locos, Bibi Babydoll Molothav - Nunca Mais eu Vou / Love in Acid (Angel Dj Techno Mashup)

New
Just now

Deixo vos aqui a minha MASHUP TECHNO de hit Funk do Momento....
WAV+Mp3
Enjoy

DOWNLOAD

Dennis,Locos,Bibi Babydoll & Molothav-Nunca Mais Eu Vou Love in Acid(Angel Dj Techno Mashup)DOWNLOAD

HYPNOTIC/DEEP TECHNO FUNK 1

RAW AND DEEP TECHNO FUNK VOL 3

RAW AND DEEP TECHNO FUNK VOL 4

TRIPPY, HYPNOTIC AND FUN SET - TECHNO FUNK GROOVERS

TECHNO FUNK 2

HARD DANCE - HARDSTYLE AND TECHNO MOSTLY - PLAY IT LOUD

LOUD 7

DEEP MYSTERIOUS HYPNOTIC TECHNO THAT FEELS LIKE A THRILLING NIGHTMARE, BUT IN A GOOD WAY, OF COURSE. FAST, TRIPPY AND HYPNOTIC, THIS MIX GETS A LOT OF PLAYS ON MY PROFILE

HYPNOTIC WARNING: TECHNO & HARDSTYLE 3

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Colonial Powers, The Legacy That Never Left The Building
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lyrics: fictionalive
music: mobygratis
written, produced, licensed, and provided
by mobygratis
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coVer ArT fictionalive DYI, wall shot 01.001.02
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fusion of it all - fictionalive with the popoems series and the hyper media reports
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dropped
Wednesday, August 6th, 2025
05:50 AM Central European
Hot Summer Time Zone
today, not so so much so
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*
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// keep shining, crazy little diamond

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What's it all about..
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"Colonial Powers, The Legacy That Never Left The Building"

This title, poised on the cusp of irony and indictment, addresses its subject with the stylish precision of a rapier’s point. It evokes not a dusty treatise, but an invitation—a salon, a stage, a chamber in which the ghosts of history pace the parquet floors still.

First, observe the flourish: “Colonial Powers,” those familiar colossi, are not consigned to the tomb of history but linger on, uncannily present. The subtitle—“The Legacy That Never Left The Building”—is, for the feuilletonist, a masterstroke of sardonic wit. It both plays on the pop idiom (“Elvis has left the building”) and subverts it; here, the ‘star’ of colonialism remains stubbornly present, lingering in the architecture, policy, and psyche of postcolonial spaces.

A featherlight sarcasm hovers above the phrase, the kind that—with a knowing wink—invites the reader into a tacit complicity: of course the legacy never departed; did we ever truly believe otherwise? The construction conjures irony, a chief weapon of the feuilleton, and implies a skepticism learned by long acquaintance with the tricks of history and the repetition of power.

In the grand tradition of feuilleton writing, the title itself is both diagnosis and epigram. It distills a complex and ongoing wound—economic, cultural, and psychological—into a phrase brisk enough for any café table debate, yet sharp enough to lacerate complacency. The cadence, with its comma and deft repetition, creates a rhythm of announcement followed by wry afterthought: here is the topic, here is the verdict, subtle as a raised eyebrow.

Stylistically, it profits from the feuilleton’s hybrid nature: journalistic immediacy (this is happening now, everywhere); literary artistry (the phrase hits with double entendre); societal critique delivered with a velvet touch. It would not be misplaced, one suspects, at the bottom of a Sunday paper’s cultural page—nestled among witty rebukes, conversations with old Europe, portraits of vanished grandeur, and exposes of lingering injustice.

In sum: the title stands as a crisp, satirical banner—lucid, layered, and perfectly feuilleton. It raises its subject not with ponderous solemnity, but with the bracing, intimate skepticism that is the feuilleton’s signature. On guard, indeed: the building is filled with echoes, and this title leaves no doubt that someone—or something—has stayed behind.

Plaintext and ready for instant release, Captain!

Colonial Powers, The Legacy That Never Left The Building

I CHOOSE THE BEST OF DEEP RAW TECHNO FOR A 10-MINUTE MINIMIX


RAW AND DEEP TECHNO VOL 5

Um set super aleatorio, mas que delicia chegar numa festinha e o som for esse 

B.U.F.

AVASSALADOR

A dirty high hat and a happy pad on a journey !

Sarcoul

holy beats batman

Your Shot 2025. Funky house. Techno Funk. Dark Techno.

Oiseaux ne contient que des lettres fantômes..

Oiseaux Fantôme
Musique électronique, Paris
Electronic music, Paris

hugolivet@gmail.com

Loving and mixing all kinds of electronic music. New to this

Wake Up Everyday with a smile on your face....

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Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

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Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
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/ -- . .  -- . -- .. --  I AM LIVING PROOF
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
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/ : fictionalive, July 30 - 11:11 am
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For This Is The Voyage, The Legend, The Song – Where We Belong
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/ Keep shining
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

sTarik, estrela errante resistente

Pelo Espaço-Tempo,
Vagando sem pressa.
Perambulando,
O errante constante.
Seguindo o próprio,
Caminho.

Um esmero planeta.
Um mero efêmero.
Numa noite de lua nova,
Um dia, seria supernova?

So(l)zinho.
Fugindo do ordinário,
Otário visionário.
Gravitando,
Caminhante vibrante.
Estrela errante

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Trecho do poema autoral "Uma borboleta": 

Sobre estrelas cadentes,
Se tu nunca viu, todos mentem?
Ou você que nunca olhou pro céu
Por mais do que alguns instantes?
Então quando falo que tem,
Não me julguem como um réu...

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Produzo no MPC Beats... Salve àKai

Cheio de coisas nada a ver com tudo à haver...

New tracks tagged #TECHNO FUNK